THE HARMONY OF VIRTUE

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118 The Harmony of Virtuehas happened in India because of the excessive logicality andtoo robust opinionativeness of southern metaphysicians. We shouldcome back to a more flexible and rational spirit of inquiry.What then are the standards of truth in the interpretation ofthe Scripture? The standards are three, the knower, knowledgeand the known.The known is the text itself that we seek to interpret. Wemust be sure we have the right word, not an emendation to suitthe exigency of some individual or sectarian opinion; the rightetymology and shade of meaning, not one that is traditional orforced to serve the ends of a commentator; the right spirit in thesense, not an imported or too narrow or too elastic spirit.The knower is the original draØÒÀ or seer of the mantra,with whom we ought to be in spiritual contact. If knowledge isindeed a perishable thing in a perishable instrument, such contactis impossible; but in that case the Scripture itself must befalse and not worth considering. If there is any truth in what theScripture says, knowledge is eternal and inherent in all of us andwhat another saw I can see, what another realised I can realise.The draØÒÀ was a soul in relation with the infinite Spirit, I alsoam a soul in relation with the infinite Spirit. We have a meetingplace,a possibility of communion.Knowledge is the eternal truth, part of which the draØÒÀexpresses to us. Through the part he shows us, we must travelto the whole, otherwise we shall be subject to the errors incidentalto an imperfect knowledge. If even the part is to be rightlyunderstood, it must be viewed in the terms of the whole, notthe whole in the terms of the part. I am not limited by the Scriptures;on the contrary I must exceed them in order to be master oftheir knowledge. It is true that we are usually the slaves of ourindividual and limited outlook, but our capacity is unlimited, andif we can get rid of ahaÚkÀra, if we can put ourselves at theservice of the Infinite without any reservation of predilection oropinion, there is no reason why our realisation should be limited.Yasmin vijÜÀte sarvam idam vijÜÀtam. He being known,all can be known. To understand Scripture, it is not enough to be ascholar, one must be a soul. To know what the draØÒÀ saw one mustoneself have dÐØÒi, sight, and be a student if not a master of the
III. 3. The Interpretation of Scripture119knowledge. Atha parÀ yayÀ tad akØaram adhigamyate. Grammar,etymology, prosody, astronomy, metaphysics, logic, all thatis good; but afterwards there is still needed the higher knowledgeby which the Immutable is known.
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VOLUME 3SRI AUROBINDO BIRTH CENTENA
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Section OneTHE HARMONY OF VIRTUE189
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2 The Harmony of Virtuesomething di
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4 The Harmony of VirtueKeshav: And
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6 The Harmony of VirtueWilson: But
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8 The Harmony of Virtuephantasm spa
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10 The Harmony of Virtuemarriage an
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14 The Harmony of Virtuewho do not
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16 The Harmony of Virtuethird eleme
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18 The Harmony of VirtueWilson: The
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20 The Harmony of Virtueart was ris
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22 The Harmony of VirtueKeshav: And
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Book TwoKeshav Ganesh [Desai] — T
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26 The Harmony of VirtueKeshav: Why
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28 The Harmony of Virtuematerial co
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30 The Harmony of Virtuefrom savage
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32 The Harmony of Virtuehymns of pr
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34 The Harmony of Virtueto consider
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36 The Harmony of VirtueKeshav: Thi
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38 The Harmony of Virtuerose, a win
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40 The Harmony of Virtuedevelops th
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42 The Harmony of Virtueas a type i
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44 The Harmony of Virtueand indeed
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Book ThreeKeshav Ganesh [Desai] —
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48 The Harmony of Virtueand dangero
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50 The Harmony of VirtueKeshav: Bec
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52 The Harmony of Virtuethe elimina
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54 The Harmony of Virtueharmony of
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56 The Harmony of Virtuethe velvet
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58 The Harmony of VirtueWilson: Tha
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60 The Harmony of Virtueeyes, for i
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62 The Harmony of Virtuevirtuous bu
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64The Harmony of VirtueWe have expa
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66 The Harmony of Virtueretentive m
Page 74 and 75: 68 The Harmony of Virtuewithout fea
Page 76 and 77: 70The Harmony of Virtueducts for st
Page 78 and 79: 72The Harmony of VirtueOne step bey
Page 81 and 82: ONEHis Youth and College LifeBankim
Page 83 and 84: II. 1. Bankim Chandra Chatterji77be
Page 85 and 86: II. 2. Bankim Chandra Chatterji79pa
Page 87 and 88: II. 2. Bankim Chandra Chatterji81ra
Page 89 and 90: THREEHis Official CareerTHUS equipp
Page 91 and 92: II. 3. Bankim Chandra Chatterji85Ma
Page 93 and 94: FOURHis VersatilityWHENEVER a liter
Page 95 and 96: II. 4. Bankim Chandra Chatterji89sa
Page 97 and 98: II. 5. Bankim Chandra Chatterji91Ba
Page 99 and 100: II. 5. Bankim Chandra Chatterji93fi
Page 101 and 102: SIXWhat He Did for BengalI HAVE kep
Page 103 and 104: II. 6. Bankim Chandra Chatterji97se
Page 105 and 106: SEVENOur Hope in the FutureBUT prof
Page 107 and 108: II. 7. Bankim Chandra Chatterji101o
Page 109: Section ThreeTHE SOURCES OF POETRYA
Page 112 and 113: 106 The Harmony of Virtuegive us Sh
Page 114 and 115: 108 The Harmony of Virtueinspiratio
Page 116 and 117: On Original ThinkingTHE attitude of
Page 118 and 119: 112 The Harmony of Virtueenvironmen
Page 120 and 121: 114The Harmony of Virtuethese imper
Page 122 and 123: 116 The Harmony of Virtuethought-sy
Page 126 and 127: Social ReformREFORM is not an excel
Page 128 and 129: 122 The Harmony of Virtuereformers.
Page 130 and 131: 124The Harmony of Virtuestrength of
Page 132 and 133: 126 The Harmony of Virtueutilitaria
Page 134 and 135: 128 The Harmony of Virtueeducation
Page 136 and 137: Lecture in Baroda College*IN ADDRES
Page 138 and 139: 132 The Harmony of Virtueand if you
Page 141: Section FourVALMIKI AND VYASA
Page 144 and 145: 138The Harmony of Virtuebecause the
Page 147 and 148: NOTES ON THE MAHABHARATANotes on th
Page 149 and 150: IV. 2.Vyasa: Some Characteristics14
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IV. 2.Vyasa: Some Characteristics16
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The Problem of the MahabharataTHE P
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IV. 3. The Problem of the Mahabhara
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2THE problem of the Mahabharata, it
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IV. 4. Notes2017. The simile is str
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IV. 4. Notes203as a modern English
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IV. 4. Notes20523. Yateyureva — w
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Udyogaparva*LET the reciter bow dow
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IV. 4. Notes209what can you decide
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KalidasaONCE in the long history of
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V. 1. Kalidasa215Gujarat and Sindh
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The Age of KalidasaVALMIKI, Vyasa a
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V. 2. The Age of Kalidasa219existin
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V. 2. The Age of Kalidasa221orgiast
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V. 2. The Age of Kalidasa223intelle
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V. 2. The Age of Kalidasa225culture
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V. 2. The Age of Kalidasa227used es
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The Historical MethodOF Kalidasa, t
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V. 3. The Historical Method231phras
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V. 3. The Historical Method233deduc
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V. 3. The Historical Method235age w
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V. 4. On Translating Kalidasa237vol
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V. 4. On Translating Kalidasa239to
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V. 4. On Translating Kalidasa241But
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V. 4. On Translating Kalidasa243Are
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V. 4. On Translating Kalidasa245wor
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V. 4. On Translating Kalidasa247qui
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V. 4. On Translating Kalidasa249Ol.
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V. 5. Kalidasa's “Seasons”251a
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V. 5. Kalidasa's “Seasons”253co
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V. 5. Kalidasa's “Seasons”255po
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V. 5. Kalidasa's “Seasons”257a
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V. 5. Kalidasa's “Seasons”259
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Vikram and the Nymph“VIKRAM and t
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Kalidasa's CharactersI. PururavasPU
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V.. 7. Kalidasa's Characters265arti
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V.. 7. Kalidasa's Characters267self
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V.. 7. Kalidasa's Characters269he h
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V.. 7. Kalidasa's Characters271but
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V.. 7. Kalidasa's Characters273of t
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V.. 7. Kalidasa's Characters275of r
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V.. 7. Kalidasa's Characters277what
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V.. 7. Kalidasa's Characters279in a
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V.. 7. Kalidasa's Characters281by P
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V.. 7. Kalidasa's Characters283atti
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V.. 7. Kalidasa's Characters285Arth
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V.. 7. Kalidasa's Characters287emba
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V.. 7. Kalidasa's Characters289agai
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IV. ApsarasThere is nothing more ch
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V.. 7. Kalidasa's Characters293supr
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V.. 7. Kalidasa's Characters295sudd
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V.. 7. Kalidasa's Characters297sing
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V.. 7. Kalidasa's Characters299Hind
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V.. 7. Kalidasa's Characters301that
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V. 8. Hindu Drama303all must melt a
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V. 8. Hindu Drama305savage and half
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V. 8. Hindu Drama307enormous than t
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V. 9. Skeleton Notes on the Kumaras
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V. 10. A Proposed Work on Kalidasa3
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The Brain of IndiaTHE time has perh
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VI. 1. The Brain of India329inrush
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VI. 1. The Brain of India331the anc
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VI. 1. The Brain of India333we can
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VI. 1. The Brain of India335this re
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VI. 1. The Brain of India337teacher
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VI. 1. The Brain of India339common
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Section SevenFROM THE “KARMAYOGIN
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344 The Harmony of Virtuemost comma
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346The Harmony of Virtueof this dha
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348 The Harmony of Virtueciations w
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350 The Harmony of Virtuethey began
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The Greatness of the IndividualIN A
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354 The Harmony of Virtueteeth. In
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356The Harmony of Virtueforward ove
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358 The Harmony of Virtueof moral a
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360 The Harmony of Virtuevital poin
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The Stress of the Hidden SpiritTHE
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364 The Harmony of Virtueshapes it.
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The Strength of StillnessTHERE are
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368The Harmony of Virtuewhere activ
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370 The Harmony of Virtuesource and
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372 The Harmony of Virtueplaymates
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Man-Slave or Free?THE exclusive pur
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376 The Harmony of Virtuecome to th
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378The Harmony of Virtuefrom which
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380 The Harmony of Virtueand Hindui
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382The Harmony of Virtuein causalit
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384 The Harmony of VirtueHe does no
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386The Harmony of VirtueVedantist b
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388 The Harmony of Virtuethe strong
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390 The Harmony of Virtueact of fai
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392The Harmony of VirtueYoga is the
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394 The Harmony of Virtueand Mr. St
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396 The Harmony of Virtueonly by su
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Stead and MaskelyneTHE vexed questi
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400 The Harmony of Virtueand not at
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HathayogaTHE evolution of man has b
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404 The Harmony of Virtuevisible in
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RajayogaMAN fulfilling himself in t
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408 The Harmony of Virtuewill deal
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Section EightART AND LITERATURE
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414 The Harmony of Virtueor upward
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416The Harmony of VirtueThe Indian
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418 The Harmony of Virtuetakes them
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420The Harmony of VirtueWhether his
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422 The Harmony of Virtuetion a sin
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424 The Harmony of Virtueshoulder h
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Indian Art and an Old ClassicWE HAV
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428 The Harmony of Virtuethis perio
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Suprabhat: A ReviewTHE paper Suprab
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432 The Harmony of Virtuegiven are
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Section NinePASSING THOUGHTS
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438 The Harmony of VirtueEuropean e
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Stray Thoughts and GlimpsesTRUE her
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442 The Harmony of VirtueIIThe glor
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444 The Harmony of VirtueIIIMankind
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Academic ThoughtsThe Object of Gove
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448 The Harmony of Virtuetorture, h
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OneThings Seen in SymbolsWHAT is dh
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TwoThings Seen in SymbolsTHERE are
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OneEpistles from AbroadDearly belov
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456 The Harmony of Virtuewe become.
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TwoEpistles from AbroadFriend and B
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460The Harmony of Virtuecarry one's
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462 The Harmony of Virtuethe tempor
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In the Society's ChambersProfessor:
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466 The Harmony of VirtueWhoever in
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468 The Harmony of VirtueAt the Soc
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470 The Harmony of Virtueintimacy.
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472The Harmony of Virtueyou can dro
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OneDinshah - PerizadeD INSHAHPeriza
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TwoTuriu — UriuT URIUGoddess Leda
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X. Conversations of the Dead479U RI
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X. Conversations of the Dead481M AZ
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FourShivaji-Jai SinghJ AI SINGHNeit
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X. Conversations of the Dead485S HI
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X. Conversations of the Dead487out
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BIBLIOGRAPHICAL NOTETHE HARMONY OF
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NOTES ON THE MAHABHARATAVyasa: Some
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C ONTENTSSECTION TENCONVERSATIONS O
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