Style: November 01, 2019
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38 STYLE | art<br />
ART FOR CLIMATE’S SAKE<br />
Views on climate change are presented in thought-provoking ways and means thanks<br />
to the sculptors participating at this year’s Sculpture on the Peninsula.<br />
Words Ady Shannon<br />
Talk of climate change is big news right now; while<br />
Greta Thunberg is polarising heads of state at the<br />
United Nations and world leaders are struggling to<br />
implement policies to achieve lower carbon emission<br />
targets, closer to home artists selected to participate in<br />
the South Island’s largest sculpture exhibition are using<br />
creative flair to make a climate statement.<br />
Leah Fraser Henderson<br />
WHEN THE RIVERS RUN DRY<br />
Leah Fraser Henderson moved from Sydney to<br />
Christchurch 25 years ago to enjoy the great outdoors.<br />
She considers the changes to our environment and<br />
degradation to our water and waterways since her<br />
arrival “shocking”.<br />
Her large-scale circular sculpture represents braided<br />
waterways and the multi-layered complex problems<br />
surrounding the state of our rivers.<br />
“The shadows that it creates are the memories of the<br />
people who can recall what the rivers once looked like.<br />
Ignoring what is going on at the deeper levels won’t fix<br />
it for our children’s futures. We take too much water<br />
out of the ground for intensive dairy farming. How can<br />
we imagine that is not affecting the water that is left?<br />
We have to add chlorine to make it safe to drink!<br />
“Drive around Canterbury and look at all the bridges<br />
spanning stones. Rivers are disappearing in our lifetimes.<br />
We will all be left with nothing but empty channels that<br />
were carved out by our rivers, once teeming with life.”<br />
When The Rivers Run Dry in process.<br />
Hannah Kidd<br />
THE WATCHMEN<br />
On a lush green paddock on Sculpture on the Peninsula’s<br />
Loudon Farm location three tall tin sentinels look out over<br />
the rural landscape. The Watchmen are Hannah Kidd’s latest<br />
works and with each character standing between three and<br />
five metres tall, their presence is imposing and impressive. It<br />
is the first time Hannah has completed and installed her work<br />
well ahead of schedule. “Usually I am struggling to finish but I<br />
wanted these guys to feel grounded, like historic people who<br />
have been watching over the land for a long time.”<br />
The inspiration for one recycled grain silo and two diesel<br />
tanks to take on the features of a solemn watcher came from<br />
the Easter Island towering stone statues known as moai. The<br />
island’s once thriving and industrious culture was destroyed<br />
by deforestation and Hannah has used this as an analogy for<br />
global warming and what can happen when “you gobble up<br />
resources and don’t protect a way of life”.<br />
“The Watchmen are positive icons, solemn thinkers,<br />
pondering on the environment and the fact they are no longer<br />
useful given the scale on which we are now producing.”