Diane Larsen-Freeman
larsen-freeman-techniques-and-principles-in-language-teaching
larsen-freeman-techniques-and-principles-in-language-teaching
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180 Conclusion<br />
communicat ion entai ls, and on the mean s to bring it about, it is nevertheless<br />
true that one of the most important similarities in many of these<br />
met hod s is that their goa l has been to teach students to co mmunicate in<br />
the target language.<br />
Another similarity, which has only recently become obv ious, is that all<br />
of the language teach ing methods descr ibed in this book arc practiced in<br />
classrooms in schools. With the increasing intlucnce of techn ology, such<br />
may not be the case in the fut ure. Classro om instr uction is alread y often<br />
supplemented wirh visits to the audio or computer lab. In certain sit uations,<br />
distance learning may make classes, fixed sched ules, and learning<br />
in face-to-face groups obsolete.<br />
Finally, it is interesting to note that most of these methods seem to treat<br />
culture implicitly, having no clearly articulated view of it or its teaching.<br />
Certain met hods, such as Desuggesropedia, ma ke usc of the fine arts, but<br />
the arts themselves are not the object of study; rathe r they are drawn<br />
upo n to facilitate the acquisition of th e target lan gua ge. Where cultu re is<br />
inclu ded, it ma y be seen as a 'fifth ' skill, another skill (0 teach in addition<br />
to reading, writing, speaking, and listenin g. Alternatively, there may be a<br />
delibera te attempt, in the case of those who teac h English as an intern a<br />
tional language, to omit explicit teachin g of culture , even though we<br />
know that culture values arc tr ansmitted through language (Krumsch<br />
1993) and language teaching methods.<br />
COMPLEMENTARY AND CONTRADICTORY<br />
DIFFERENCES AMONG LANGUAGE TEACHING<br />
METHODS<br />
There are also differences among the methods, which get lost on such a<br />
selective cha rt as ours. There are two particular kinds of differences. The<br />
first is one we might call complementary differences. While each method<br />
may emphasize a different perspective on a learner, a teacher, learni ng,<br />
erc., tak en together, the y do not necessa rily contradict each other, but<br />
rather help LIS to co nstruct a more co mplete view. for instance, the lan <br />
guage lear ner is not on ly a mimic, but is also a cognitive, affective, social,<br />
and po litica l being. The same applies to the role of the lang uage teachernot<br />
onl y is the teacher a model, a drill conductor an d a lingu ist, but possibly<br />
also a cou nselor, facilitator, techn ician, collaborator; learn er train er,<br />
and most recently, an advocate (<strong>Larsen</strong> -freeman 1998a).<br />
The other type of difference is one that is cont radictory. f or mstan ce,<br />
notice tha t the use of the students' na tive language in the Direct Method<br />
and Com prehension Approach (Chapter 8) is proscribed, whereas in the<br />
Conclusion 181<br />
Grammar-Translation Meth od and Community Language Learning, it is<br />
prescribed. Witn ess the divergent views regardin g the level of control of<br />
the input that learners receive, from highly controlled input in the Audio<br />
Lingual Meth od , to less COiltrolled in the Natural Approach, to virtu ally<br />
unco ntro lled in tas k-based, content-based, and participatory approaches.<br />
Contrast the views regarding what to do with learn ers' errors, which<br />
range from doin g everything to prevent them in the fi rst place (Audio<br />
Lingual Method), to ignoring them when they are made under the<br />
assump tion that th ey will work themselves out at some future point (for<br />
example, TPR).<br />
There are no doubt other differences as well. However, it is th e existence<br />
of con tradictory.differences that leads us to the question we will be<br />
discussing ne xt: Ho w is a teache r to choose?<br />
CHOOSING AMONG LANGUAGE TEACHING METHODS<br />
At the end of this boo k a very reaso nabl e question to ask is, 'How does a<br />
teacher decide which met hod is best?' Afte r all, while we have seen that<br />
many of the methods presented in chis book have characteristics in com <br />
mon, there arc also some fund am ental differences amo ng them. And so in<br />
the end, one docs need to choose. And 'if we intend to mak e choices that<br />
arc informed and not just intu itive or ideological, then we need to expe nd<br />
no little effort first in identifying our ow n values, next in tying those values<br />
to an ap propriate set of larger aims, and only then devis ing or rejecting,<br />
ad opting or ada pting techniques' (Stevick 1993: 434; see also Edge<br />
1996 ).<br />
For some teachers, the choice is easy. These teach ers find that a particular<br />
met hod resonates with their own values, experience, an d fundamental<br />
views a bout teaching and learning. It fits with what they are trying to<br />
achieve and it is appropriate to their students and their context. We might<br />
call the position such teachers ad opt, when confronted with the issue of<br />
methodological diversity, one of abs olutism: O ne method is best. Wh at<br />
makes it so is because it is the one the teacher knows, ha ving been trained<br />
in it, and/or because it is co nsonant with the teach er's thinking (values,<br />
beliefs, assumptions], and/or beca use th ere is research evidence supporting<br />
it. Such teach ers may choose to becom e specialists in a parti cular<br />
met hod; they ma y even pursue advanced level training in it.<br />
Before being persuaded that one method is absolutely best, however,<br />
we should remember met hods themselves arc dcconrcxrualizcd. T hey<br />
describe a certain idea l, based on certain beliefs. They deal with what,<br />
how, and why. T hey say little or not hing about who/whom, when, an d