13.07.2015 Views

THE HARMONY OF VIRTUE

THE HARMONY OF VIRTUE

THE HARMONY OF VIRTUE

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

III. 1. The Sources of Poetry107to be the right thing for its purpose; it is always nobly or rapturouslyinevitable.But even in the higher centres of the intuitive intellect theremay be defects in the inspiration. There is a kind of false fluencywhich misses the true language of poetry from dullnessof perception. Under the impression that it is true and inspiredwriting it flows with an imperturbable flatness, saying the thingthat should be said but not in the way that it should be said,without force and felicity. This is the tamasic or clouded stimulus,active, but full of unenlightenment and self-ignorance. Thething seen is right and good; accompanied with the inspiredexpression it would make very noble poetry. Instead, it becomesprose rendered unnatural and difficult to tolerate by being cutup into lengths. Wordsworth is the most characteristic and interestingvictim of tamasic stimulus. Other great poets fall aprey to it, but that superb and imperturbable self-satisfactionunder the infliction is his alone. There is another species oftamasic stimulus which transmits an inspired and faultless expression,but the substance is neither interesting to man norpleasing to the gods. A good deal of Milton comes under thiscategory. In both cases what has happened is that either theinspiration or the revelation has been active, but its companionactivity has refused to associate itself in the work.It is when the mind works at the form and substance ofpoetry without either the revelation or the inspiration fromabove that respectable or minor poetry is produced. Judgment,memory and imagination may work, command of language maybe there, but without that secondary action of a higher thanintellectual force, it is labour wasted, work that earns respectbut not immortality. Doggerel and bastard poetry take theirrise not even in the observing intellect but from the sensationalmind or the passive memory guided only by the merephysical pleasure of sound and emotion. It is bold, blatant,external, imitative, vulgar; its range of intellectuality and imaginativenesscannot go beyond the vital impulse and the vitaldelight. But even in the sensational mind there is the possibilityof a remote action from the ideal self; for even to the animalswho think sensationally only, God has given revelations and

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!