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Specifiers Journal 2016

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The bar features a bespoke 400mm<br />

wide/50mm deep copper top, which<br />

extends via a bull-nosed edge beyond<br />

the rough-rendered concrete bar<br />

front, which uses the same finish<br />

as the right-side wall. The bar back<br />

area is made up of a copper piping<br />

framework with glazed shelving.<br />

White-seated and timber-framed bar<br />

stools are by Normann Copenhagen,<br />

whilst the bar-surround flooring is in a<br />

series of dark and light grey hexagonal<br />

concrete tiles with bold red grouting.<br />

The chairs which accompany the four,<br />

right-side copper tables are in wicker,<br />

with black metal legs. Flooring in this<br />

area and throughout the remaining<br />

restaurant space is a sanded, aged and<br />

stained oak, giving the impression of<br />

being weathered and already in situ<br />

for some time.<br />

The dramatic feature lighting display<br />

over the bar includes glass pendants<br />

from Royal Copenhagen, whilst the<br />

two-sizes of alternating copper-andwood<br />

alternating pendant lighting<br />

to the rear of the restaurant are<br />

from Libra. The lighting in the semiscreened<br />

wine-store/dining areas is<br />

in the form of hand-blown, smoked<br />

glass pendants from Curiousa &<br />

Curiousa.<br />

Tables in the main restaurant space<br />

are in bespoke, patinated zinc, with<br />

natural wood and pale grey chairs<br />

from Hay, from the J104 series. There<br />

are also lower wicker chairs in the<br />

centre, as well as two bespoke sets<br />

of banquettes. The first of these runs<br />

down the whole length of the rear<br />

right space of the restaurant, below<br />

the pale salmon plaster wall and<br />

is made of a mild steel frame with<br />

light tan leather upholstery, whilst<br />

directly opposite on the left side is<br />

a series of three booth areas, where<br />

the banquette seating is finished in<br />

buttoned light blue leather. The ledge<br />

behind the booths is punctuated by<br />

small lemon trees in terracotta plants,<br />

further underlining the ‘outside-in’<br />

feel.<br />

Two semi-private dining areas on the<br />

left of the restaurant are enclosed by<br />

floor-to-ceiling screens with mild steel<br />

frames and copper mesh and can each<br />

seat up to 6 people. Smaller versions<br />

of the screens also feature in other<br />

parts of the restaurant, above the leftside<br />

banquette seating, for example<br />

and to shield a waiter station to the<br />

right of the restaurant, helping add<br />

a subtly industrial and contemporary<br />

edge to the space. Empty, reclaimed<br />

riddling racks, sourced from France<br />

and traditionally used to house<br />

champagne, are used in these dining<br />

areas as a form of wall-panelling. The<br />

furniture treatment is also slightly<br />

different in these two rooms and<br />

includes bespoke bamboo table tops<br />

and black leather, steel-framed dining<br />

chairs from Rockett St George.<br />

The first of the areas, encased in an<br />

aged brick surround, also wraps neatly<br />

around the restaurant’s central service<br />

core, where the food hoist is located,<br />

along with a wine storage system<br />

built into its outside wall, featuring<br />

LED up-lighting and allowing full<br />

access from the bar area.<br />

Unisex toilets on the lower-ground<br />

floor continue the industrial feel, via<br />

Belfast basins and bespoke, surfacemounted<br />

taps and toilet roll holders<br />

made from copper piping. The space<br />

is tiled in white to the half-way point<br />

with very pale sea blue paintwork<br />

used from there to the ceiling. Flooring<br />

is the same hexagonal concrete tiling<br />

as used for the bar surround, but on<br />

this occasion minus the red grout.<br />

SPECIFIERS JOURNAL<br />

91

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