Diane Larsen-Freeman
larsen-freeman-techniques-and-principles-in-language-teaching
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6 Introduction<br />
[0 what's wrong and rarely to ask what is right or good .. . ' (Rinpcc hc<br />
1993: 123-4). Many of us arc ver y good at pla ying the doubting gam e<br />
then, bur we do so at a COSt. We ma y find fault with a new idea before giving<br />
it a proper chance.<br />
What docs playing the believing ga me require, the n? The believing<br />
game 'emphasizes a model of knowing as an act of constructing, a n act of<br />
invesrmenr, an act o f involvement' (Elbow 1973: 163). It is nor just the<br />
withholding of doubt. Rather, u asks us to put on the eyeglasses of<br />
another person-e-re adopt his or her perspecrive-c-ro sec the method as<br />
the originator sees it. Further, it req uires a willingn ess to explore what is<br />
new.<br />
While it ma y a ppea r that the traits amibured to the believing game a rc<br />
more desirabl e to possess, Elbow is not arguing that we should allow the<br />
doubting muscle to atrophy, no r am 1. I am not advocating an abandonment<br />
of the doubting game, bur ra ther that you attempt to understand<br />
first before you judge. Therefore, do not be qu ick to dismiss a principle or<br />
technique simply beca use, at first glance, it a ppea rs to be at odds with<br />
yo ur own beliefs or impossible to apply in your own situation. For<br />
instance, in on e o f the methods we will conside r, the st udents themselves<br />
decide what they wa nt to say and rhe reacher then translates it into the<br />
ta rget language (the language rhat rhey are studyi ng). If yon reject rhis<br />
technique as impractical becau se you do not know you r students' native<br />
langua ge or because yo ur students speak a number of different nat ive languages,<br />
then yOll ma y be missing out on something valuable. You should<br />
first ask what the pu rpose of translat ing is: Is there a pr inciple behind its<br />
use in which you believe?If so, ca n you a pply it another way, say by inviting<br />
a bilingual spea ker to come to your class now and again or by having<br />
your students act om or paraphrase what they want to be able to say in<br />
the language they are studying?<br />
LAYOUT OF CHAPTERS<br />
We will learn ab out the meth od s by entering a classroom where eac h<br />
met hod is being pra cticed. In most chapters in this book, on e language<br />
teaching method is presen ted. However, in a few cha pters. a more general<br />
approac h to langua ge teachin g is described. and w hat arc depicted in th e<br />
chapter a rc one or mort' method s that a re exa mples of the a pproac h. j I<br />
ha ve assumed that observing a class will give you a grea ter und erstan ding<br />
J FolI"wing Anth nn,,'. (1'h',l) uSC' of the' term oJppro..lch To m...m a \.('1 "f a~.umplion ~ de.lling<br />
with The'nature of lanjl.uoljl.C'. lear ning, and l..a.'hing.<br />
Introduction 7<br />
of a particular method and will give you more of an opportunity to reflect<br />
on your own practice than if )'O U were to simply read a description of it. It<br />
sho uld be acknowledged, however. that these cla ssroom encounters arc<br />
idealized. Anyone wh o is or has been, a language teacher or student. wilt<br />
immediately recognize that lesso ns seldom go so smo othly as the ones<br />
yo u will sec hen,', In rhe real wo rld students do not always catch on<br />
quick ly and teachers ha ve to contend wit h many ot her social and classroom<br />
man agem ent matters than wha t arc depicted here. As Ihave already<br />
ack nowledged, a met hod docs not reflect everything th at is transpirin g in<br />
the classroom.<br />
We will observe the techniqu es the teacher is using a nd his or her<br />
behav ior. In the even-numbered chapters, the teacher is fema le; in the<br />
odd-numbered cha pters, the teacher is ma le. After observing a lesson, we<br />
will infer the principles on which the teacher's behavior and techniques<br />
a re based. Although in most cases, we will observe only the one beginning<br />
or intermediate-level class for each method, once the principles are clea r.<br />
they can he applied to other situa tions. To illustrate the application ofthe<br />
principlcs ar mo re tha n one level of proficiency, in two instances, with the<br />
Silent Way a nd Desuggcsropcdia, we will first visit a beginning- level class<br />
and then later briefly visit a class at a high-inter media te level. It should he<br />
noted that when learners arc at the ad vanced level, the distinctive techniques<br />
associated wit h a method may be less visible becau se advanced<br />
lea rne rs ma y ha ve special, well-defin ed needs, such as learning how to<br />
read and write academic texts. 1iowcvcr; as we have seen with Stevick's<br />
exa mple of teach ing a dialog, the way teachers think a bout language<br />
teachin g and learning will st ill shape how they work at alllevels.<br />
After we have identified the principles, we will an swer the followi ng<br />
ten questions:<br />
1 Wha t arc the goals of teachers wh o use this method?<br />
2 Wha t is the role of the teacher ? What is the ro le of the stude nts?<br />
3 What a re so me chcracrerisrics of the reaching/learning process?<br />
4 Whar is the nature of student-reacher interacti on ? What is the natu re<br />
of srudcn t-s tudcnr intera ct ion?<br />
S How arc rill' feelings of the studen ts dealt wirh?<br />
6 How is language viewed? How is culture viewed?<br />
7 What a rea s o f language are emphasized? \X'hat language skills arc<br />
emphasized?<br />
8 Wha t is the role of the students' native language?