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A FUTURE FOR PUBLIC SERVICE TELEVISION CONTENT AND PLATFORMS IN A DIGITAL WORLD

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A <strong>FUTURE</strong> <strong>FOR</strong> <strong>PUBLIC</strong> <strong>SERVICE</strong> <strong>TELEVISION</strong><br />

So it is felt that diversity, rather than niche<br />

programming, is needed. Reasons given for<br />

this include the concern that specialised<br />

channels, catering to specific interests,<br />

may lead to audiences missing out on<br />

alternative programming that challenges<br />

their views and broadens their information<br />

horizons. Respondents also expressed<br />

concern that if the BBC does not continue<br />

to make a full range of programmes, it<br />

would become a fringe channel. “This would<br />

give rise to its value, and so become a selffulfilling<br />

prophecy of its demise,” writes one<br />

respondent. Another adds that: “It is vital<br />

that the BBC make a broad and diverse range<br />

of programmes as this reflects the diverse<br />

audience of licence payers.”<br />

4. Governance: “Don’t concentrate power in<br />

fewer and fewer hands”<br />

Many respondents express concern about<br />

the internal and external governance of<br />

public service broadcasting, and the impact<br />

this has on content. There is a widely held<br />

view amongst respondents, that multiple<br />

layers of management within broadcasting<br />

institutions can stifle creativity. Comments<br />

include: “Get rid of consensus decision<br />

making, get rid of a middle management that<br />

strives for mediocrity”; “More development<br />

and consultation with programme makers”;<br />

“A quicker commissioning process and more<br />

money and time invested in the development<br />

of projects and scripts.” It is also suggested<br />

that the power to green light projects is<br />

currently in the hands of too few individuals<br />

and needs to be more evenly spread. One<br />

respondent articulates a view that is echoed<br />

by a great deal of survey participants:<br />

There seems to be a notion that finer and<br />

finer filters will produce better and better<br />

programmes. This is not the case, as creatives<br />

become disillusioned and it fosters “look<br />

alike” programming and “second guessing”<br />

dominates submissions. A policy of “let a<br />

thousand flowers bloom” would be better,<br />

to see which unusual programmes would be<br />

successful. The process has become far too<br />

top down and driven by “channel profiles”<br />

and “channel requirements” instead of<br />

seeking out quality whatever form it takes.<br />

The vast majority (77.6%) of respondents also<br />

express unease about the current discussion<br />

surrounding the privatisation of Channel 4.<br />

Of specific concern is the possibility that<br />

a change in ownership may lead to more<br />

emphasis on generating profit, and decrease<br />

the amount of revenue available for UK<br />

originated content.<br />

As for external governance, many<br />

respondents highlight how vital it is to<br />

safeguard the independence of the BBC<br />

from Government and, as one respondent<br />

puts it: “get rid of culture ministers who don’t<br />

understand the industry they serve.” There<br />

are also suggestions that the Government<br />

engenders a climate of fear and uses, “the<br />

licence fee as a stick to beat the BBC with”.<br />

This, alongside financial constraints, is felt to<br />

lead to the kind of timidity in commissioning<br />

highlighted in the “Risk” section above. The<br />

following point from one respondent captures<br />

the view of many:<br />

The BBC must be protected financially and<br />

given sufficient money to compete in a<br />

competitive market with less interference<br />

from Government, as it seems to have to<br />

spend so much of its time justifying itself and<br />

cutting costs.<br />

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