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The Historiography of the Holocaust

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<strong>The</strong> Topography <strong>of</strong> Genocide 241<br />

In E.M. Forster’s Howards End, Mr Wilcox describes it exactly like that, as ‘<strong>the</strong><br />

battle <strong>of</strong> life’. 56 Once inside, <strong>the</strong> home shut out <strong>the</strong> din <strong>of</strong> battle. Once inside,<br />

regroup, refresh, back to face <strong>the</strong> sound and fury, to do <strong>the</strong> necessary work to<br />

save and prosper one’s business and in so doing protect one’s family – <strong>the</strong><br />

family firm and <strong>the</strong> bourgeois home had identical aspirations: to survive at <strong>the</strong><br />

expense <strong>of</strong> o<strong>the</strong>rs.<br />

<strong>The</strong> Germans were fond <strong>of</strong> using metaphors <strong>of</strong> cleansing, <strong>of</strong> disease, <strong>of</strong><br />

vermin, <strong>of</strong> bacilli. <strong>The</strong>se we tend to associate with medical discourses. <strong>The</strong><br />

motto ‘cleanliness is next to godliness’ is a bourgeois one. And to many a German<br />

Hausfrau it would not have been odd to hear that Zyklon B, used as rat poison<br />

in <strong>the</strong> kitchen <strong>of</strong> <strong>the</strong> bourgeois home and in factories to keep disease at bay,<br />

was being employed in gas chambers to eradicate <strong>the</strong> O<strong>the</strong>r, <strong>the</strong> Jew. <strong>The</strong> world<br />

beyond <strong>the</strong> front door <strong>of</strong> <strong>the</strong> bourgeois home had to be cleansed if <strong>the</strong> family<br />

home was to be made safe.<br />

I have <strong>of</strong>ten walked down this street before<br />

In accounts <strong>of</strong> <strong>the</strong> formation <strong>of</strong> <strong>the</strong> ghettos much has been made <strong>of</strong> <strong>the</strong> fact<br />

that <strong>the</strong> Germans usually – and always in <strong>the</strong> cities – chose <strong>the</strong> areas with poorest<br />

housing for <strong>the</strong> location <strong>of</strong> <strong>the</strong> ghetto. This was because <strong>the</strong> Germans wanted<br />

to expropriate as much as possible from <strong>the</strong> Jews in <strong>the</strong> first act <strong>of</strong> resettlement.<br />

On <strong>the</strong> o<strong>the</strong>r hand, one must not fall into <strong>the</strong> trap <strong>of</strong> SS film and photographic<br />

propaganda that wanted <strong>the</strong> world to see <strong>the</strong> Jews right from <strong>the</strong> commencement<br />

<strong>of</strong> ghettoization as degraded sub-humans. <strong>The</strong> ghettos were not death<br />

camps, nor were <strong>the</strong>y on ano<strong>the</strong>r planet or ano<strong>the</strong>r part <strong>of</strong> this planet. It was<br />

<strong>the</strong> SS who proclaimed that ‘Asia had come to Europe’ as <strong>the</strong> headline in<br />

a propaganda piece on <strong>the</strong> Warsaw Ghetto had it, just as it was <strong>the</strong> Germans who<br />

gave an Oriental flourish to <strong>the</strong> walls and gateways <strong>of</strong> <strong>the</strong> Cracow Ghetto. 57<br />

Our problem is that we have not looked closely enough at <strong>the</strong> photographs,<br />

especially those colour photographs from <strong>the</strong> Lód4 Ghetto. 58 Here, if you view<br />

such scenes from <strong>the</strong> context <strong>of</strong> <strong>the</strong> depression <strong>of</strong> <strong>the</strong> 1930s and not from <strong>the</strong><br />

ramp at Birkenau, you begin to see people on streets, hanging around street<br />

corners, whose clo<strong>the</strong>s and way <strong>of</strong> dressing are not dissimilar to Europe’s urban<br />

unemployed. If you <strong>the</strong>n look into <strong>the</strong> background, <strong>the</strong> landscape is not one<br />

from a Doré lithograph <strong>of</strong> Seven Dials in London or Scorsese’s Five Points in<br />

New York in <strong>the</strong> nineteenth century. What we have are streets and houses that<br />

are recognizable to anyone familiar with east European cities in <strong>the</strong> 1930s. <strong>The</strong><br />

landscape <strong>of</strong> <strong>the</strong> ghetto looks normal, where daily life appears on <strong>the</strong> surface<br />

ordinary. Pictures <strong>of</strong> bombed-out families in London or in Berlin can appear<br />

more foreign and even distressing to us, a comparison that in <strong>the</strong> case <strong>of</strong> <strong>the</strong><br />

Germans was <strong>of</strong>ten made as justification for <strong>the</strong> conditions in <strong>the</strong> ghetto and<br />

later for <strong>the</strong> even more brutal treatment meted out. 59

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