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Abstracts - Faculdade de Letras da Universidade de Lisboa

Abstracts - Faculdade de Letras da Universidade de Lisboa

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ALICE CAFFAREL, THE UNIVERSITY OF SYDNEY, AUSTRALIATHE TRANSCENDENTAL POWER OF SIMONE DE BEAUVOIR’S LANGUAGEIn this paper I explore aspects of Simone <strong>de</strong> Beauvoir’s language, and in particulari<strong>de</strong>ational aspects, that have ma<strong>de</strong> her writings so influential. In La Force <strong>de</strong>sChoses (1963: 679), Beauvoir writes: ‘Words without doubt, universal, eternal,presence of all in each, are the only transcen<strong>de</strong>nt power I recognize and amaffected by; they vibrate in my mouth, and with them I can communicate withhumanity’ (translated by Howard, 1965: 650). In this paper, I will employ techniquesof linguistic analysis, and in particular of transitivity analysis, to <strong>de</strong>monstrate howBeauvoir’s texts have meanings beyond their first-or<strong>de</strong>r meanings; in other words,how she creates through language a second-or<strong>de</strong>r semiosis and communicates heri<strong>de</strong>as to the world. It will thus eluci<strong>da</strong>te the ‘transcen<strong>de</strong>nt power’ of her language.Simone <strong>de</strong> Beauvoir was one of the most influential intellectual of the 20 th centurywho through her various writings in multiples genres such as novels, memoirs,letters, essays conveyed her experience and vision of the world. In ‘La Force <strong>de</strong>l’Age’ she wrote:’ Whether it is a question of a novel, an autobiography, an essay,an historical work or no matter what, the writer attempts to set up communicationwith others by means of the uniqueness of his personal experience; his work mustmake the existence of his experience evi<strong>de</strong>nt and it must bear the mark of thatexperience- and it is by means of his style, his tone of voice and his rhythm that hecommunicates his experience to his work. No particular kind of writing is on theface of it privileged; none is con<strong>de</strong>mned’ (Beauvoir, 1974: 115; translated by PatrickO’Brian). Beauvoir’s view on literary language and verbal art as a particular use oflanguage, or style that can cut across genres is very pertinent and resonates withmany i<strong>de</strong>as about language that systemic functional linguistics (SFL) encapsulates.In this paper, I will try to bring together SFL as an interpretative tool forun<strong>de</strong>rstanding the creation of meaning and Beauvoir’s language as a tool forcreating meaning in people’s lives.PAPER SESSION 1D, ROOM 4 - MONDAY 25 JULYISFC38 Book of <strong>Abstracts</strong> Page 21 Lisbon, July 2011

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