A FUTURE FOR PUBLIC SERVICE TELEVISION CONTENT AND PLATFORMS IN A DIGITAL WORLD
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A <strong>FUTURE</strong> <strong>FOR</strong> <strong>PUBLIC</strong> <strong>SERVICE</strong> <strong>TELEVISION</strong><br />
So it is felt that diversity, rather than niche<br />
programming, is needed. Reasons given for<br />
this include the concern that specialised<br />
channels, catering to specific interests,<br />
may lead to audiences missing out on<br />
alternative programming that challenges<br />
their views and broadens their information<br />
horizons. Respondents also expressed<br />
concern that if the BBC does not continue<br />
to make a full range of programmes, it<br />
would become a fringe channel. “This would<br />
give rise to its value, and so become a selffulfilling<br />
prophecy of its demise,” writes one<br />
respondent. Another adds that: “It is vital<br />
that the BBC make a broad and diverse range<br />
of programmes as this reflects the diverse<br />
audience of licence payers.”<br />
4. Governance: “Don’t concentrate power in<br />
fewer and fewer hands”<br />
Many respondents express concern about<br />
the internal and external governance of<br />
public service broadcasting, and the impact<br />
this has on content. There is a widely held<br />
view amongst respondents, that multiple<br />
layers of management within broadcasting<br />
institutions can stifle creativity. Comments<br />
include: “Get rid of consensus decision<br />
making, get rid of a middle management that<br />
strives for mediocrity”; “More development<br />
and consultation with programme makers”;<br />
“A quicker commissioning process and more<br />
money and time invested in the development<br />
of projects and scripts.” It is also suggested<br />
that the power to green light projects is<br />
currently in the hands of too few individuals<br />
and needs to be more evenly spread. One<br />
respondent articulates a view that is echoed<br />
by a great deal of survey participants:<br />
There seems to be a notion that finer and<br />
finer filters will produce better and better<br />
programmes. This is not the case, as creatives<br />
become disillusioned and it fosters “look<br />
alike” programming and “second guessing”<br />
dominates submissions. A policy of “let a<br />
thousand flowers bloom” would be better,<br />
to see which unusual programmes would be<br />
successful. The process has become far too<br />
top down and driven by “channel profiles”<br />
and “channel requirements” instead of<br />
seeking out quality whatever form it takes.<br />
The vast majority (77.6%) of respondents also<br />
express unease about the current discussion<br />
surrounding the privatisation of Channel 4.<br />
Of specific concern is the possibility that<br />
a change in ownership may lead to more<br />
emphasis on generating profit, and decrease<br />
the amount of revenue available for UK<br />
originated content.<br />
As for external governance, many<br />
respondents highlight how vital it is to<br />
safeguard the independence of the BBC<br />
from Government and, as one respondent<br />
puts it: “get rid of culture ministers who don’t<br />
understand the industry they serve.” There<br />
are also suggestions that the Government<br />
engenders a climate of fear and uses, “the<br />
licence fee as a stick to beat the BBC with”.<br />
This, alongside financial constraints, is felt to<br />
lead to the kind of timidity in commissioning<br />
highlighted in the “Risk” section above. The<br />
following point from one respondent captures<br />
the view of many:<br />
The BBC must be protected financially and<br />
given sufficient money to compete in a<br />
competitive market with less interference<br />
from Government, as it seems to have to<br />
spend so much of its time justifying itself and<br />
cutting costs.<br />
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