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Comunicar 39-ingles - Revista Comunicar

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170<strong>Comunicar</strong>, <strong>39</strong>, XX, 20121. IntroductionResearch since the 1980s on teaching processeshas revealed the dilemma addressed in this article: theexistence of intangible situations that are not onlyunquantifiable but also difficult to convey in words.This is the case of intercultural relations, where it isessential to know people’s location and movement,together with the feelings of rejection and exclusionsometimes experienced by immigrant schoolchildren.Such situations, as in the sphere of Intercultural Edu -cation, become complicated when those involved inthe teaching processes do not know the language ofthe receiving country or they are not sufficiently fluentin it, such as in the case of kindergarten pupils.This is a dilemma that has accompanied one of thegreatest epistemological crises of the late 20th century,known as «the crisis of representation» (Rorty, 1983;Gergen, 1992; Crawford & Turton, 1992; Shotter,2001), which questioned the foundations of objectivitymade from the standpoint of Cartesian rationalitybased on the premise that the human mind showedthe truth of reality by its representation using language.This cornerstone of objectivity was questioned by theabsence of personal and contextual referents of thepeople making that representation.One of the approaches for dealing with the dilemmaand leaving behind this crisis situation was put forwardby Anthropology, which proposed to addressstudy situations by using narratives that provide spatialand temporal contextual elements of the action orevent, and the personal context of the observer/narratorin order to be able to facilitate an understanding ofthe event or field of study. In this sense, the researcheris not permitted to speak on behalf of the participantsand describe their behaviour and relationships usingthe researcher’s own cultural and scientific frameworkas reference – the «emic/etic» dilemma. Additionally,in Intercultural Education the underlying principle of«knowledge of the other» contributes to understandingof and affection for different Others, as when theystart to form relationships they get to know each otherand then start to love each other. However, to under -stand a personal action or social event, we need toknow the intention of the person who is acting in thisway as well as the interpretation or meaning given tothose actions by the person on the receiving end ofthem (Mead, 1982; Blumer, 1982; Schutz, 1974;Berger & Luckmann, 1986). From the approach ofsymbolic interaction and social construction of reality,both processes are essential for acting as a group eventhough on the surface they may not seem to sharecommon values. For example, for Mead (1982) boththe intentions and the interpretations of human behaviourare necessary for taking group action in whicheach person has to interpret the actions of the restwhile giving clues about the intentions behind theirown conduct.It was in the second half of the 20th century thatAudio-visual Anthropology emerged as a discipline wi -th in Anthropology, concerned with studying the use ofaudio-visual recordings –photography, sound, video–as part of anthropological research in general and educationalethnography in particular (Ardèvol, 2006; vanLeeuwen, 2008; Pink, 2007; 2009). In this context, asknowledge of the Other is one of the basic tenets ofIntercultural Education, this article aims to tackle thefollowing questions: to what extent do photo andvideo recordings help to understand the Other, that is,to know the intentions and interpretations of the peopleacting?; how, and to what extent, do audio-visualnarrations provide contextual references for theseactions? From a methodology point of view, whataudio-photographic and film information should wecollect and how should it be analysed to produceaudio-visual documents that enable everyone to seethe Others’ reality and truth objectively? In order toanswer these questions, the following section showssome figures and describes the construction of some ofthe categories generated in the project funded by theMinistry of Culture and Innovation (2009-11). Wewill then go on to describe the contribution made byNVivo 9, a software program for handling audio-visualrecordings in qualitative research, in order to describe,produce and categorise or code the intercultural relationships.Lastly, we will provide a set of conclusionsdrawn from the analysis.2. The contribution of audio-visual recordings toknowledge of the otherTo illustrate how we approached the issues out -lined above, we present some of the elements of thetwo ethnographies carried out at the kindergarten andprimary school (CEIP) «La Paloma» de Azuqueca deHenares (Guadalajara) and CEIP «Cervantes», a primaryschool in the centre of Madrid. We started workby selecting two groups of pupils at each school, onein kindergarten and the other in primary. We beganour field work at the first school on 4 March 2009 andcompleted it on 16 June 2011. At the second school,field work started on 19 February 2009 and was completedon 21 June 2011. We went to each school oneday a week. Both schools were chosen for their culturaldiversity, among other reasons. Specifically, inCEIP «La Paloma», the Primary Education section© ISSN: 1134-3478 • e-ISSN: 1988-3293• Pages 169-176

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