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Strengthening the Creative Industries for Development in ... - unctad

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PART 3. CREATIVE INDUSTRIES POLICY REVIEW 41<br />

Education and tra<strong>in</strong><strong>in</strong>g on IPR issues is a must, particularly on issues related to copyrights and<br />

trademarks. Artists and authors should know better what <strong>the</strong>ir rights are so that <strong>the</strong> value of <strong>the</strong><br />

creative works is not underpriced. This tra<strong>in</strong><strong>in</strong>g and <strong>in</strong><strong>for</strong>mation should not be restricted to <strong>the</strong> artists<br />

work<strong>in</strong>g <strong>in</strong> centres <strong>in</strong> <strong>the</strong> ma<strong>in</strong> cities, but should be spread throughout each prov<strong>in</strong>ce.<br />

Action: A specific education package of 2–3 days free of charge could be target to creative workers<br />

and implemented <strong>in</strong> each prov<strong>in</strong>ce. Ideally, it should cover: tra<strong>in</strong><strong>in</strong>g and human development;<br />

government support<strong>in</strong>g <strong>in</strong>stitutions; IPR basic <strong>in</strong><strong>for</strong>mation; basic trade techniques <strong>in</strong>clud<strong>in</strong>g market<br />

access; some knowledge of environment; and cultural protection.<br />

3.11 CREATIVITY AND BIODIVERSITY<br />

Develop<strong>in</strong>g countries are often endowed with rich biodiversity but <strong>the</strong>y face <strong>the</strong> big challenge of<br />

f<strong>in</strong>d<strong>in</strong>g <strong>the</strong> right balance between <strong>the</strong> susta<strong>in</strong>able use and <strong>the</strong> conservation of <strong>the</strong>ir biodiversity. In<br />

recent years, a positive trend towards ethical consumerism and eco-ethical fashion is emerg<strong>in</strong>g. The<br />

fashion <strong>in</strong>dustry can play an <strong>in</strong>creas<strong>in</strong>gly important role <strong>in</strong> preserv<strong>in</strong>g natural heritage, encourag<strong>in</strong>g<br />

susta<strong>in</strong>able consumption patterns and shap<strong>in</strong>g a new consumer culture. The fashion <strong>in</strong>dustry provides<br />

an opportunity <strong>for</strong> develop<strong>in</strong>g countries to shift up <strong>the</strong> economic ladder by us<strong>in</strong>g <strong>the</strong>ir creative talents<br />

<strong>in</strong> harmony with <strong>the</strong> best use of <strong>the</strong> nature, <strong>in</strong>clud<strong>in</strong>g <strong>the</strong> use of natural fibers and environmentallyfriendly<br />

processes. Many bus<strong>in</strong>esses are embrac<strong>in</strong>g <strong>in</strong>novative approaches <strong>in</strong> deal<strong>in</strong>g with global<br />

supply cha<strong>in</strong>s, worker’s rights and environmental issues.<br />

Action: Responsible bus<strong>in</strong>ess <strong>in</strong>itiatives are needed by both SMEs and mult<strong>in</strong>ational companies. It is<br />

important to use processes that consume less water and energy to avoid <strong>the</strong> abusive use of animal<br />

species <strong>for</strong> <strong>the</strong> use of sk<strong>in</strong>s.<br />

Action: Ef<strong>for</strong>ts should be made to promote <strong>the</strong> use of biodegradable, <strong>the</strong> use of organic products,<br />

natural fibres and use of local material. The use of pesticides and <strong>in</strong>secticides should be avoided as<br />

well as chemical processes that harm <strong>the</strong> fauna and flora.<br />

<strong>Creative</strong> <strong>in</strong>dustry products are not only cultural ambassadors; every product represents a specific<br />

attitude towards our planet and environment. Artists and cultural operators have a chance to play a role<br />

by promot<strong>in</strong>g products as a vehicle <strong>for</strong> social, cultural, and economic trans<strong>for</strong>mation. The ma<strong>in</strong><br />

challenge rema<strong>in</strong>s <strong>in</strong> bridg<strong>in</strong>g awareness between designers and product managers, producers and coproducers,<br />

consumers and citizens.<br />

Action: A positive dialogue is needed to engage bus<strong>in</strong>ess and consumers to come toge<strong>the</strong>r to conserve<br />

biodiversity. Throughout supply cha<strong>in</strong>s, partnerships among farmers, NGOs, and government are<br />

needed at a global scale. The eco-fashion, <strong>in</strong>terior design and natural cosmetics <strong>in</strong>dustries <strong>in</strong> particular<br />

are boom<strong>in</strong>g sectors, provid<strong>in</strong>g jobs and export revenue from <strong>the</strong> susta<strong>in</strong>able use of biodiversity.<br />

Figure 11: Susta<strong>in</strong>able fashion show dur<strong>in</strong>g <strong>the</strong> National Conference on Culture, Maputo, 2009<br />

Photo by Edna dos Santos-Duisenberg

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