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L. Marie Adeline- S.E.C.R.E.T

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Frenchmen.<br />

Kit and Angela beamed at me like proud mothers. Then they raised their braceleted<br />

wrists at me and gave them a shake. I shook my charms back at them, the collective<br />

tinkling like music to my ears.<br />

The band started up. I could hear the MC announce this year’s Les Filles de Frenchmen<br />

Revue, reminding the men to “give generously” but to “behave respectfully or you’re out<br />

on your ass.”<br />

Angela yelled, “Hurry, Cassie, we’re on!”<br />

I took one last deep breath and looked around at my fellow performers, all of us<br />

beautiful in our own way, with our wigs and moles and falsies. Each of us was playing a<br />

version of ourselves, an exaggerated, alternative and riskier version. Maybe that’s what<br />

all women do, from time to time. Beneath our everyday costumes, we’re all lled with<br />

the same fears and anxieties. Angela must have them, and Kit too. But looking at them<br />

now, I couldn’t picture them hesitating at the red door of the coach house, frozen in fear.<br />

The feeling ooding my heart at this moment was gratitude, and some hope that if they<br />

were able to step through their fears, I could do it too. I just had to believe I could.<br />

I took my rst steps. I found the tempo, counting out the beats audibly, until the line<br />

forward-kicked in unison out of the wings and onto the stage, shaking our gloved hands<br />

like Fosse dancers. The crowd, darkened behind the bright oodlights, went crazy, which<br />

injected us with a kind of performance adrenaline that transferred from one girl to the<br />

next, hitting me full force.<br />

“See?” whispered Angela. “I told you they’d love you!”<br />

The rst few minutes of the dance were a blur as I adjusted my eyes to the lights and<br />

continued to remind myself that no one knew it was me, mousy Cassie from Café Rose.<br />

We broke o in our dance pairings onstage, my disguise making it easier to turn my<br />

back to the crowd and slowly bump back and forth, following Angela’s lead, as the snare<br />

drum beat in time to our choreographed gyrations. She was my partner and it was so<br />

thrilling to be boldly in tune with the raunchy music and the beautiful Angela Rejean<br />

that I began to relax into my body and improvise a little. At one point I was shaking my<br />

butt so fast it caused Angela to throw her head back and let out a whoop. When Angela<br />

turned and pranced o the stage right into the crowd, I followed her without thinking,<br />

mimicking the way she’d grab a tie and fling it behind a man’s head, or mess up his hair,<br />

and maybe his wife’s too. The women in the audience were having as much fun as the<br />

men, our exuberance inspiring them to stand and deliver their own shimmy to the<br />

enthusiastic crowd. Some of them were tourists, lucky to stumble upon this local<br />

celebration. But I recognized a lot of Café regulars, the musicians, shopkeepers and<br />

eccentrics out to cheer on this little pocket of beauty in our bruised and troubled city.<br />

Angela and I performed our choreographed kick-step for the crowd. Then she winked<br />

and whispered, “Go along with me, Cass,” before she spun, tossed her pink boa around<br />

my neck and yanked me into a full-on kiss.<br />

An explosion of clapping and yelling followed as Angela’s mouth lingered on mine,<br />

and then she nished the kiss with a ourish, nudging me back to my own space. My<br />

knees quivering, I tried to continue my choreographed two-step, showing o the garters

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