02.12.2012 Views

Strengthening the Creative Industries for Development in ... - unctad

Strengthening the Creative Industries for Development in ... - unctad

Strengthening the Creative Industries for Development in ... - unctad

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

52 PART 4. SECTOR SPECIFIC OVERVIEW<br />

Box 4. Mozambican Fashion Week 2009<br />

The biggest w<strong>in</strong>ner of <strong>the</strong> Mozambique Fashion Week (MFW) 2008, fashion designer Taibo, was<br />

<strong>the</strong> great representative of Mozambique <strong>in</strong> <strong>the</strong> annual fashion event of South Africa, <strong>the</strong> Audi<br />

Joburg Fashion Week (AJFW) 2009, held from 21 to 24 January 2009 <strong>in</strong> <strong>the</strong> cosmopolitan city of<br />

Johannesburg. The AJFW 2009, with <strong>the</strong> participation of designers from different African<br />

countries <strong>in</strong>clud<strong>in</strong>g Egypt, Nigeria and Mozambique – represented by <strong>the</strong> MFW’s w<strong>in</strong>ner of <strong>the</strong><br />

category of Established Designer – has marked positively this event that has <strong>the</strong> participation of<br />

some of <strong>the</strong> most prestigious designers such as Thule S<strong>in</strong>dhi and Fabiani. Taibo showed his class <strong>in</strong><br />

a parade marked by <strong>the</strong> glamour and <strong>in</strong>novation that is already registered as his trademark and<br />

style, through <strong>the</strong> eyes of an excited audience composed of respected African designers and critics<br />

uplift<strong>in</strong>g <strong>the</strong> class and name of Mozambique.<br />

4.4.3 ART CRAFTS<br />

The art crafts sector <strong>in</strong> Mozambique is clearly flourish<strong>in</strong>g and <strong>the</strong>re seems to be good potential to be<br />

enhanced. There is already a significant amount of external and <strong>in</strong>ternal support <strong>for</strong> <strong>the</strong> crafts sector <strong>in</strong><br />

<strong>the</strong> country. The local association CEDARTE is particularly present <strong>in</strong> this field. CEDARTE does not<br />

provide fund<strong>in</strong>g, although <strong>in</strong> <strong>the</strong>ir strategic plan <strong>the</strong>y would like to develop <strong>the</strong> l<strong>in</strong>k between producers<br />

and microf<strong>in</strong>anc<strong>in</strong>g. The United States organization Aid to Artisans has been work<strong>in</strong>g <strong>for</strong> many years<br />

with local crafts organizations, <strong>in</strong> particular with CEDARTE. The organization is try<strong>in</strong>g to encourage<br />

<strong>the</strong> susta<strong>in</strong>able management of resources, <strong>for</strong> example given <strong>the</strong> use of wood <strong>for</strong> many crafts and<br />

cultural objects <strong>the</strong>y are concerned with susta<strong>in</strong>ability of <strong>for</strong>ests. Their priorities are market<strong>in</strong>g, access<br />

to markets, capacity-build<strong>in</strong>g on production and f<strong>in</strong>anc<strong>in</strong>g.<br />

In <strong>the</strong> <strong>in</strong>ternal market, many tourists and upper <strong>in</strong>come locals buy <strong>the</strong> crafts available locally. In terms<br />

of export markets <strong>the</strong>re seems to be a great potential based on previous experience and success at fairs<br />

such as <strong>the</strong> New York Art Fair. Accord<strong>in</strong>g to stakeholders, <strong>the</strong>re are about 50 associations <strong>in</strong> <strong>the</strong><br />

sector, but <strong>the</strong> <strong>in</strong>ternal market is too small to support all <strong>the</strong> production and some craft producers do<br />

not deliver on time. Among <strong>the</strong> 50 associations <strong>the</strong>re are only few exporters. Stakeholders noted <strong>the</strong><br />

possibilities to expand <strong>the</strong> export of art crafts to global markets. 116<br />

It was noted that <strong>the</strong>re are many sculptors that have had to start work<strong>in</strong>g as craftsmen because <strong>the</strong>y<br />

were unable to make a liv<strong>in</strong>g from <strong>the</strong>ir own sculptures. They started mak<strong>in</strong>g copies <strong>for</strong> <strong>the</strong> market<br />

because of f<strong>in</strong>ancial necessity. If an artist makes one object a month, <strong>the</strong> duplication work earns <strong>the</strong><br />

116 Stakeholders’ meet<strong>in</strong>g, Maputo, 2 September 2008.<br />

Source: www.mfw.co.mz

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!