Specifiers Journal 2016
Specifiers Journal 2016
Specifiers Journal 2016
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The bar features a bespoke 400mm<br />
wide/50mm deep copper top, which<br />
extends via a bull-nosed edge beyond<br />
the rough-rendered concrete bar<br />
front, which uses the same finish<br />
as the right-side wall. The bar back<br />
area is made up of a copper piping<br />
framework with glazed shelving.<br />
White-seated and timber-framed bar<br />
stools are by Normann Copenhagen,<br />
whilst the bar-surround flooring is in a<br />
series of dark and light grey hexagonal<br />
concrete tiles with bold red grouting.<br />
The chairs which accompany the four,<br />
right-side copper tables are in wicker,<br />
with black metal legs. Flooring in this<br />
area and throughout the remaining<br />
restaurant space is a sanded, aged and<br />
stained oak, giving the impression of<br />
being weathered and already in situ<br />
for some time.<br />
The dramatic feature lighting display<br />
over the bar includes glass pendants<br />
from Royal Copenhagen, whilst the<br />
two-sizes of alternating copper-andwood<br />
alternating pendant lighting<br />
to the rear of the restaurant are<br />
from Libra. The lighting in the semiscreened<br />
wine-store/dining areas is<br />
in the form of hand-blown, smoked<br />
glass pendants from Curiousa &<br />
Curiousa.<br />
Tables in the main restaurant space<br />
are in bespoke, patinated zinc, with<br />
natural wood and pale grey chairs<br />
from Hay, from the J104 series. There<br />
are also lower wicker chairs in the<br />
centre, as well as two bespoke sets<br />
of banquettes. The first of these runs<br />
down the whole length of the rear<br />
right space of the restaurant, below<br />
the pale salmon plaster wall and<br />
is made of a mild steel frame with<br />
light tan leather upholstery, whilst<br />
directly opposite on the left side is<br />
a series of three booth areas, where<br />
the banquette seating is finished in<br />
buttoned light blue leather. The ledge<br />
behind the booths is punctuated by<br />
small lemon trees in terracotta plants,<br />
further underlining the ‘outside-in’<br />
feel.<br />
Two semi-private dining areas on the<br />
left of the restaurant are enclosed by<br />
floor-to-ceiling screens with mild steel<br />
frames and copper mesh and can each<br />
seat up to 6 people. Smaller versions<br />
of the screens also feature in other<br />
parts of the restaurant, above the leftside<br />
banquette seating, for example<br />
and to shield a waiter station to the<br />
right of the restaurant, helping add<br />
a subtly industrial and contemporary<br />
edge to the space. Empty, reclaimed<br />
riddling racks, sourced from France<br />
and traditionally used to house<br />
champagne, are used in these dining<br />
areas as a form of wall-panelling. The<br />
furniture treatment is also slightly<br />
different in these two rooms and<br />
includes bespoke bamboo table tops<br />
and black leather, steel-framed dining<br />
chairs from Rockett St George.<br />
The first of the areas, encased in an<br />
aged brick surround, also wraps neatly<br />
around the restaurant’s central service<br />
core, where the food hoist is located,<br />
along with a wine storage system<br />
built into its outside wall, featuring<br />
LED up-lighting and allowing full<br />
access from the bar area.<br />
Unisex toilets on the lower-ground<br />
floor continue the industrial feel, via<br />
Belfast basins and bespoke, surfacemounted<br />
taps and toilet roll holders<br />
made from copper piping. The space<br />
is tiled in white to the half-way point<br />
with very pale sea blue paintwork<br />
used from there to the ceiling. Flooring<br />
is the same hexagonal concrete tiling<br />
as used for the bar surround, but on<br />
this occasion minus the red grout.<br />
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