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<strong>Undergrad</strong>uate Research at UMass Dartmouth<br />

157<br />

There are five times as many American bases in<br />

Japan than in Afghanistan and 75% of those bases<br />

are located in just 0.6% of Japan’s landmass, on the<br />

island of Okinawa. This over-saturation of American<br />

military on a very small landmass has affected the<br />

area in many tangible ways—both positive and<br />

negative. Okinawa’s eco<strong>no</strong>my, culture, and history<br />

have been strongly influenced by America; conversely,<br />

thousands of Americans have been shaped by the<br />

Okinawan culture and society.<br />

important moments and locations and I “framed”<br />

these moments and locations in meaningful ways.<br />

Even though the final product—an illustrated<br />

book—ended up being <strong>no</strong>t too long, it definitely<br />

proved to be very challenging. The recent history of<br />

Okinawa is incredibly complicated. It includes 70<br />

years of injustice and Okinawan bitterness at both<br />

the Japanese and the American central governments.<br />

At the macro level, there are fierce political<br />

debates about how necessary the bases in Okinawa<br />

are, whether the Okinawan people have been subjugated<br />

by American and Japanese superpowers,<br />

and whether the bases do more harm than good.<br />

But there is also a less polarized micro reality. Most<br />

Americans are just doing their jobs. They were given<br />

relatively <strong>no</strong> choice to be stationed in Okinawa and<br />

are just fulfilling their duty as ho<strong>no</strong>rably as possible.<br />

Simultaneously, most Okinawans are just living their<br />

daily lives as best as they can, and as harmoniously<br />

American soldier shares rations with Okinawan children in 1945<br />

Courtesy of Wikimedia Commons<br />

In my recent travel, I did my best to tell the story of<br />

the American military presence in Okinawa through<br />

both texts and images. I took <strong>no</strong>tes as I explored<br />

different places. I interviewed both Americans and<br />

Okinawans. I did research on my own and I captured<br />

the culture, utilizing the elegance of the frozen<br />

moment that only photographs can provide. It is<br />

important to <strong>no</strong>te that my photographs are <strong>no</strong>t just<br />

representations of reality; they are mediated images<br />

with deep meanings. Indeed, I did my best to capture<br />

Santoro’s photograph of a neighborhood near the American<br />

base, 20<strong>16</strong>. American ico<strong>no</strong>graphy and English Signage are fairly<br />

common throughout Okinawa, but they are especially prevalent<br />

near the bases

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