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A FUTURE FOR PUBLIC SERVICE TELEVISION CONTENT AND PLATFORMS IN A DIGITAL WORLD

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A <strong>FUTURE</strong> <strong>FOR</strong> <strong>PUBLIC</strong> <strong>SERVICE</strong> <strong>TELEVISION</strong><br />

It attempted to create an infrastructure that<br />

would allow both the ITV network and the<br />

BBC to act as a public service engaged in<br />

a “constant and living relationship with the<br />

moral condition of society.” 18 Today, the status<br />

and definition of public service is far more<br />

fluid and we have lost the ‘moral’ certainties<br />

that underpinned the Pilkington committee’s<br />

investigation. For some, the whole notion<br />

of public service television suggests the<br />

paternalistic imposition of ‘desirable’ (for<br />

which read ‘establishment’) values at a time<br />

when citizens are increasingly unwilling to be<br />

the passive recipients of other people’s belief<br />

systems. In a famous speech at the 1989<br />

Edinburgh International Television Festival, a<br />

year in which walls were coming down across<br />

the world, Rupert Murdoch tore into what<br />

he described as the “British broadcasting<br />

elite” and demolished the “special privileges<br />

and favours” that were associated with the<br />

“public interest”. “My own view”, insisted the<br />

founder of the UK’s new satellite service, “is<br />

that anybody who, within the law of the land,<br />

provides a service which the public wants<br />

at a price it can afford is providing a public<br />

service. So if in the years ahead we can make<br />

a success of Sky Television, that will be as<br />

much a public service as ITV.” 19<br />

We take a rather different view of public<br />

service. We do not believe that public service<br />

can simply be measured by ratings nor do<br />

we believe that public service exists simply to<br />

correct any tendency for markets to underserve<br />

minority audiences. As we discuss in<br />

some detail in Chapter 2, we believe that<br />

public service television – and public service<br />

media as it will emerge – are not merely the<br />

medicine that it is sometimes necessary to<br />

take to counter the lack of nutrition of a<br />

purely commercial system. In many ways,<br />

public service television is – at least, it is<br />

supposed to be – about a specific conception<br />

of culture that is irreducible to economic<br />

measures of ‘profit and loss’; it refers to<br />

the “establishment of a communicative<br />

relationship” rather than to “the delivery of a<br />

set of distinct commodities to consumers.” 20<br />

Its main goal is not to sell audiences to<br />

advertisers or subscription broadcasters<br />

or to conduct private transactions but to<br />

facilitate public knowledge and connections.<br />

According to Liz Forgan, a former director<br />

of programmes at Channel 4: “Television<br />

channels are not pork barrel futures or<br />

redundant government buildings. They<br />

are creators, patrons and purveyors of a<br />

highly popular (in both senses) variety of<br />

entertainment, information and culture to<br />

millions.” 21<br />

Public service television is a ‘public good’<br />

that has multiple objectives 22 : it must, for<br />

example, provide content that is popular and<br />

challenging; it must be universally available; it<br />

must enhance trust in and diversity of news<br />

and opinion; it must increase the plurality of<br />

voices in the UK media landscape; it must<br />

provide a means through which UK citizens<br />

can enter into dialogue; and it must stimulate<br />

the wider creative industries of which it is a<br />

key part. This report will therefore focus on<br />

how best to institutionalise these ambitions<br />

in a changing media landscape that requires<br />

public service operators to rethink their<br />

strategies if they are to remain relevant and<br />

viable and to secure the trust of audiences.<br />

18<br />

Pilkington Report, p. 31.<br />

19<br />

Rupert Murdoch, ‘Freedom in Broadcasting’, Speech to the Edinburgh International Television Fesitval, August 25, 1989.<br />

20<br />

Nicholas Garnham, ‘The Broadcasting Market and the Future of the BBC’, Political Quarterly, 65 (1), 1994, p. 18.<br />

21<br />

Liz Forgan, ‘Could Channel 4’s distinctive voice and adventurous shows continue if it is sold?’, Guardian, May 8, 2016.<br />

22<br />

See Appendix 3 of this report for Onora O’Neill’s thoughts on public service broadcasting as a public good with the capacity to provide: “a shared sense of the<br />

public space and of what it is to communicate with others who are not already like minded; access to a wide and varied pool of information and to the critical<br />

standards that enable intelligent engagement with other views; an understanding of the diversity of views held by fellow citizens and by others; a shared enjoyment<br />

of cultural and sporting occasions that would otherwise be preserve of the few or the privileged; an understanding of the diversity of views others hold.”<br />

12

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