THE HARMONY OF VIRTUE

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196The Harmony of VirtuetSy te p*iqvIpalaSTvTsma" p*iqvIpte" -è[eya'sXcWv rajan" sN?yaSyNte prNtp --s Tv' pu]WXc pO]WXc ipt*i..aRt*i.Stqa -suòd(i." svRto guPt" su%' x+yis jIivtum( --Etanev puro/ay sT²Ty c yqa pura -Ai%la' .o+yse sva| p*iqvI' p*iqvIpte --EtihR siht" svR" pa
2<strong>THE</strong> problem of the Mahabharata, its origin,date and composition, is one that seems likely to elude scholarshipto times indefinite if not for ever. It is true that severalEuropean scholars have solved all these to their own satisfaction,but their industrious and praiseworthy efforts....In the following pages I have approached the eternal problemof the Mahabharata from the point of view mainly of styleand literary personality, partly of substance; but in dealing withthe substance I have deferred questions of philosophy, allusionand verbal evidence to which a certain school attach great importanceand ignored altogether the question of minute metricaldetails on which they base far-reaching conclusions. It is necessarytherefore out of respect for these scholars to devote somespace to an explanation of my standpoint. I contend that owingto the peculiar manner in which the Mahabharata has been composed,these minutiae of detail and word have very little value.The labour of this minute school has proved beyond dispute onething and one thing only, that the Mahabharata was not onlyimmensely enlarged, crusted with interpolations and accretionsand in parts rewritten and modified, but even its oldest parts wereverbally modified in the course of preservation. The extent towhich this happened has, I think, been grossly exaggerated, butthat it did happen, one cannot but be convinced. Now if this isso, it is obvious that arguments from verbal niceties must bevery dangerous. It has been sought to prove from a single word,suraÚga, an underground tunnel, which European scholars believeto be identical with the Greek suringks that the accountin the Adiparva of the Pandavas' escape from the burning houseof Purochana through an underground tunnel must be later thananother account in the Vanaparva which represents Bhima ascarrying his brothers and mother out of the flames; for theformer they say must have been composed after the Indianshad learned the Greek language and culture and the latter, itis assumed, before that interesting period. Now whether suraÚga
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VOLUME 3SRI AUROBINDO BIRTH CENTENA
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Section OneTHE HARMONY OF VIRTUE189
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2 The Harmony of Virtuesomething di
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4 The Harmony of VirtueKeshav: And
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6 The Harmony of VirtueWilson: But
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8 The Harmony of Virtuephantasm spa
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10 The Harmony of Virtuemarriage an
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14 The Harmony of Virtuewho do not
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16 The Harmony of Virtuethird eleme
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18 The Harmony of VirtueWilson: The
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20 The Harmony of Virtueart was ris
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22 The Harmony of VirtueKeshav: And
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Book TwoKeshav Ganesh [Desai] — T
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26 The Harmony of VirtueKeshav: Why
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28 The Harmony of Virtuematerial co
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30 The Harmony of Virtuefrom savage
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32 The Harmony of Virtuehymns of pr
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34 The Harmony of Virtueto consider
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36 The Harmony of VirtueKeshav: Thi
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38 The Harmony of Virtuerose, a win
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40 The Harmony of Virtuedevelops th
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42 The Harmony of Virtueas a type i
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44 The Harmony of Virtueand indeed
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Book ThreeKeshav Ganesh [Desai] —
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48 The Harmony of Virtueand dangero
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50 The Harmony of VirtueKeshav: Bec
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52 The Harmony of Virtuethe elimina
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54 The Harmony of Virtueharmony of
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56 The Harmony of Virtuethe velvet
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58 The Harmony of VirtueWilson: Tha
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60 The Harmony of Virtueeyes, for i
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62 The Harmony of Virtuevirtuous bu
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64The Harmony of VirtueWe have expa
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66 The Harmony of Virtueretentive m
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68 The Harmony of Virtuewithout fea
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70The Harmony of Virtueducts for st
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72The Harmony of VirtueOne step bey
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ONEHis Youth and College LifeBankim
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II. 1. Bankim Chandra Chatterji77be
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II. 2. Bankim Chandra Chatterji79pa
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II. 2. Bankim Chandra Chatterji81ra
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THREEHis Official CareerTHUS equipp
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II. 3. Bankim Chandra Chatterji85Ma
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FOURHis VersatilityWHENEVER a liter
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II. 4. Bankim Chandra Chatterji89sa
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II. 5. Bankim Chandra Chatterji91Ba
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II. 5. Bankim Chandra Chatterji93fi
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SIXWhat He Did for BengalI HAVE kep
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II. 6. Bankim Chandra Chatterji97se
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SEVENOur Hope in the FutureBUT prof
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II. 7. Bankim Chandra Chatterji101o
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Section ThreeTHE SOURCES OF POETRYA
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106 The Harmony of Virtuegive us Sh
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108 The Harmony of Virtueinspiratio
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On Original ThinkingTHE attitude of
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112 The Harmony of Virtueenvironmen
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114The Harmony of Virtuethese imper
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116 The Harmony of Virtuethought-sy
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118 The Harmony of Virtuehas happen
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Social ReformREFORM is not an excel
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122 The Harmony of Virtuereformers.
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124The Harmony of Virtuestrength of
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126 The Harmony of Virtueutilitaria
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128 The Harmony of Virtueeducation
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Lecture in Baroda College*IN ADDRES
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132 The Harmony of Virtueand if you
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Section FourVALMIKI AND VYASA
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138The Harmony of Virtuebecause the
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NOTES ON THE MAHABHARATANotes on th
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IV. 2.Vyasa: Some Characteristics14
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Page 185 and 186: The Problem of the MahabharataTHE P
Page 187 and 188: IV. 3. The Problem of the Mahabhara
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Page 207 and 208: IV. 4. Notes2017. The simile is str
Page 209 and 210: IV. 4. Notes203as a modern English
Page 211 and 212: IV. 4. Notes20523. Yateyureva — w
Page 213 and 214: Udyogaparva*LET the reciter bow dow
Page 215: IV. 4. Notes209what can you decide
Page 219 and 220: KalidasaONCE in the long history of
Page 221 and 222: V. 1. Kalidasa215Gujarat and Sindh
Page 223 and 224: The Age of KalidasaVALMIKI, Vyasa a
Page 225 and 226: V. 2. The Age of Kalidasa219existin
Page 227 and 228: V. 2. The Age of Kalidasa221orgiast
Page 229 and 230: V. 2. The Age of Kalidasa223intelle
Page 231 and 232: V. 2. The Age of Kalidasa225culture
Page 233 and 234: V. 2. The Age of Kalidasa227used es
Page 235 and 236: The Historical MethodOF Kalidasa, t
Page 237 and 238: V. 3. The Historical Method231phras
Page 239 and 240: V. 3. The Historical Method233deduc
Page 241 and 242: V. 3. The Historical Method235age w
Page 243 and 244: V. 4. On Translating Kalidasa237vol
Page 245 and 246: V. 4. On Translating Kalidasa239to
Page 247 and 248: V. 4. On Translating Kalidasa241But
Page 249 and 250: V. 4. On Translating Kalidasa243Are
Page 251 and 252: V. 4. On Translating Kalidasa245wor
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V. 4. On Translating Kalidasa247qui
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V. 4. On Translating Kalidasa249Ol.
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V. 5. Kalidasa's “Seasons”251a
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V. 5. Kalidasa's “Seasons”253co
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V. 5. Kalidasa's “Seasons”255po
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V. 5. Kalidasa's “Seasons”257a
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V. 5. Kalidasa's “Seasons”259
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Vikram and the Nymph“VIKRAM and t
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Kalidasa's CharactersI. PururavasPU
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V.. 7. Kalidasa's Characters265arti
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V.. 7. Kalidasa's Characters267self
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V.. 7. Kalidasa's Characters269he h
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V.. 7. Kalidasa's Characters271but
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V.. 7. Kalidasa's Characters273of t
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V.. 7. Kalidasa's Characters275of r
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V.. 7. Kalidasa's Characters277what
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V.. 7. Kalidasa's Characters279in a
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V.. 7. Kalidasa's Characters281by P
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V.. 7. Kalidasa's Characters283atti
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V.. 7. Kalidasa's Characters285Arth
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V.. 7. Kalidasa's Characters287emba
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V.. 7. Kalidasa's Characters289agai
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IV. ApsarasThere is nothing more ch
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V.. 7. Kalidasa's Characters293supr
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V.. 7. Kalidasa's Characters295sudd
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V.. 7. Kalidasa's Characters297sing
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V.. 7. Kalidasa's Characters299Hind
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V.. 7. Kalidasa's Characters301that
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V. 8. Hindu Drama303all must melt a
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V. 8. Hindu Drama305savage and half
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V. 8. Hindu Drama307enormous than t
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V. 9. Skeleton Notes on the Kumaras
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V. 10. A Proposed Work on Kalidasa3
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The Brain of IndiaTHE time has perh
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VI. 1. The Brain of India329inrush
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VI. 1. The Brain of India331the anc
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VI. 1. The Brain of India333we can
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VI. 1. The Brain of India335this re
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VI. 1. The Brain of India337teacher
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VI. 1. The Brain of India339common
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Section SevenFROM THE “KARMAYOGIN
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344 The Harmony of Virtuemost comma
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346The Harmony of Virtueof this dha
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348 The Harmony of Virtueciations w
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350 The Harmony of Virtuethey began
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The Greatness of the IndividualIN A
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354 The Harmony of Virtueteeth. In
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356The Harmony of Virtueforward ove
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358 The Harmony of Virtueof moral a
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360 The Harmony of Virtuevital poin
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The Stress of the Hidden SpiritTHE
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364 The Harmony of Virtueshapes it.
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The Strength of StillnessTHERE are
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368The Harmony of Virtuewhere activ
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370 The Harmony of Virtuesource and
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372 The Harmony of Virtueplaymates
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Man-Slave or Free?THE exclusive pur
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376 The Harmony of Virtuecome to th
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378The Harmony of Virtuefrom which
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380 The Harmony of Virtueand Hindui
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382The Harmony of Virtuein causalit
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384 The Harmony of VirtueHe does no
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386The Harmony of VirtueVedantist b
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388 The Harmony of Virtuethe strong
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390 The Harmony of Virtueact of fai
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392The Harmony of VirtueYoga is the
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394 The Harmony of Virtueand Mr. St
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396 The Harmony of Virtueonly by su
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Stead and MaskelyneTHE vexed questi
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400 The Harmony of Virtueand not at
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HathayogaTHE evolution of man has b
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404 The Harmony of Virtuevisible in
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RajayogaMAN fulfilling himself in t
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408 The Harmony of Virtuewill deal
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Section EightART AND LITERATURE
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414 The Harmony of Virtueor upward
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416The Harmony of VirtueThe Indian
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418 The Harmony of Virtuetakes them
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420The Harmony of VirtueWhether his
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422 The Harmony of Virtuetion a sin
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424 The Harmony of Virtueshoulder h
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Indian Art and an Old ClassicWE HAV
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428 The Harmony of Virtuethis perio
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Suprabhat: A ReviewTHE paper Suprab
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432 The Harmony of Virtuegiven are
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Section NinePASSING THOUGHTS
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438 The Harmony of VirtueEuropean e
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Stray Thoughts and GlimpsesTRUE her
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442 The Harmony of VirtueIIThe glor
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444 The Harmony of VirtueIIIMankind
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Academic ThoughtsThe Object of Gove
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448 The Harmony of Virtuetorture, h
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OneThings Seen in SymbolsWHAT is dh
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TwoThings Seen in SymbolsTHERE are
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OneEpistles from AbroadDearly belov
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456 The Harmony of Virtuewe become.
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TwoEpistles from AbroadFriend and B
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460The Harmony of Virtuecarry one's
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462 The Harmony of Virtuethe tempor
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In the Society's ChambersProfessor:
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466 The Harmony of VirtueWhoever in
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468 The Harmony of VirtueAt the Soc
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470 The Harmony of Virtueintimacy.
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472The Harmony of Virtueyou can dro
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OneDinshah - PerizadeD INSHAHPeriza
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TwoTuriu — UriuT URIUGoddess Leda
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X. Conversations of the Dead479U RI
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X. Conversations of the Dead481M AZ
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FourShivaji-Jai SinghJ AI SINGHNeit
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X. Conversations of the Dead485S HI
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X. Conversations of the Dead487out
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BIBLIOGRAPHICAL NOTETHE HARMONY OF
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NOTES ON THE MAHABHARATAVyasa: Some
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C ONTENTSSECTION TENCONVERSATIONS O
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THE HARMONY OF VIRTUE

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