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A FUTURE FOR PUBLIC SERVICE TELEVISION CONTENT AND PLATFORMS IN A DIGITAL WORLD

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<strong>CONTENT</strong> <strong>AND</strong> PLAT<strong>FOR</strong>MS <strong>IN</strong> A <strong>DIGITAL</strong> <strong>WORLD</strong><br />

is a missed opportunity for more radical and<br />

durable reform following the principles that<br />

we outlined in Chapter 2.<br />

We would prefer a household levy, modelled<br />

on the system in Germany that allows for<br />

exemptions for the low-paid and those with<br />

disabilities. A household payment, ringfenced<br />

for BBC services, could be collected through<br />

Council Tax which would partially mitigate<br />

against the regressive nature of a flat licence<br />

fee. We also think that serious consideration<br />

should be given to funding the BBC through<br />

general taxation at a sustainable level<br />

protected in legislation. Such a levy could<br />

be styled the BBC levy, and it should fund<br />

only BBC services. No longer should the BBC<br />

have to bear the costs of projects that the<br />

government ought to be funding. Nor should<br />

the levy be ‘top-sliced’ to pay for other<br />

broadcast projects as was so often trailed<br />

during the charter review debates. Both of<br />

these options would also put paid to what<br />

we sense might otherwise be a gradual shift<br />

towards subscription funding.<br />

It is essential whatever funding mechanism<br />

is eventually decided on, that the process<br />

of setting the level of funding is conducted<br />

independently of government. The two most<br />

recent licence fee settlements were far from<br />

transparent and it remains unclear how the<br />

new process for setting the licence fee will<br />

ensure that this is not repeated despite plans<br />

for limited parliamentary scrutiny of the<br />

figure submitted by government. The white<br />

paper firmly rejects the proposal that the<br />

licence fee should be set by an independent<br />

body on the basis that it is a “tax”. 152 Yet<br />

for 80 years, the licence fee was seen as<br />

a ‘service charge’ and it was only when it<br />

was reclassified by the Office for National<br />

Statistics in 2006, that it was effectively<br />

integrated into government spending plans.<br />

We propose that the government revisits this<br />

reclassification in order put some distance<br />

between the BBC’s assets and liabilities and<br />

those of the national accounts. Furthermore,<br />

we would like to see decision-making over<br />

funding levels handed over to an independent<br />

advisory committee – along the lines of the<br />

School Teachers’ Review Body that advises<br />

the government on teachers’ pay. Either way,<br />

we agree with the claim by King’s College’s<br />

Martin Moore that if “the process of renewal<br />

and settlement was set out within legislation,<br />

or within the Charter itself, then it would not<br />

be possible to agree a licence fee settlement<br />

between the government and the BBC in a<br />

fortnight.” 153<br />

Above all, it is crucial that the level of the<br />

BBC’s funding is set sustainably to bring an<br />

end to continual cost-cutting and debilitating<br />

uncertainty. This is not just about protecting<br />

the BBC, but about bolstering the wider<br />

creative industries in the broadcasting<br />

ecology that depend in no small part on<br />

the BBC. While we recognise that any new<br />

system of funding must be carefully thought<br />

through, it would be far more effective to<br />

switch to a new model while both the BBC’s<br />

popularity and the licence fee’s penetration<br />

remain very high. To abandon the licence<br />

fee, if not the principle of public funding,<br />

would represent a major change after almost<br />

a century but this does make the need for<br />

meaningful reform any less urgent.<br />

152<br />

Ibid., p. 98.<br />

153<br />

Martin Moore, Better protecting BBC financial independence: An exploratory report for the BBC Trust, January 2016.<br />

61

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