Adobe Photoshop CS6 Top 100 Simplified Tips and Tricks by Lynette Kent

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Chapter7ChapterMake Magic with DigitalSpecial EffectsSince Photoshop’s inception, photographers andgraphic designers alike have been using theapplication for digital imaging and photomanipulation. Photoshop can transform anaverage shot into a good photograph, a goodphotograph into a great one, and a great imageinto creative fine art. Graphic designers canstart with photographs or a blank documentand create logos, magazine covers, billboards,and more without using markers or X-ACTOknives.Just as with the previous versions, PhotoshopCS6 offers many powerful tools for creatingdesigns or enhancing photographs. Some havebeen improved and others are totally new tothis version. Some tools and techniques simplyimprove the image or photograph, and othersmagically transform the subject or the entireimage.You can simulate the effect of using traditionalphotographic filters to enhance the colors orchange the areas in focus in an image. You candraw attention to one part of the image using avignette or change the point of focus digitallyafter the shot has been captured. Using theMerge to HDR feature, you can combinemultiple exposures to realize a photo with awider range of tones than the camera cancapture in one shot. You can change the pointof focus and even the depth of field in a photoafter the shot. You can digitally alter structuresand maintain perspective. And you can makeunwanted elements magically disappear from aphotograph.
Apply a Photo Filter for Dynamic Adjustments . ......... 158Add a Vignette Effect to Focus on theSubject . ....................................... 159Remove Unwanted Elements with a Content-AwareBrush Stroke . ................................... 160Use the Patch Tool to Clone Contents to a New Area . .... 162Recompose a Photo with the Content-Aware Move Tool . . 164Scale an Image without Distorting the Subject . ......... 166Blend Separate Photos for the Best Group Shot .......... 168Merge Multiple Photos into an Image withHigh Dynamic Range ............................. 170Use a Puppet Warp to Alter Perspective . .............. 172Apply HDR Toning to Just One Photograph . ........... 174Increase Depth of Field with the Auto Blend Tool . ....... 176Maintain Perspective when Adding Text to an Image . .... 180Erase Architectural Structures with the VanishingPoint Filter . .................................... 182Use the Clone Stamp Tool to Simulate a Reflection ....... 184Apply a Shape to a Wrinkled Surface with aDisplacement Map ............................... 186••••DIFFICULTY LEVEL••••••••••••••••••••••••••••••••••••••••••••••••••••••••
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TOP100TIPS & TRICKSPhotoshop ®CS6b
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CREDITSSr. Acquisitions EditorSteph
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HOW TO USE THIS BOOKWho This Book I
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3Straighten, Crop, and Resize#30 Cr
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7 Make Magic with Digital Special E
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11 Plug In to Photoshop#114 Enhance
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Select the Color Settings for Your
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A4A The RGB setting changes to Adob
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AAA The tool and panelmenus change
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The dialog box changesto the Perfor
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8 910Note: You can make anychanges
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9101112The images open inseparate w
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89108 Click Window.9 Click Workspac
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8 Ô+click (Ctrl+click)multiple ima
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A The filters are listedalong with
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E The Record button inthe Actions p
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D Your customized brushstroke appea
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6The Brush pickerchanges to show th
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667The Color Picker dialogbox appea
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109 Click the Edit Log Itemsdrop-do
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7 Place the device directlyon the s
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168TIPSA13151014Did You Know?Althou
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Edit an Image with Added Layers and
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865The exposure appearsdarker.5 Cli
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1Color-Code Layers1 Control+click (
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A7A The Layer Filter barchanges.7 C
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The grays in the areaare lightened
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13Open an Image as aSmart Object an
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! Click the Smart Filterlayer mask
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C117 Continue changing thebrush siz
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129 Click the Switch Colors iconto
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8The skin tones appear incolor in t
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The image shows only thelayer mask
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78119107 Click and drag theSmooth s
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1314AAA The first photo appearsin t
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97 Click Reverse ( changesto ).The
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11Photoshop automaticallyaligns the
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11A The two black shapesare combine
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Crop Your Images Using Guides to Im
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Easily level a CROOKED HORIZONKeepi
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7The canvas enlarges asyou drag and
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23241918161720One file with multipl
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787 Click and drag out eachof the c
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26Use the CustomCorrection1 Repeat
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55 Click the Constraint tool.6 Clic
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5A7A The open files are listed inth
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86 Type the width that youwant for
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Improve the Skin with the Spot Heal
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11109129 Click the Brush Presetdrop
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u Click the Switch Colorsicon to re
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! Click and drag directlyon the dee
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9A Gaussian Blur isapplied to theCo
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24 22The two blurred layersare comb
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% PressÔ+Option+spacebar(Ctrl+Alt+
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13The Color Pickerappears.@ Click a
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0 Click the blend modedrop-down men
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B The layer mask turnsblack and hid
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Page 119 and 120: p Click Layer 1 tohighlight it.#46j
Page 121 and 122: # Click the Switch Colorsicon to ma
Page 123 and 124: 1816171415The sharpening isapplied
Page 125 and 126: A1110AA The Properties panelappears
Page 127 and 128: Improve a Photo with an Auto Settin
Page 129 and 130: IMPROVE AN OVEREXPOSED PHOTO in thr
Page 131 and 132: The Properties panelenlarges, showi
Page 133 and 134: 78910The overall colorcast isremove
Page 135 and 136: 131215! Press B to select theBrush
Page 137 and 138: 12Convert with a ChannelMixer Adjus
Page 139 and 140: 9 8108 Click the Airbrushbutton.9 D
Page 141 and 142: 45 63Use a Layer in theOverlay Blen
Page 143 and 144: 5 Click and hold the ViewPrevious S
Page 145 and 146: 8971013The dialog boxexpands.7 Clic
Page 147 and 148: 99108 Click More Accurate( changes
Page 149 and 150: 8988 Click and drag theAmount slide
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Page 155 and 156: OPEN CAMERA RAW FILES AS SMART OBJE
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Page 159 and 160: 56B7A8A The white balancechanges an
Page 161 and 162: 6The areas arebrightened and theima
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Page 165 and 166: 7The highlights in theimage appear
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Page 171 and 172: Add a vignette effect to FOCUS ON T
Page 173 and 174: 14 15A1213A A work path appears int
Page 175 and 176: A selection marqueeappears around t
Page 177 and 178: 9The items are moved tothe new loca
Page 179 and 180: 12CB A bounding bordersurrounds the
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Page 183 and 184: 7 Click the Curve tab.8 Click and d
Page 185 and 186: 99119 Click on structures orlines t
Page 187 and 188: 9117 Click and drag theVibrance sli
Page 189 and 190: B The images all open asindividual
Page 191 and 192: 18The Auto-Blend Layersdialog box a
Page 193 and 194: BB The pasted selectionappears in a
Page 195 and 196: 789The grid expands to fitthe area.
Page 197 and 198: 18171913152014161621The reflection
Page 199 and 200: 10120 Open the originalimage again.
Page 201 and 202: 29The Choose aDisplacement Mapdialo
Page 203 and 204: Create a Custom Watermark to Protec
Page 205 and 206: 12! Click and hold theRectangle too
Page 207 and 208: 10A bounding boxsurrounds the shape
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121113! Click a paragraphalignment
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Make Any Photo Appear Sketched on t
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1112Note: If you selected astandard
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1113! Click the RectangularMarquee
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1213141517! Click the Layer Maskbut
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6978The Gradient Fill dialogbox app
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7The options in theProperties panel
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17^ Click each of the othercolor st
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A1516$ Lift the pen or releasethe m
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1517161211Sketch with a Hand-Drawn
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131415The Smart Blur filter isappli
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1213The Filter Gallery closeswith t
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3333The drawing appears on thecolor
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141516The top layer changes to agra
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34m Click Flow and drag tothe left
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The Tool picker menu nowlists only
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3430 323331The Filter Gallery dialo
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151619182012! Click the New Layerbu
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37A Click Layer 2 copy 2, thenext l
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Add a Quick Matte to a Photo with a
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MAKE A SIMPLE LINE FRAME from withi
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11101512The Filter Gallery opens.0
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12161415131811! Double-click the mi
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0 Double-click the Handtool to fit
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p Click the Type tool.#11031j Click
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13The selected files orfolders appe
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16B17# Click the first two checkbox
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1210140 In the Color Palettepane, c
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Enhance Colors and Light Selectivel
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77 Click and drag theBrightness, Co
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11131012140 Repeat steps 5 to 9 tos
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1199 Click the Edges tab.0 Click an
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1115The Alien Skin dialogbox appear
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sky images, improving, 150-151split
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History log, 9, 28, 29Horizontal Ty
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Preferences, PhotoshopCamera Raw, 1
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Adobe Photoshop CS6 Top 100 Simplified Tips and Tricks by Lynette Kent

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