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Decor_OcakSubat_2019

CARPET FURNITURE & INTERIOR DECORATION

CARPET FURNITURE & INTERIOR DECORATION

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A kind of “Kilim”<br />

“I’ve woven a kilim but not like the rugs you know.<br />

With my own method and handcraft I made this.”<br />

In the summer of 2016, Pınar Akkurt<br />

went to an olive factory in Aydın Organized<br />

Industrial Zone to work with<br />

waste materials, and there were plenty<br />

of production wastes, she started to<br />

work with jar lids and olive cans. Akkurt<br />

told that she tried other kinds of experiments,<br />

such as flowers made from<br />

cans, a throne made from plastic boxes<br />

and scraps, until the first sketch of the<br />

idea of ‘Kilim’ was born.<br />

Pınar Akkurt describes the formation<br />

of the prototype as follows: “This is a<br />

pattern in pixel logic that I made by aligning<br />

the jar covers flat and upside down.<br />

I think it would be better to stand on<br />

the ground or to be fixed on a surface<br />

rather than being hung, and it could be<br />

seen on both sides. I made the first prototype<br />

by punching the edges with six<br />

equal spacing. The method was okay,<br />

but how to puncture? I made a template<br />

for the holes. Then I wanted to mark it<br />

with a pencil and pierce it. It wouldn’t<br />

be comfortable to make holes with a<br />

drill. It’s easier to pierce with a hammer<br />

and nail. But the fingers may be wound.<br />

I asked the people around me. There<br />

were even some suggestions, even a<br />

six-drill mechanism. But the application<br />

of a simple method should be as simple<br />

and economical.<br />

Then she told about how she solved the<br />

drilling problem with is own method<br />

without using a drilling tool she developed<br />

for this work and made it more<br />

practically.<br />

Later she remembered the motifs of<br />

Anatolian kilims, those are isometric,<br />

abstract and geometric. She worked<br />

on several drafts after thinking over<br />

several samples of them, including the<br />

motifs called pitrak, hands on the belly,<br />

waterway, ram’s horn and life tree. Then<br />

she decided to weave her own motif and<br />

designed a pattern made of basic motifs<br />

of Anatolian kilims.<br />

Under the sponsorship of Candas Sisman<br />

the metal scraper, Pinar Akkurt<br />

started to paint the jar lids and to tell<br />

her story, “After method, the materials<br />

time came for the application. I first<br />

needed a large table to work on and a<br />

GoPro camera to document the whole<br />

process. I borrowed both from my friends<br />

Cagla and Turgul who provided also<br />

a spacious room in Tuzambari. I made<br />

a number of tests with materials and<br />

colors. A month after, a large kilim was<br />

emerged, having different patterns on<br />

both sides. It can be hanged on the wall<br />

or be used as a separation element.<br />

I have woven a kind of kilim, made by<br />

my own technique, with a tool I made<br />

myself.”<br />

17 DECOR • January - February <strong>2019</strong>

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