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<strong>Undergrad</strong>uate Research at UMass Dartmouth<br />
85<br />
emits the beauty of the community on campus. My<br />
overall vision of my project was to unite a group of<br />
people in the common goal of embracing culture. As<br />
evident in our country’s divide, Black students are<br />
easily more targeted. This OUR-funded exhibit allowed<br />
me to create a dialogue where students were<br />
able to use their voice to express their identity and<br />
culture. Through my paintings and the interviews<br />
that ensued, students were able to communicate<br />
who they are. Black students <strong>no</strong>w more than ever<br />
are afraid to submerse themselves in a controversial<br />
dialogue. Therefore, I wanted to create paintings that<br />
would help project their narratives.<br />
It was truly an ho<strong>no</strong>r to be offered an OUR grant in<br />
Spring 2017. This successful experience gave me the<br />
courage and confidence to apply for external grants.<br />
And I am particularly grateful to my professors<br />
Pamela Karimi (Art History) and Suzanne Schireson<br />
(Painting), who encouraged me to apply and<br />
supported my application. The following summer, I<br />
applied and received a Mellon Summer Internship at<br />
RISD Museum. My position at the museum was with<br />
the Contemporary Art department, where I worked<br />
closely with Richard Brown Baker, Curator of Contemporary<br />
Art, Dominic Molon, and Nancy Prophet<br />
fellow Amber Lopez.<br />
Some of my tasks included overseeing works and<br />
maintaining files of nearly hundreds of objects in<br />
the collection and preparing research on works<br />
for future exhibitions in the galleries. I learned so<br />
much from this program. RISD Museum’s Andrew W.<br />
Mellon summer internship program introduced me<br />
to museum work, the professional skills necessary<br />
to work in the arts, and the functionalities inside a<br />
museum. This experience shifted my perspective of<br />
how I view myself as an artist. The busy, continuous<br />
and challenging cycle of distributing art and curating<br />
work is diligent, practice is valued, and production is<br />
a priority. One of the most exciting experiences in the<br />
museum was creating my own program for RISD’s<br />
Third Thursday, which is an open night when the<br />
museum audiences engage more with the collection.<br />
My program consisted of learning about color<br />
relationships and how they impact shape, form, line,<br />
symmetry, and space. It was rewarding working with<br />
such a community. I value my time in Providence and<br />
the exposure to such programs.<br />
In conclusion, the Office of <strong>Undergrad</strong>uate Research<br />
provided the special skills and tools that I needed<br />
to enhance my k<strong>no</strong>wledge of painting, curation, and<br />
above all African-American life experience. Learning,<br />
exploring, and sharing stories of African-Americans<br />
in my community has helped me provide other students<br />
with an opportunity to find a space to express<br />
themselves. This project enabled me to become a<br />
better curator, painter, and even artist. Above all, it<br />
helped me become a critical thinker; it allowed me<br />
to appreciate the importance of art historical and<br />
anthropological research and to want to encourage<br />
others to question the world we live in and instill a<br />
sense of pride in Black communities.