THE HARMONY OF VIRTUE

More documents

Recommendations

Info

216The Harmony of Virtuepre-eminence; the great era of the Malavas afterwards called theSamvat era. It was doubtless subsequent to this date that Kalidasacame to Ujjayini to sum up in his poetry the beauty ofhuman life, the splendours of art and the glory of the senses.
The Age of KalidasaVALMIKI, Vyasa and Kalidasa are theessence of the history of ancient India; if all else were lost, theywould still be its sole and sufficient cultural history. Their poemsare types and exponents of three periods in the developmentof the human soul, types and exponents also of the threegreat powers which dispute and clash in the imperfect and halfformedtemperament and harmonise in the formed and perfect.At the same time, their works are pictures at once minute andgrandiose of three moods of our Aryan civilisation, of which thefirst was predominatingly moral, the second predominatingly intellectual,the third predominatingly material. The fourth powerof the soul, the spiritual, which can alone govern and harmonisethe others by fusion with them, had not, though it pervaded andpowerfully influenced each successive development, any separateage of predominance, did not like the others possess thewhole race with a dominating obsession. It is because, conjoiningin themselves the highest and most varied poetical gifts, theyat the same time represent and mirror their age and humanityby their interpretative largeness and power that our three chiefpoets hold their supreme place and bear comparison with thegreatest world-names, Homer, Shakespeare and Dante.It has been said truly that the Ramayana represents an idealsociety and assumed illogically that it must therefore representan altogether imaginary one. The argument ignores the alternativeof a real society idealised. No poet could evolve entirelyout of his own imagination a picture at once so colossal, so minuteand so consistent in every detail. No number of poets could doit without stumbling into fatal incompatibilities either of fact orof view, such as we find defacing the Mahabharata. This is notthe place to discuss the question of Valmiki's age and authorship.This much, however, may be said that after excluding theUttarakanda which is a later work, and some amount of interpolationfor the most part easy enough to detect, and reforming
Page 2 and 3:
VOLUME 3SRI AUROBINDO BIRTH CENTENA
Page 5:
Section OneTHE HARMONY OF VIRTUE189
Page 8 and 9:
2 The Harmony of Virtuesomething di
Page 10 and 11:
4 The Harmony of VirtueKeshav: And
Page 12 and 13:
6 The Harmony of VirtueWilson: But
Page 14 and 15:
8 The Harmony of Virtuephantasm spa
Page 16:
10 The Harmony of Virtuemarriage an
Page 20 and 21:
14 The Harmony of Virtuewho do not
Page 22 and 23:
16 The Harmony of Virtuethird eleme
Page 24 and 25:
18 The Harmony of VirtueWilson: The
Page 26 and 27:
20 The Harmony of Virtueart was ris
Page 28 and 29:
22 The Harmony of VirtueKeshav: And
Page 30 and 31:
Book TwoKeshav Ganesh [Desai] — T
Page 32 and 33:
26 The Harmony of VirtueKeshav: Why
Page 34 and 35:
28 The Harmony of Virtuematerial co
Page 36 and 37:
30 The Harmony of Virtuefrom savage
Page 38 and 39:
32 The Harmony of Virtuehymns of pr
Page 40 and 41:
34 The Harmony of Virtueto consider
Page 42 and 43:
36 The Harmony of VirtueKeshav: Thi
Page 44 and 45:
38 The Harmony of Virtuerose, a win
Page 46 and 47:
40 The Harmony of Virtuedevelops th
Page 48 and 49:
42 The Harmony of Virtueas a type i
Page 50 and 51:
44 The Harmony of Virtueand indeed
Page 52 and 53:
Book ThreeKeshav Ganesh [Desai] —
Page 54 and 55:
48 The Harmony of Virtueand dangero
Page 56 and 57:
50 The Harmony of VirtueKeshav: Bec
Page 58 and 59:
52 The Harmony of Virtuethe elimina
Page 60 and 61:
54 The Harmony of Virtueharmony of
Page 62 and 63:
56 The Harmony of Virtuethe velvet
Page 64 and 65:
58 The Harmony of VirtueWilson: Tha
Page 66 and 67:
60 The Harmony of Virtueeyes, for i
Page 68 and 69:
62 The Harmony of Virtuevirtuous bu
Page 70 and 71:
64The Harmony of VirtueWe have expa
Page 72 and 73:
66 The Harmony of Virtueretentive m
Page 74 and 75:
68 The Harmony of Virtuewithout fea
Page 76 and 77:
70The Harmony of Virtueducts for st
Page 78 and 79:
72The Harmony of VirtueOne step bey
Page 81 and 82:
ONEHis Youth and College LifeBankim
Page 83 and 84:
II. 1. Bankim Chandra Chatterji77be
Page 85 and 86:
II. 2. Bankim Chandra Chatterji79pa
Page 87 and 88:
II. 2. Bankim Chandra Chatterji81ra
Page 89 and 90:
THREEHis Official CareerTHUS equipp
Page 91 and 92:
II. 3. Bankim Chandra Chatterji85Ma
Page 93 and 94:
FOURHis VersatilityWHENEVER a liter
Page 95 and 96:
II. 4. Bankim Chandra Chatterji89sa
Page 97 and 98:
II. 5. Bankim Chandra Chatterji91Ba
Page 99 and 100:
II. 5. Bankim Chandra Chatterji93fi
Page 101 and 102:
SIXWhat He Did for BengalI HAVE kep
Page 103 and 104:
II. 6. Bankim Chandra Chatterji97se
Page 105 and 106:
SEVENOur Hope in the FutureBUT prof
Page 107 and 108:
II. 7. Bankim Chandra Chatterji101o
Page 109:
Section ThreeTHE SOURCES OF POETRYA
Page 112 and 113:
106 The Harmony of Virtuegive us Sh
Page 114 and 115:
108 The Harmony of Virtueinspiratio
Page 116 and 117:
On Original ThinkingTHE attitude of
Page 118 and 119:
112 The Harmony of Virtueenvironmen
Page 120 and 121:
114The Harmony of Virtuethese imper
Page 122 and 123:
116 The Harmony of Virtuethought-sy
Page 124 and 125:
118 The Harmony of Virtuehas happen
Page 126 and 127:
Social ReformREFORM is not an excel
Page 128 and 129:
122 The Harmony of Virtuereformers.
Page 130 and 131:
124The Harmony of Virtuestrength of
Page 132 and 133:
126 The Harmony of Virtueutilitaria
Page 134 and 135:
128 The Harmony of Virtueeducation
Page 136 and 137:
Lecture in Baroda College*IN ADDRES
Page 138 and 139:
132 The Harmony of Virtueand if you
Page 141:
Section FourVALMIKI AND VYASA
Page 144 and 145:
138The Harmony of Virtuebecause the
Page 147 and 148:
NOTES ON THE MAHABHARATANotes on th
Page 149 and 150:
IV. 2.Vyasa: Some Characteristics14
Page 151 and 152:
Page 153 and 154:
Page 155 and 156:
Page 157 and 158:
Page 159 and 160:
Page 161 and 162:
Page 163 and 164:
Page 165 and 166:
Page 167 and 168:
Page 169 and 170:
Page 171 and 172: IV. 2.Vyasa: Some Characteristics16
Page 185 and 186: The Problem of the MahabharataTHE P
Page 187 and 188: IV. 3. The Problem of the Mahabhara
Page 203 and 204: 2THE problem of the Mahabharata, it
Page 207 and 208: IV. 4. Notes2017. The simile is str
Page 209 and 210: IV. 4. Notes203as a modern English
Page 211 and 212: IV. 4. Notes20523. Yateyureva — w
Page 213 and 214: Udyogaparva*LET the reciter bow dow
Page 215: IV. 4. Notes209what can you decide
Page 219 and 220: KalidasaONCE in the long history of
Page 221: V. 1. Kalidasa215Gujarat and Sindh
Page 225 and 226: V. 2. The Age of Kalidasa219existin
Page 227 and 228: V. 2. The Age of Kalidasa221orgiast
Page 229 and 230: V. 2. The Age of Kalidasa223intelle
Page 231 and 232: V. 2. The Age of Kalidasa225culture
Page 233 and 234: V. 2. The Age of Kalidasa227used es
Page 235 and 236: The Historical MethodOF Kalidasa, t
Page 237 and 238: V. 3. The Historical Method231phras
Page 239 and 240: V. 3. The Historical Method233deduc
Page 241 and 242: V. 3. The Historical Method235age w
Page 243 and 244: V. 4. On Translating Kalidasa237vol
Page 245 and 246: V. 4. On Translating Kalidasa239to
Page 247 and 248: V. 4. On Translating Kalidasa241But
Page 249 and 250: V. 4. On Translating Kalidasa243Are
Page 251 and 252: V. 4. On Translating Kalidasa245wor
Page 253 and 254: V. 4. On Translating Kalidasa247qui
Page 255 and 256: V. 4. On Translating Kalidasa249Ol.
Page 257 and 258: V. 5. Kalidasa's “Seasons”251a
Page 259 and 260: V. 5. Kalidasa's “Seasons”253co
Page 261 and 262: V. 5. Kalidasa's “Seasons”255po
Page 263 and 264: V. 5. Kalidasa's “Seasons”257a
Page 265 and 266: V. 5. Kalidasa's “Seasons”259
Page 267 and 268: Vikram and the Nymph“VIKRAM and t
Page 269 and 270: Kalidasa's CharactersI. PururavasPU
Page 271 and 272: V.. 7. Kalidasa's Characters265arti
Page 273 and 274:
V.. 7. Kalidasa's Characters267self
Page 275 and 276:
V.. 7. Kalidasa's Characters269he h
Page 277 and 278:
V.. 7. Kalidasa's Characters271but
Page 279 and 280:
V.. 7. Kalidasa's Characters273of t
Page 281 and 282:
V.. 7. Kalidasa's Characters275of r
Page 283 and 284:
V.. 7. Kalidasa's Characters277what
Page 285 and 286:
V.. 7. Kalidasa's Characters279in a
Page 287 and 288:
V.. 7. Kalidasa's Characters281by P
Page 289 and 290:
V.. 7. Kalidasa's Characters283atti
Page 291 and 292:
V.. 7. Kalidasa's Characters285Arth
Page 293 and 294:
V.. 7. Kalidasa's Characters287emba
Page 295 and 296:
V.. 7. Kalidasa's Characters289agai
Page 297 and 298:
IV. ApsarasThere is nothing more ch
Page 299 and 300:
V.. 7. Kalidasa's Characters293supr
Page 301 and 302:
V.. 7. Kalidasa's Characters295sudd
Page 303 and 304:
V.. 7. Kalidasa's Characters297sing
Page 305 and 306:
V.. 7. Kalidasa's Characters299Hind
Page 307 and 308:
V.. 7. Kalidasa's Characters301that
Page 309 and 310:
V. 8. Hindu Drama303all must melt a
Page 311 and 312:
V. 8. Hindu Drama305savage and half
Page 313 and 314:
V. 8. Hindu Drama307enormous than t
Page 315 and 316:
V. 9. Skeleton Notes on the Kumaras
Page 317 and 318:
Page 319 and 320:
Page 321 and 322:
Page 323 and 324:
Page 325 and 326:
Page 327 and 328:
Page 329:
V. 10. A Proposed Work on Kalidasa3
Page 333 and 334:
The Brain of IndiaTHE time has perh
Page 335 and 336:
VI. 1. The Brain of India329inrush
Page 337 and 338:
VI. 1. The Brain of India331the anc
Page 339 and 340:
VI. 1. The Brain of India333we can
Page 341 and 342:
VI. 1. The Brain of India335this re
Page 343 and 344:
VI. 1. The Brain of India337teacher
Page 345 and 346:
VI. 1. The Brain of India339common
Page 347:
Section SevenFROM THE “KARMAYOGIN
Page 350 and 351:
344 The Harmony of Virtuemost comma
Page 352 and 353:
346The Harmony of Virtueof this dha
Page 354 and 355:
348 The Harmony of Virtueciations w
Page 356 and 357:
350 The Harmony of Virtuethey began
Page 358 and 359:
The Greatness of the IndividualIN A
Page 360 and 361:
354 The Harmony of Virtueteeth. In
Page 362 and 363:
356The Harmony of Virtueforward ove
Page 364 and 365:
358 The Harmony of Virtueof moral a
Page 366 and 367:
360 The Harmony of Virtuevital poin
Page 368 and 369:
The Stress of the Hidden SpiritTHE
Page 370 and 371:
364 The Harmony of Virtueshapes it.
Page 372 and 373:
The Strength of StillnessTHERE are
Page 374 and 375:
368The Harmony of Virtuewhere activ
Page 376 and 377:
370 The Harmony of Virtuesource and
Page 378 and 379:
372 The Harmony of Virtueplaymates
Page 380 and 381:
Man-Slave or Free?THE exclusive pur
Page 382 and 383:
376 The Harmony of Virtuecome to th
Page 384 and 385:
378The Harmony of Virtuefrom which
Page 386 and 387:
380 The Harmony of Virtueand Hindui
Page 388 and 389:
382The Harmony of Virtuein causalit
Page 390 and 391:
384 The Harmony of VirtueHe does no
Page 392 and 393:
386The Harmony of VirtueVedantist b
Page 394 and 395:
388 The Harmony of Virtuethe strong
Page 396 and 397:
390 The Harmony of Virtueact of fai
Page 398 and 399:
392The Harmony of VirtueYoga is the
Page 400 and 401:
394 The Harmony of Virtueand Mr. St
Page 402 and 403:
396 The Harmony of Virtueonly by su
Page 404 and 405:
Stead and MaskelyneTHE vexed questi
Page 406 and 407:
400 The Harmony of Virtueand not at
Page 408 and 409:
HathayogaTHE evolution of man has b
Page 410 and 411:
404 The Harmony of Virtuevisible in
Page 412 and 413:
RajayogaMAN fulfilling himself in t
Page 414 and 415:
408 The Harmony of Virtuewill deal
Page 417:
Section EightART AND LITERATURE
Page 420 and 421:
414 The Harmony of Virtueor upward
Page 422 and 423:
416The Harmony of VirtueThe Indian
Page 424 and 425:
418 The Harmony of Virtuetakes them
Page 426 and 427:
420The Harmony of VirtueWhether his
Page 428 and 429:
422 The Harmony of Virtuetion a sin
Page 430 and 431:
424 The Harmony of Virtueshoulder h
Page 432 and 433:
Indian Art and an Old ClassicWE HAV
Page 434 and 435:
428 The Harmony of Virtuethis perio
Page 436 and 437:
Suprabhat: A ReviewTHE paper Suprab
Page 438 and 439:
432 The Harmony of Virtuegiven are
Page 441:
Section NinePASSING THOUGHTS
Page 444 and 445:
438 The Harmony of VirtueEuropean e
Page 446 and 447:
Stray Thoughts and GlimpsesTRUE her
Page 448 and 449:
442 The Harmony of VirtueIIThe glor
Page 450 and 451:
444 The Harmony of VirtueIIIMankind
Page 452 and 453:
Academic ThoughtsThe Object of Gove
Page 454 and 455:
448 The Harmony of Virtuetorture, h
Page 456 and 457:
OneThings Seen in SymbolsWHAT is dh
Page 458 and 459:
TwoThings Seen in SymbolsTHERE are
Page 460 and 461:
OneEpistles from AbroadDearly belov
Page 462 and 463:
456 The Harmony of Virtuewe become.
Page 464 and 465:
TwoEpistles from AbroadFriend and B
Page 466 and 467:
460The Harmony of Virtuecarry one's
Page 468 and 469:
462 The Harmony of Virtuethe tempor
Page 470 and 471:
In the Society's ChambersProfessor:
Page 472 and 473:
466 The Harmony of VirtueWhoever in
Page 474 and 475:
468 The Harmony of VirtueAt the Soc
Page 476 and 477:
470 The Harmony of Virtueintimacy.
Page 478 and 479:
472The Harmony of Virtueyou can dro
Page 481 and 482:
OneDinshah - PerizadeD INSHAHPeriza
Page 483 and 484:
TwoTuriu — UriuT URIUGoddess Leda
Page 485 and 486:
X. Conversations of the Dead479U RI
Page 487 and 488:
X. Conversations of the Dead481M AZ
Page 489 and 490:
FourShivaji-Jai SinghJ AI SINGHNeit
Page 491 and 492:
X. Conversations of the Dead485S HI
Page 493 and 494:
X. Conversations of the Dead487out
Page 495 and 496:
BIBLIOGRAPHICAL NOTETHE HARMONY OF
Page 497 and 498:
NOTES ON THE MAHABHARATAVyasa: Some
Page 499:
C ONTENTSSECTION TENCONVERSATIONS O
show all

THE HARMONY OF VIRTUE

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?