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Style: November 01, 2019

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38 STYLE | art<br />

ART FOR CLIMATE’S SAKE<br />

Views on climate change are presented in thought-provoking ways and means thanks<br />

to the sculptors participating at this year’s Sculpture on the Peninsula.<br />

Words Ady Shannon<br />

Talk of climate change is big news right now; while<br />

Greta Thunberg is polarising heads of state at the<br />

United Nations and world leaders are struggling to<br />

implement policies to achieve lower carbon emission<br />

targets, closer to home artists selected to participate in<br />

the South Island’s largest sculpture exhibition are using<br />

creative flair to make a climate statement.<br />

Leah Fraser Henderson<br />

WHEN THE RIVERS RUN DRY<br />

Leah Fraser Henderson moved from Sydney to<br />

Christchurch 25 years ago to enjoy the great outdoors.<br />

She considers the changes to our environment and<br />

degradation to our water and waterways since her<br />

arrival “shocking”.<br />

Her large-scale circular sculpture represents braided<br />

waterways and the multi-layered complex problems<br />

surrounding the state of our rivers.<br />

“The shadows that it creates are the memories of the<br />

people who can recall what the rivers once looked like.<br />

Ignoring what is going on at the deeper levels won’t fix<br />

it for our children’s futures. We take too much water<br />

out of the ground for intensive dairy farming. How can<br />

we imagine that is not affecting the water that is left?<br />

We have to add chlorine to make it safe to drink!<br />

“Drive around Canterbury and look at all the bridges<br />

spanning stones. Rivers are disappearing in our lifetimes.<br />

We will all be left with nothing but empty channels that<br />

were carved out by our rivers, once teeming with life.”<br />

When The Rivers Run Dry in process.<br />

Hannah Kidd<br />

THE WATCHMEN<br />

On a lush green paddock on Sculpture on the Peninsula’s<br />

Loudon Farm location three tall tin sentinels look out over<br />

the rural landscape. The Watchmen are Hannah Kidd’s latest<br />

works and with each character standing between three and<br />

five metres tall, their presence is imposing and impressive. It<br />

is the first time Hannah has completed and installed her work<br />

well ahead of schedule. “Usually I am struggling to finish but I<br />

wanted these guys to feel grounded, like historic people who<br />

have been watching over the land for a long time.”<br />

The inspiration for one recycled grain silo and two diesel<br />

tanks to take on the features of a solemn watcher came from<br />

the Easter Island towering stone statues known as moai. The<br />

island’s once thriving and industrious culture was destroyed<br />

by deforestation and Hannah has used this as an analogy for<br />

global warming and what can happen when “you gobble up<br />

resources and don’t protect a way of life”.<br />

“The Watchmen are positive icons, solemn thinkers,<br />

pondering on the environment and the fact they are no longer<br />

useful given the scale on which we are now producing.”

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