THE HARMONY OF VIRTUE

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228The Harmony of Virtueand continue the great dream where she left it off, shaking off,on the one hand, the soils and filth that have grown on her inher period of downfall and futile struggle, and re-asserting, onthe other, her peculiar individuality and national type against thecallow civilisation of the West with its dogmatic and intolerantknowledge, its still more dogmatic and intolerant ignorance, itsdeification of selfishness and force, its violence and its ungovernedTitanism? In doing so lies her one chance of salvation.
The Historical Method<strong>OF</strong> Kalidasa, the man who represents oneof the greatest periods in our civilisation and typifies so manysides and facets of it in his writing, we know if possible evenless than of Valmiki and Vyasa. It is probable but not certainthat he was a native of Malva born not in the capital Ujjayini,but in one of those villages of which he speaks in the Cloud-Messenger and that he afterwards resorted to the capital and wroteunder the patronage of the great Vikramaditya who founded theera of the Malavas in the middle of the first century before Christ.Of his attainments, his creed, his character we may gather somethingfrom his poetry, but external facts we have none. There isindeed a mass of apocryphal anecdotes about him couching anumber of witticisms and ingenuities mostly ribald, but these maybe safely discredited. Valmiki, Vyasa and Kalidasa, our three greatestnames, are to us, outside their poetical creation, names merelyand nothing more.This is an exceedingly fortunate circumstance. The naturalman within us rebels indeed against such a void; who Kalidasawas, what was his personal as distinguished from his poeticalindividuality, what manner of man was the great king whosepatronage he enjoyed, who were his friends, who his rivals andhow he dealt with either or both, whether or not he was a loverof wine and women in practice as well as in imagination, underwhat special surroundings he wrote and who were the minds bywhom he was most influenced, all this the natural man clamoursto know; and yet all these are things we are very fortunate notto know. The historical method is certainly an attractive one andit leads to some distinct advantages, for it decidedly aids thosewho are not gifted with fine insight and literary discrimination, tounderstand certain sides of a poet's work more clearly and intelligently.But while it increases our knowledge of the workings ofthe human mind, it does not in the end assist or improve our criticalappreciation of poetry; it helps to an understanding of the man
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VOLUME 3SRI AUROBINDO BIRTH CENTENA
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Section OneTHE HARMONY OF VIRTUE189
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2 The Harmony of Virtuesomething di
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4 The Harmony of VirtueKeshav: And
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6 The Harmony of VirtueWilson: But
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8 The Harmony of Virtuephantasm spa
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10 The Harmony of Virtuemarriage an
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14 The Harmony of Virtuewho do not
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16 The Harmony of Virtuethird eleme
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18 The Harmony of VirtueWilson: The
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20 The Harmony of Virtueart was ris
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22 The Harmony of VirtueKeshav: And
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Book TwoKeshav Ganesh [Desai] — T
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26 The Harmony of VirtueKeshav: Why
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28 The Harmony of Virtuematerial co
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30 The Harmony of Virtuefrom savage
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32 The Harmony of Virtuehymns of pr
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34 The Harmony of Virtueto consider
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36 The Harmony of VirtueKeshav: Thi
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38 The Harmony of Virtuerose, a win
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40 The Harmony of Virtuedevelops th
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42 The Harmony of Virtueas a type i
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44 The Harmony of Virtueand indeed
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Book ThreeKeshav Ganesh [Desai] —
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48 The Harmony of Virtueand dangero
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50 The Harmony of VirtueKeshav: Bec
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52 The Harmony of Virtuethe elimina
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54 The Harmony of Virtueharmony of
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56 The Harmony of Virtuethe velvet
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58 The Harmony of VirtueWilson: Tha
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60 The Harmony of Virtueeyes, for i
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62 The Harmony of Virtuevirtuous bu
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64The Harmony of VirtueWe have expa
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66 The Harmony of Virtueretentive m
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68 The Harmony of Virtuewithout fea
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70The Harmony of Virtueducts for st
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72The Harmony of VirtueOne step bey
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ONEHis Youth and College LifeBankim
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II. 1. Bankim Chandra Chatterji77be
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II. 2. Bankim Chandra Chatterji79pa
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II. 2. Bankim Chandra Chatterji81ra
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THREEHis Official CareerTHUS equipp
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II. 3. Bankim Chandra Chatterji85Ma
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FOURHis VersatilityWHENEVER a liter
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II. 4. Bankim Chandra Chatterji89sa
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II. 5. Bankim Chandra Chatterji91Ba
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II. 5. Bankim Chandra Chatterji93fi
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SIXWhat He Did for BengalI HAVE kep
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II. 6. Bankim Chandra Chatterji97se
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SEVENOur Hope in the FutureBUT prof
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II. 7. Bankim Chandra Chatterji101o
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Section ThreeTHE SOURCES OF POETRYA
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106 The Harmony of Virtuegive us Sh
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108 The Harmony of Virtueinspiratio
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On Original ThinkingTHE attitude of
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112 The Harmony of Virtueenvironmen
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114The Harmony of Virtuethese imper
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116 The Harmony of Virtuethought-sy
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118 The Harmony of Virtuehas happen
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Social ReformREFORM is not an excel
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122 The Harmony of Virtuereformers.
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124The Harmony of Virtuestrength of
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126 The Harmony of Virtueutilitaria
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128 The Harmony of Virtueeducation
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Lecture in Baroda College*IN ADDRES
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132 The Harmony of Virtueand if you
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Section FourVALMIKI AND VYASA
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138The Harmony of Virtuebecause the
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NOTES ON THE MAHABHARATANotes on th
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IV. 2.Vyasa: Some Characteristics14
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Page 183 and 184: IV. 2.Vyasa: Some Characteristics17
Page 185 and 186: The Problem of the MahabharataTHE P
Page 187 and 188: IV. 3. The Problem of the Mahabhara
Page 203 and 204: 2THE problem of the Mahabharata, it
Page 207 and 208: IV. 4. Notes2017. The simile is str
Page 209 and 210: IV. 4. Notes203as a modern English
Page 211 and 212: IV. 4. Notes20523. Yateyureva — w
Page 213 and 214: Udyogaparva*LET the reciter bow dow
Page 215: IV. 4. Notes209what can you decide
Page 219 and 220: KalidasaONCE in the long history of
Page 221 and 222: V. 1. Kalidasa215Gujarat and Sindh
Page 223 and 224: The Age of KalidasaVALMIKI, Vyasa a
Page 225 and 226: V. 2. The Age of Kalidasa219existin
Page 227 and 228: V. 2. The Age of Kalidasa221orgiast
Page 229 and 230: V. 2. The Age of Kalidasa223intelle
Page 231 and 232: V. 2. The Age of Kalidasa225culture
Page 233: V. 2. The Age of Kalidasa227used es
Page 237 and 238: V. 3. The Historical Method231phras
Page 239 and 240: V. 3. The Historical Method233deduc
Page 241 and 242: V. 3. The Historical Method235age w
Page 243 and 244: V. 4. On Translating Kalidasa237vol
Page 245 and 246: V. 4. On Translating Kalidasa239to
Page 247 and 248: V. 4. On Translating Kalidasa241But
Page 249 and 250: V. 4. On Translating Kalidasa243Are
Page 251 and 252: V. 4. On Translating Kalidasa245wor
Page 253 and 254: V. 4. On Translating Kalidasa247qui
Page 255 and 256: V. 4. On Translating Kalidasa249Ol.
Page 257 and 258: V. 5. Kalidasa's “Seasons”251a
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Page 261 and 262: V. 5. Kalidasa's “Seasons”255po
Page 263 and 264: V. 5. Kalidasa's “Seasons”257a
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Page 267 and 268: Vikram and the Nymph“VIKRAM and t
Page 269 and 270: Kalidasa's CharactersI. PururavasPU
Page 271 and 272: V.. 7. Kalidasa's Characters265arti
Page 273 and 274: V.. 7. Kalidasa's Characters267self
Page 275 and 276: V.. 7. Kalidasa's Characters269he h
Page 277 and 278: V.. 7. Kalidasa's Characters271but
Page 279 and 280: V.. 7. Kalidasa's Characters273of t
Page 281 and 282: V.. 7. Kalidasa's Characters275of r
Page 283 and 284: V.. 7. Kalidasa's Characters277what
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V.. 7. Kalidasa's Characters279in a
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V.. 7. Kalidasa's Characters281by P
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V.. 7. Kalidasa's Characters283atti
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V.. 7. Kalidasa's Characters285Arth
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V.. 7. Kalidasa's Characters287emba
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V.. 7. Kalidasa's Characters289agai
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IV. ApsarasThere is nothing more ch
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V.. 7. Kalidasa's Characters293supr
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V.. 7. Kalidasa's Characters295sudd
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V.. 7. Kalidasa's Characters297sing
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V.. 7. Kalidasa's Characters299Hind
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V.. 7. Kalidasa's Characters301that
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V. 8. Hindu Drama303all must melt a
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V. 8. Hindu Drama305savage and half
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V. 8. Hindu Drama307enormous than t
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V. 9. Skeleton Notes on the Kumaras
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V. 10. A Proposed Work on Kalidasa3
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The Brain of IndiaTHE time has perh
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VI. 1. The Brain of India329inrush
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VI. 1. The Brain of India331the anc
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VI. 1. The Brain of India333we can
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VI. 1. The Brain of India335this re
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VI. 1. The Brain of India337teacher
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VI. 1. The Brain of India339common
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Section SevenFROM THE “KARMAYOGIN
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344 The Harmony of Virtuemost comma
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346The Harmony of Virtueof this dha
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348 The Harmony of Virtueciations w
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350 The Harmony of Virtuethey began
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The Greatness of the IndividualIN A
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354 The Harmony of Virtueteeth. In
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356The Harmony of Virtueforward ove
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358 The Harmony of Virtueof moral a
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360 The Harmony of Virtuevital poin
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The Stress of the Hidden SpiritTHE
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364 The Harmony of Virtueshapes it.
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The Strength of StillnessTHERE are
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368The Harmony of Virtuewhere activ
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370 The Harmony of Virtuesource and
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372 The Harmony of Virtueplaymates
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Man-Slave or Free?THE exclusive pur
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376 The Harmony of Virtuecome to th
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378The Harmony of Virtuefrom which
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380 The Harmony of Virtueand Hindui
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382The Harmony of Virtuein causalit
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384 The Harmony of VirtueHe does no
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386The Harmony of VirtueVedantist b
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388 The Harmony of Virtuethe strong
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390 The Harmony of Virtueact of fai
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392The Harmony of VirtueYoga is the
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394 The Harmony of Virtueand Mr. St
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396 The Harmony of Virtueonly by su
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Stead and MaskelyneTHE vexed questi
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400 The Harmony of Virtueand not at
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HathayogaTHE evolution of man has b
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404 The Harmony of Virtuevisible in
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RajayogaMAN fulfilling himself in t
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408 The Harmony of Virtuewill deal
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Section EightART AND LITERATURE
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414 The Harmony of Virtueor upward
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416The Harmony of VirtueThe Indian
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418 The Harmony of Virtuetakes them
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420The Harmony of VirtueWhether his
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422 The Harmony of Virtuetion a sin
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424 The Harmony of Virtueshoulder h
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Indian Art and an Old ClassicWE HAV
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428 The Harmony of Virtuethis perio
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Suprabhat: A ReviewTHE paper Suprab
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432 The Harmony of Virtuegiven are
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Section NinePASSING THOUGHTS
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438 The Harmony of VirtueEuropean e
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Stray Thoughts and GlimpsesTRUE her
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442 The Harmony of VirtueIIThe glor
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444 The Harmony of VirtueIIIMankind
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Academic ThoughtsThe Object of Gove
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448 The Harmony of Virtuetorture, h
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OneThings Seen in SymbolsWHAT is dh
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TwoThings Seen in SymbolsTHERE are
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OneEpistles from AbroadDearly belov
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456 The Harmony of Virtuewe become.
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TwoEpistles from AbroadFriend and B
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460The Harmony of Virtuecarry one's
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462 The Harmony of Virtuethe tempor
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In the Society's ChambersProfessor:
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466 The Harmony of VirtueWhoever in
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468 The Harmony of VirtueAt the Soc
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470 The Harmony of Virtueintimacy.
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472The Harmony of Virtueyou can dro
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OneDinshah - PerizadeD INSHAHPeriza
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TwoTuriu — UriuT URIUGoddess Leda
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X. Conversations of the Dead479U RI
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X. Conversations of the Dead481M AZ
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FourShivaji-Jai SinghJ AI SINGHNeit
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X. Conversations of the Dead485S HI
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X. Conversations of the Dead487out
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BIBLIOGRAPHICAL NOTETHE HARMONY OF
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NOTES ON THE MAHABHARATAVyasa: Some
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C ONTENTSSECTION TENCONVERSATIONS O
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THE HARMONY OF VIRTUE

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