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<strong>Undergrad</strong>uate Research at UMass Dartmouth<br />

85<br />

emits the beauty of the community on campus. My<br />

overall vision of my project was to unite a group of<br />

people in the common goal of embracing culture. As<br />

evident in our country’s divide, Black students are<br />

easily more targeted. This OUR-funded exhibit allowed<br />

me to create a dialogue where students were<br />

able to use their voice to express their identity and<br />

culture. Through my paintings and the interviews<br />

that ensued, students were able to communicate<br />

who they are. Black students <strong>no</strong>w more than ever<br />

are afraid to submerse themselves in a controversial<br />

dialogue. Therefore, I wanted to create paintings that<br />

would help project their narratives.<br />

It was truly an ho<strong>no</strong>r to be offered an OUR grant in<br />

Spring 2017. This successful experience gave me the<br />

courage and confidence to apply for external grants.<br />

And I am particularly grateful to my professors<br />

Pamela Karimi (Art History) and Suzanne Schireson<br />

(Painting), who encouraged me to apply and<br />

supported my application. The following summer, I<br />

applied and received a Mellon Summer Internship at<br />

RISD Museum. My position at the museum was with<br />

the Contemporary Art department, where I worked<br />

closely with Richard Brown Baker, Curator of Contemporary<br />

Art, Dominic Molon, and Nancy Prophet<br />

fellow Amber Lopez.<br />

Some of my tasks included overseeing works and<br />

maintaining files of nearly hundreds of objects in<br />

the collection and preparing research on works<br />

for future exhibitions in the galleries. I learned so<br />

much from this program. RISD Museum’s Andrew W.<br />

Mellon summer internship program introduced me<br />

to museum work, the professional skills necessary<br />

to work in the arts, and the functionalities inside a<br />

museum. This experience shifted my perspective of<br />

how I view myself as an artist. The busy, continuous<br />

and challenging cycle of distributing art and curating<br />

work is diligent, practice is valued, and production is<br />

a priority. One of the most exciting experiences in the<br />

museum was creating my own program for RISD’s<br />

Third Thursday, which is an open night when the<br />

museum audiences engage more with the collection.<br />

My program consisted of learning about color<br />

relationships and how they impact shape, form, line,<br />

symmetry, and space. It was rewarding working with<br />

such a community. I value my time in Providence and<br />

the exposure to such programs.<br />

In conclusion, the Office of <strong>Undergrad</strong>uate Research<br />

provided the special skills and tools that I needed<br />

to enhance my k<strong>no</strong>wledge of painting, curation, and<br />

above all African-American life experience. Learning,<br />

exploring, and sharing stories of African-Americans<br />

in my community has helped me provide other students<br />

with an opportunity to find a space to express<br />

themselves. This project enabled me to become a<br />

better curator, painter, and even artist. Above all, it<br />

helped me become a critical thinker; it allowed me<br />

to appreciate the importance of art historical and<br />

anthropological research and to want to encourage<br />

others to question the world we live in and instill a<br />

sense of pride in Black communities.

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