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A FUTURE FOR PUBLIC SERVICE TELEVISION CONTENT AND PLATFORMS IN A DIGITAL WORLD

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A <strong>FUTURE</strong> <strong>FOR</strong> <strong>PUBLIC</strong> <strong>SERVICE</strong> <strong>TELEVISION</strong><br />

It is hard to sustain the case that other media<br />

competitors, particularly in TV, have been<br />

damaged as a result of the BBC’s activities.<br />

The commercial TV operators compete with<br />

each other for advertising revenues, not<br />

with the BBC. In fact, they have generally<br />

welcomed the BBC’s model, as they get to<br />

keep a larger slice of the advertising cake.<br />

Nevertheless, concerned that the BBC<br />

might be ‘crowding out’ its competitors,<br />

the government commissioned an analysis<br />

from Oliver & Ohlbaum that examined the<br />

BBC’s decision to run popular programmes<br />

at the same as ITV. The study concluded that<br />

“scheduling on BBC One is probably reducing<br />

the relative profitability of drama series in<br />

particular, with ITV drama viewing down<br />

around six to eight per cent when clashes<br />

occur.” 136 We believe, however, that the<br />

government’s proposal that the BBC should,<br />

from now on, schedule more ‘sensitively’<br />

is both an unnecessary concession to ITV<br />

pressure given the latter’s financial health<br />

and a misunderstanding of the positive<br />

benefits for audiences of competition “in<br />

good programming rather than competition<br />

for numbers” 137 between the two main<br />

broadcasters.<br />

Looking beyond TV, newspapers now<br />

compete in a newly direct way with the<br />

BBC through their websites, and the BBC’s<br />

presence as a free source of news and<br />

information makes it hard for newspapers to<br />

charge for access. But in general they have<br />

not tried to; they have preferred to follow<br />

a strategy of keeping their sites free to<br />

generate high-volume traffic. The problem is<br />

that consumers are moving away from print<br />

and are reluctant to pay for online products<br />

unless they are truly specialist – a situation<br />

that can hardly be blamed on the BBC.<br />

Surely, the major threat to the newspaper<br />

and magazine industry is not a BBC website<br />

that may, at times, elide its news and features<br />

output with an insufficiently clear sense of<br />

public purpose but the huge growth of online<br />

competitors like Facebook, Huffington Post<br />

and BuzzFeed.<br />

In the case of regional and local news media,<br />

there is a strong argument for the BBC to be<br />

stepping in much more vigorously through<br />

the creation of partnerships and content<br />

sharing. The white paper recognises this and<br />

proposes, for example, a ‘Local Public Sector<br />

Reporting Service’ 138 where BBC journalists<br />

would provide content for others to use.<br />

We support this in principle as long as the<br />

service is not used simply to underwrite the<br />

operations of commercial news monopolies<br />

that used to provide this content as a matter<br />

of routine and that have withdrawn from this<br />

responsibility solely for cost reasons. Indeed,<br />

we hope that the fund is structured in such a<br />

way to prioritise the nurturing of relationships<br />

between the BBC and emerging sources<br />

of local news including hyperlocal blogs,<br />

independent media outlets and new local<br />

news startups. 139 The fund should not operate<br />

as a corporate subsidy to existing commercial<br />

media companies.<br />

Where the BBC does have a case to answer<br />

is in matters of creative ambition and risktaking.<br />

There are definitely areas where<br />

it could do better: in hard-hitting current<br />

affairs, searching documentaries and<br />

groundbreaking, impartial news which was,<br />

after all, recently criticised by its former<br />

economics editor as being overly cautious<br />

and “obsessed” with right-wing newspaper<br />

138<br />

BBC white paper, 2016, p. 74.<br />

139<br />

See Damian Radcliffe, Where Are We Now? UK hyperlocal media and community journalism in 2015, Nesta, 2015.<br />

56

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