THE HARMONY OF VIRTUE

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364 The Harmony of Virtueshapes it. He is in the seed of man and in that little particle ofmatter carries habit, character, types of emotion into the unbornchild. Therefore heredity is true; but if prajÜÀ were not concealedin the seed, heredity would be false, inexplicable, impossible.We see the same stress in the mind, heart, body of man.Because the hidden Spirit urges himself on the body, stamps himselfon it, expresses himself in it, the body expresses the individualityof the man, the developing and conscious idea or varyingtype which is myself. Therefore no two faces, no two expressions,no two thumb-impressions even are entirely alike; everypart of the body in some way or other expresses the man. Thestress of the Spirit shows itself in the mind and heart; thereforemen, families, nations have individuality, run into particular habitsof thought and feeling, therefore also they are both alike anddissimilar. Therefore men act and react, not only physically butspiritually, intellectually, morally on each other, because there isone self in all creatures expressing itself in various ideas and formsvariously suitable to the idea. The stress of the hidden Spiritexpresses itself again in events and the majestic course of theworld. This is the Zeitgeist, this is the purpose that runs throughthe process of the centuries, the changes of the suns, this is thatwhich makes evolution possible and provides it with a way, meansand a goal. “This is He who from years sempiternal hath orderedperfectly all things.”This is the teaching of the Vedanta as we have it in itsoldest form in the Upanishads. Advaita, viÙiØÒÀdvaita, dvaitaare merely various ways of looking at the relations of theOne to the Many, and none of them has the right to monopolisethe name Vedanta. Advaita is true, because the Manyare only manifestations of the One, viÙiØÒÀdvaita is true becauseideas are eternal and having manifested, must havemanifested before and will manifest again, — the Many areeternal in the One, only they are sometimes manifest andsometimes unmanifest. Dvaita is true, because although fromone point of view the One and the Many are eternally andessentially the same, yet from another, the idea in its manifestationsis eternally different from the Intelligence inwhich it manifests. If Unity is eternal and unchangeable,
VII. 5. The Stress of the Hidden Spirit365duality is persistently recurrent. The Spirit is infinite, illimitable,eternal; and infinite, illimitable, eternal is its stress towards manifestation,filling endless space with innumerable existences.
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VOLUME 3SRI AUROBINDO BIRTH CENTENA
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Section OneTHE HARMONY OF VIRTUE189
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2 The Harmony of Virtuesomething di
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4 The Harmony of VirtueKeshav: And
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6 The Harmony of VirtueWilson: But
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8 The Harmony of Virtuephantasm spa
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10 The Harmony of Virtuemarriage an
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14 The Harmony of Virtuewho do not
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16 The Harmony of Virtuethird eleme
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18 The Harmony of VirtueWilson: The
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20 The Harmony of Virtueart was ris
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22 The Harmony of VirtueKeshav: And
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Book TwoKeshav Ganesh [Desai] — T
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26 The Harmony of VirtueKeshav: Why
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28 The Harmony of Virtuematerial co
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30 The Harmony of Virtuefrom savage
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32 The Harmony of Virtuehymns of pr
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34 The Harmony of Virtueto consider
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36 The Harmony of VirtueKeshav: Thi
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38 The Harmony of Virtuerose, a win
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40 The Harmony of Virtuedevelops th
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42 The Harmony of Virtueas a type i
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44 The Harmony of Virtueand indeed
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Book ThreeKeshav Ganesh [Desai] —
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48 The Harmony of Virtueand dangero
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50 The Harmony of VirtueKeshav: Bec
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52 The Harmony of Virtuethe elimina
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54 The Harmony of Virtueharmony of
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56 The Harmony of Virtuethe velvet
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58 The Harmony of VirtueWilson: Tha
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60 The Harmony of Virtueeyes, for i
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62 The Harmony of Virtuevirtuous bu
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64The Harmony of VirtueWe have expa
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66 The Harmony of Virtueretentive m
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68 The Harmony of Virtuewithout fea
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70The Harmony of Virtueducts for st
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72The Harmony of VirtueOne step bey
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ONEHis Youth and College LifeBankim
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II. 1. Bankim Chandra Chatterji77be
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II. 2. Bankim Chandra Chatterji79pa
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II. 2. Bankim Chandra Chatterji81ra
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THREEHis Official CareerTHUS equipp
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II. 3. Bankim Chandra Chatterji85Ma
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FOURHis VersatilityWHENEVER a liter
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II. 4. Bankim Chandra Chatterji89sa
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II. 5. Bankim Chandra Chatterji91Ba
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II. 5. Bankim Chandra Chatterji93fi
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SIXWhat He Did for BengalI HAVE kep
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II. 6. Bankim Chandra Chatterji97se
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SEVENOur Hope in the FutureBUT prof
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II. 7. Bankim Chandra Chatterji101o
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Section ThreeTHE SOURCES OF POETRYA
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106 The Harmony of Virtuegive us Sh
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108 The Harmony of Virtueinspiratio
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On Original ThinkingTHE attitude of
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112 The Harmony of Virtueenvironmen
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114The Harmony of Virtuethese imper
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116 The Harmony of Virtuethought-sy
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118 The Harmony of Virtuehas happen
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Social ReformREFORM is not an excel
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122 The Harmony of Virtuereformers.
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124The Harmony of Virtuestrength of
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126 The Harmony of Virtueutilitaria
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128 The Harmony of Virtueeducation
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Lecture in Baroda College*IN ADDRES
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132 The Harmony of Virtueand if you
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Section FourVALMIKI AND VYASA
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138The Harmony of Virtuebecause the
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NOTES ON THE MAHABHARATANotes on th
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IV. 2.Vyasa: Some Characteristics14
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The Problem of the MahabharataTHE P
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IV. 3. The Problem of the Mahabhara
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2THE problem of the Mahabharata, it
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IV. 4. Notes2017. The simile is str
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IV. 4. Notes203as a modern English
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IV. 4. Notes20523. Yateyureva — w
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Udyogaparva*LET the reciter bow dow
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IV. 4. Notes209what can you decide
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KalidasaONCE in the long history of
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V. 1. Kalidasa215Gujarat and Sindh
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The Age of KalidasaVALMIKI, Vyasa a
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V. 2. The Age of Kalidasa219existin
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V. 2. The Age of Kalidasa221orgiast
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V. 2. The Age of Kalidasa223intelle
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V. 2. The Age of Kalidasa225culture
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V. 2. The Age of Kalidasa227used es
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The Historical MethodOF Kalidasa, t
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V. 3. The Historical Method231phras
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V. 3. The Historical Method233deduc
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V. 3. The Historical Method235age w
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V. 4. On Translating Kalidasa237vol
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V. 4. On Translating Kalidasa239to
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V. 4. On Translating Kalidasa241But
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V. 4. On Translating Kalidasa243Are
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V. 4. On Translating Kalidasa245wor
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V. 4. On Translating Kalidasa247qui
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V. 4. On Translating Kalidasa249Ol.
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V. 5. Kalidasa's “Seasons”251a
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V. 5. Kalidasa's “Seasons”253co
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V. 5. Kalidasa's “Seasons”255po
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V. 5. Kalidasa's “Seasons”257a
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V. 5. Kalidasa's “Seasons”259
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Vikram and the Nymph“VIKRAM and t
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Kalidasa's CharactersI. PururavasPU
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V.. 7. Kalidasa's Characters265arti
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V.. 7. Kalidasa's Characters267self
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V.. 7. Kalidasa's Characters269he h
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V.. 7. Kalidasa's Characters271but
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V.. 7. Kalidasa's Characters273of t
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V.. 7. Kalidasa's Characters275of r
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V.. 7. Kalidasa's Characters277what
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V.. 7. Kalidasa's Characters279in a
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V.. 7. Kalidasa's Characters281by P
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V.. 7. Kalidasa's Characters283atti
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V.. 7. Kalidasa's Characters285Arth
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V.. 7. Kalidasa's Characters287emba
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V.. 7. Kalidasa's Characters289agai
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IV. ApsarasThere is nothing more ch
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V.. 7. Kalidasa's Characters293supr
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V.. 7. Kalidasa's Characters295sudd
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V.. 7. Kalidasa's Characters297sing
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V.. 7. Kalidasa's Characters299Hind
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V.. 7. Kalidasa's Characters301that
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V. 8. Hindu Drama303all must melt a
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V. 8. Hindu Drama305savage and half
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V. 8. Hindu Drama307enormous than t
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V. 9. Skeleton Notes on the Kumaras
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V. 9. Skeleton Notes on the Kumaras
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Page 329: V. 10. A Proposed Work on Kalidasa3
Page 333 and 334: The Brain of IndiaTHE time has perh
Page 335 and 336: VI. 1. The Brain of India329inrush
Page 337 and 338: VI. 1. The Brain of India331the anc
Page 339 and 340: VI. 1. The Brain of India333we can
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Page 347: Section SevenFROM THE “KARMAYOGIN
Page 350 and 351: 344 The Harmony of Virtuemost comma
Page 352 and 353: 346The Harmony of Virtueof this dha
Page 354 and 355: 348 The Harmony of Virtueciations w
Page 356 and 357: 350 The Harmony of Virtuethey began
Page 358 and 359: The Greatness of the IndividualIN A
Page 360 and 361: 354 The Harmony of Virtueteeth. In
Page 362 and 363: 356The Harmony of Virtueforward ove
Page 364 and 365: 358 The Harmony of Virtueof moral a
Page 366 and 367: 360 The Harmony of Virtuevital poin
Page 368 and 369: The Stress of the Hidden SpiritTHE
Page 372 and 373: The Strength of StillnessTHERE are
Page 374 and 375: 368The Harmony of Virtuewhere activ
Page 376 and 377: 370 The Harmony of Virtuesource and
Page 378 and 379: 372 The Harmony of Virtueplaymates
Page 380 and 381: Man-Slave or Free?THE exclusive pur
Page 382 and 383: 376 The Harmony of Virtuecome to th
Page 384 and 385: 378The Harmony of Virtuefrom which
Page 386 and 387: 380 The Harmony of Virtueand Hindui
Page 388 and 389: 382The Harmony of Virtuein causalit
Page 390 and 391: 384 The Harmony of VirtueHe does no
Page 392 and 393: 386The Harmony of VirtueVedantist b
Page 394 and 395: 388 The Harmony of Virtuethe strong
Page 396 and 397: 390 The Harmony of Virtueact of fai
Page 398 and 399: 392The Harmony of VirtueYoga is the
Page 400 and 401: 394 The Harmony of Virtueand Mr. St
Page 402 and 403: 396 The Harmony of Virtueonly by su
Page 404 and 405: Stead and MaskelyneTHE vexed questi
Page 406 and 407: 400 The Harmony of Virtueand not at
Page 408 and 409: HathayogaTHE evolution of man has b
Page 410 and 411: 404 The Harmony of Virtuevisible in
Page 412 and 413: RajayogaMAN fulfilling himself in t
Page 414 and 415: 408 The Harmony of Virtuewill deal
Page 417: Section EightART AND LITERATURE
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414 The Harmony of Virtueor upward
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416The Harmony of VirtueThe Indian
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418 The Harmony of Virtuetakes them
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420The Harmony of VirtueWhether his
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422 The Harmony of Virtuetion a sin
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424 The Harmony of Virtueshoulder h
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Indian Art and an Old ClassicWE HAV
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428 The Harmony of Virtuethis perio
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Suprabhat: A ReviewTHE paper Suprab
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432 The Harmony of Virtuegiven are
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Section NinePASSING THOUGHTS
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438 The Harmony of VirtueEuropean e
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Stray Thoughts and GlimpsesTRUE her
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442 The Harmony of VirtueIIThe glor
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444 The Harmony of VirtueIIIMankind
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Academic ThoughtsThe Object of Gove
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448 The Harmony of Virtuetorture, h
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OneThings Seen in SymbolsWHAT is dh
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TwoThings Seen in SymbolsTHERE are
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OneEpistles from AbroadDearly belov
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456 The Harmony of Virtuewe become.
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TwoEpistles from AbroadFriend and B
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460The Harmony of Virtuecarry one's
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462 The Harmony of Virtuethe tempor
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In the Society's ChambersProfessor:
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466 The Harmony of VirtueWhoever in
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468 The Harmony of VirtueAt the Soc
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470 The Harmony of Virtueintimacy.
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472The Harmony of Virtueyou can dro
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OneDinshah - PerizadeD INSHAHPeriza
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TwoTuriu — UriuT URIUGoddess Leda
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X. Conversations of the Dead479U RI
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X. Conversations of the Dead481M AZ
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FourShivaji-Jai SinghJ AI SINGHNeit
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X. Conversations of the Dead485S HI
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X. Conversations of the Dead487out
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BIBLIOGRAPHICAL NOTETHE HARMONY OF
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NOTES ON THE MAHABHARATAVyasa: Some
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C ONTENTSSECTION TENCONVERSATIONS O
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