THE HARMONY OF VIRTUE

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72The Harmony of VirtueOne step beyond the sublime and you are in the grotesque.*Art holds the mirror up to Nature that Nature may see herown image beside that of Art and realise her own deformity andimperfections.*It was Meredith who taught me that the epigram is the soulof style, and Plato who whispered that rhythm is its body, wordsare the texture of the flesh and sentences the system of hardmatter that gives it consistency: the texture of the flesh may becoarse or delicate, and as you design so you shall build.*Just as Socrates was nothing without his daemon, so theartist is helpless if he has not his daemon at his elbow. And whois the artist's daemon?The artistic conscience.Inspiration means that the papyrus of your imagination isheld to the fire of memory and reveals characters written in Indianink by unseen compositors.NOTE: Stray Thoughts - Reproduced from notes found in a manuscript belongingto student days in England, 1890-92.
Section TwoBANKIM CHANDRA CHATTERJIOn the passing away of Bankim Chandra Chatterji in 1894 SriAurobindo wrote a series of seven articles, “Bankim ChandraChatterji by a Bengali” in the Induprakash of Bombay from July16, 1894 to August 27, 1894. These articles were signed “Zero”.
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VOLUME 3SRI AUROBINDO BIRTH CENTENA
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Section OneTHE HARMONY OF VIRTUE189
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2 The Harmony of Virtuesomething di
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4 The Harmony of VirtueKeshav: And
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6 The Harmony of VirtueWilson: But
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8 The Harmony of Virtuephantasm spa
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10 The Harmony of Virtuemarriage an
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14 The Harmony of Virtuewho do not
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16 The Harmony of Virtuethird eleme
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18 The Harmony of VirtueWilson: The
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20 The Harmony of Virtueart was ris
Page 28 and 29: 22 The Harmony of VirtueKeshav: And
Page 30 and 31: Book TwoKeshav Ganesh [Desai] — T
Page 32 and 33: 26 The Harmony of VirtueKeshav: Why
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Page 36 and 37: 30 The Harmony of Virtuefrom savage
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Page 42 and 43: 36 The Harmony of VirtueKeshav: Thi
Page 44 and 45: 38 The Harmony of Virtuerose, a win
Page 46 and 47: 40 The Harmony of Virtuedevelops th
Page 48 and 49: 42 The Harmony of Virtueas a type i
Page 50 and 51: 44 The Harmony of Virtueand indeed
Page 52 and 53: Book ThreeKeshav Ganesh [Desai] —
Page 54 and 55: 48 The Harmony of Virtueand dangero
Page 56 and 57: 50 The Harmony of VirtueKeshav: Bec
Page 58 and 59: 52 The Harmony of Virtuethe elimina
Page 60 and 61: 54 The Harmony of Virtueharmony of
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Page 64 and 65: 58 The Harmony of VirtueWilson: Tha
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Page 70 and 71: 64The Harmony of VirtueWe have expa
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Page 76 and 77: 70The Harmony of Virtueducts for st
Page 81 and 82: ONEHis Youth and College LifeBankim
Page 83 and 84: II. 1. Bankim Chandra Chatterji77be
Page 85 and 86: II. 2. Bankim Chandra Chatterji79pa
Page 87 and 88: II. 2. Bankim Chandra Chatterji81ra
Page 89 and 90: THREEHis Official CareerTHUS equipp
Page 91 and 92: II. 3. Bankim Chandra Chatterji85Ma
Page 93 and 94: FOURHis VersatilityWHENEVER a liter
Page 95 and 96: II. 4. Bankim Chandra Chatterji89sa
Page 97 and 98: II. 5. Bankim Chandra Chatterji91Ba
Page 99 and 100: II. 5. Bankim Chandra Chatterji93fi
Page 101 and 102: SIXWhat He Did for BengalI HAVE kep
Page 103 and 104: II. 6. Bankim Chandra Chatterji97se
Page 105 and 106: SEVENOur Hope in the FutureBUT prof
Page 107 and 108: II. 7. Bankim Chandra Chatterji101o
Page 109: Section ThreeTHE SOURCES OF POETRYA
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Page 116 and 117: On Original ThinkingTHE attitude of
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Page 120 and 121: 114The Harmony of Virtuethese imper
Page 122 and 123: 116 The Harmony of Virtuethought-sy
Page 124 and 125: 118 The Harmony of Virtuehas happen
Page 126 and 127: Social ReformREFORM is not an excel
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122 The Harmony of Virtuereformers.
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124The Harmony of Virtuestrength of
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126 The Harmony of Virtueutilitaria
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128 The Harmony of Virtueeducation
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Lecture in Baroda College*IN ADDRES
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132 The Harmony of Virtueand if you
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Section FourVALMIKI AND VYASA
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138The Harmony of Virtuebecause the
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NOTES ON THE MAHABHARATANotes on th
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IV. 2.Vyasa: Some Characteristics14
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The Problem of the MahabharataTHE P
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IV. 3. The Problem of the Mahabhara
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2THE problem of the Mahabharata, it
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IV. 4. Notes2017. The simile is str
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IV. 4. Notes203as a modern English
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IV. 4. Notes20523. Yateyureva — w
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Udyogaparva*LET the reciter bow dow
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IV. 4. Notes209what can you decide
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KalidasaONCE in the long history of
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V. 1. Kalidasa215Gujarat and Sindh
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The Age of KalidasaVALMIKI, Vyasa a
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V. 2. The Age of Kalidasa219existin
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V. 2. The Age of Kalidasa221orgiast
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V. 2. The Age of Kalidasa223intelle
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V. 2. The Age of Kalidasa225culture
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V. 2. The Age of Kalidasa227used es
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The Historical MethodOF Kalidasa, t
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V. 3. The Historical Method231phras
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V. 3. The Historical Method233deduc
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V. 3. The Historical Method235age w
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V. 4. On Translating Kalidasa237vol
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V. 4. On Translating Kalidasa239to
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V. 4. On Translating Kalidasa241But
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V. 4. On Translating Kalidasa243Are
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V. 4. On Translating Kalidasa245wor
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V. 4. On Translating Kalidasa247qui
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V. 4. On Translating Kalidasa249Ol.
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V. 5. Kalidasa's “Seasons”251a
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V. 5. Kalidasa's “Seasons”253co
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V. 5. Kalidasa's “Seasons”255po
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V. 5. Kalidasa's “Seasons”257a
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V. 5. Kalidasa's “Seasons”259
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Vikram and the Nymph“VIKRAM and t
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Kalidasa's CharactersI. PururavasPU
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V.. 7. Kalidasa's Characters265arti
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V.. 7. Kalidasa's Characters267self
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V.. 7. Kalidasa's Characters269he h
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V.. 7. Kalidasa's Characters271but
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V.. 7. Kalidasa's Characters273of t
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V.. 7. Kalidasa's Characters275of r
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V.. 7. Kalidasa's Characters277what
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V.. 7. Kalidasa's Characters279in a
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V.. 7. Kalidasa's Characters281by P
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V.. 7. Kalidasa's Characters283atti
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V.. 7. Kalidasa's Characters285Arth
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V.. 7. Kalidasa's Characters287emba
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V.. 7. Kalidasa's Characters289agai
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IV. ApsarasThere is nothing more ch
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V.. 7. Kalidasa's Characters293supr
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V.. 7. Kalidasa's Characters295sudd
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V.. 7. Kalidasa's Characters297sing
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V.. 7. Kalidasa's Characters299Hind
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V.. 7. Kalidasa's Characters301that
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V. 8. Hindu Drama303all must melt a
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V. 8. Hindu Drama305savage and half
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V. 8. Hindu Drama307enormous than t
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V. 9. Skeleton Notes on the Kumaras
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V. 10. A Proposed Work on Kalidasa3
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The Brain of IndiaTHE time has perh
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VI. 1. The Brain of India329inrush
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VI. 1. The Brain of India331the anc
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VI. 1. The Brain of India333we can
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VI. 1. The Brain of India335this re
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VI. 1. The Brain of India337teacher
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VI. 1. The Brain of India339common
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Section SevenFROM THE “KARMAYOGIN
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344 The Harmony of Virtuemost comma
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346The Harmony of Virtueof this dha
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348 The Harmony of Virtueciations w
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350 The Harmony of Virtuethey began
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The Greatness of the IndividualIN A
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354 The Harmony of Virtueteeth. In
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356The Harmony of Virtueforward ove
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358 The Harmony of Virtueof moral a
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360 The Harmony of Virtuevital poin
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The Stress of the Hidden SpiritTHE
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364 The Harmony of Virtueshapes it.
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The Strength of StillnessTHERE are
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368The Harmony of Virtuewhere activ
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370 The Harmony of Virtuesource and
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372 The Harmony of Virtueplaymates
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Man-Slave or Free?THE exclusive pur
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376 The Harmony of Virtuecome to th
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378The Harmony of Virtuefrom which
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380 The Harmony of Virtueand Hindui
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382The Harmony of Virtuein causalit
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384 The Harmony of VirtueHe does no
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386The Harmony of VirtueVedantist b
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388 The Harmony of Virtuethe strong
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390 The Harmony of Virtueact of fai
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392The Harmony of VirtueYoga is the
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394 The Harmony of Virtueand Mr. St
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396 The Harmony of Virtueonly by su
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Stead and MaskelyneTHE vexed questi
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400 The Harmony of Virtueand not at
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HathayogaTHE evolution of man has b
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404 The Harmony of Virtuevisible in
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RajayogaMAN fulfilling himself in t
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408 The Harmony of Virtuewill deal
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Section EightART AND LITERATURE
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414 The Harmony of Virtueor upward
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416The Harmony of VirtueThe Indian
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418 The Harmony of Virtuetakes them
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420The Harmony of VirtueWhether his
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422 The Harmony of Virtuetion a sin
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424 The Harmony of Virtueshoulder h
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Indian Art and an Old ClassicWE HAV
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428 The Harmony of Virtuethis perio
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Suprabhat: A ReviewTHE paper Suprab
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432 The Harmony of Virtuegiven are
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Section NinePASSING THOUGHTS
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438 The Harmony of VirtueEuropean e
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Stray Thoughts and GlimpsesTRUE her
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442 The Harmony of VirtueIIThe glor
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444 The Harmony of VirtueIIIMankind
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Academic ThoughtsThe Object of Gove
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448 The Harmony of Virtuetorture, h
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OneThings Seen in SymbolsWHAT is dh
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TwoThings Seen in SymbolsTHERE are
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OneEpistles from AbroadDearly belov
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456 The Harmony of Virtuewe become.
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TwoEpistles from AbroadFriend and B
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460The Harmony of Virtuecarry one's
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462 The Harmony of Virtuethe tempor
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In the Society's ChambersProfessor:
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466 The Harmony of VirtueWhoever in
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468 The Harmony of VirtueAt the Soc
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470 The Harmony of Virtueintimacy.
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472The Harmony of Virtueyou can dro
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OneDinshah - PerizadeD INSHAHPeriza
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TwoTuriu — UriuT URIUGoddess Leda
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X. Conversations of the Dead479U RI
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X. Conversations of the Dead481M AZ
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FourShivaji-Jai SinghJ AI SINGHNeit
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X. Conversations of the Dead485S HI
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X. Conversations of the Dead487out
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BIBLIOGRAPHICAL NOTETHE HARMONY OF
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NOTES ON THE MAHABHARATAVyasa: Some
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C ONTENTSSECTION TENCONVERSATIONS O
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THE HARMONY OF VIRTUE

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