A FUTURE FOR PUBLIC SERVICE TELEVISION CONTENT AND PLATFORMS IN A DIGITAL WORLD
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<strong>CONTENT</strong> <strong>AND</strong> PLAT<strong>FOR</strong>MS <strong>IN</strong> A <strong>DIGITAL</strong> <strong>WORLD</strong><br />
Transparency<br />
Public services ought to be fully accountable<br />
to the public; the funding of public service<br />
media, equally, ought to have a commitment,<br />
as the EBU puts it, to an “open and clear<br />
funding mechanism holding PSM accountable<br />
to its audience.” 76<br />
Redistribution<br />
We propose that, in accord with the<br />
principles of universality and citizenship,<br />
new funding mechanisms should exist to<br />
address structural inequalities and economic<br />
disparities both between providers in media<br />
markets (for example as in the original<br />
funding relationship between ITV and<br />
Channel 4 that we refer to in Chapter 5) and,<br />
crucially, between citizens themselves.<br />
Plurality<br />
We believe that a healthy public service<br />
ecology is served by multiple funding sources<br />
(and public service providers) in order to<br />
minimize, wherever possible, competition<br />
for revenue. Britain is fortunate to have a<br />
television landscape financed by the licence<br />
fee, advertising, subscription and even some<br />
elements of general taxation (as in the<br />
government’s small contribution to S4C).<br />
However, we would also wish to note specific<br />
problems with existing mechanisms in the<br />
light of the normative principles:<br />
Subscription favours the better off,<br />
discourages universality of genre (mixed<br />
programming) and, by fragmenting<br />
audiences, damages social and cultural<br />
universality.<br />
Advertising and sponsorship carry risks of<br />
commercial influence and of the skewing<br />
of provision towards more desirable<br />
demographics thus providing a disincentive<br />
to invest in particular kinds of content to<br />
represent particular social groups.<br />
A flat licence fee is a regressive payment<br />
mechanism in that it is a ‘poll tax’ that,<br />
at least in relation to the BBC, currently<br />
criminalises some of the poorest sections of<br />
the population.<br />
We propose several possible improvements<br />
for PSM funding going forward, some of<br />
which we explore in more detail in Chapter<br />
4 in relation to the BBC. Rather than a flat<br />
fee, in order to mitigate criminalization<br />
and improve distributive justice, wealthrelated<br />
payments should be implemented,<br />
whether through a revamped and platformneutral<br />
BBC licence fee, general taxation<br />
or a household fee following the German<br />
model but based on different tiers, and with<br />
substantial exemptions for the low-waged,<br />
the unemployed and so on. In addition, we<br />
suggest exploring the use of levies on the<br />
profits of the largest digital intermediaries,<br />
ISPs and phone/tablet manufacturers in order<br />
to fund, in particular, new sources of public<br />
service content or to stimulate key genres<br />
that are currently under-funded (such as<br />
children’s television and education).<br />
Whatever our particular preferences, we urge<br />
government to ensure that the normative<br />
principles discussed in this chapter guide<br />
legislation and policies in relation to funding,<br />
that greater attention is given to curbing<br />
inequality and that pluralism of funding<br />
remains at the heart of the PSM ecology in<br />
the digital age.<br />
76<br />
Ibid.<br />
37