IndexAactionscreating, 20–21frame actions, 246LAB - Black & White Technique action, 125Mixer Brush Cloning Paint Setup action, 236, 239active layer, 41Adaptive Wide Angle filter, 78–79Adjustment Brush tool, 145adjustment layers, 36–37, 42–43, 114. See also specific adjustmentsAdobe Bridge CS6. See Bridge CS6Adobe Lens Profile Creator, 77Adobe Photoshop CS6. See Photoshop CS6Adobe RGB (1998) color space, 4–5Airbrush tip brushes, 222Airtight AutoViewer template, 261Airtight PostcardViewer template, 261Airtight SimpleViewer template, 261AKVIS Artwork plug-in, 269AKVIS Coloriage plug-in, 266–267AKVIS Sketch plug-in, 268–269Alien Skin Eye Candy 6 plug-in, 270–271Angle-Flat Opaque brush, 230animal eyes, color of, 99Application Frame option, Window menu, 70, 72architectural structures, erasing, 182–183Arrange option, Window menu, 12–13, 45, 62, 72Artist Surfaces patterns, 215, 242–243artistic adjustments to imagesbrushes for, setting up, 222–223Camera Raw for, 154–155frame, adding to an image, 246, 247gallery print effect, 252–255gold logo, 270–271high-contrast stylized effect, 216–217HUD color picker for, 222–223irregular edge for image, 248–249matte, adding to an image, 246, 250–251oil painted effect, 214–215, 236–239pastel drawing effect, 228–231pen and colored wash drawing effect, 232–235photographic designs, 64–65poster effect, 218–221signature for artwork, 212–213sketched effect, 210–211, 224–225, 268–269watercolor effect, 240–243Artwork plug-in, 269.atn files, 246Auto button corrections, 116Auto-Align Layers command, 62–63, 168–169, 176–179Auto-Blend Layers command, 62–63, 169, 176–179Auto-Enhance option, 49Automate option, File menu, 21, 80, 256–257, 264Bbackgroundfor Bridge, customizing, 15of desktop, setting, 5of image, 47–48, 50–51, 71, 95, 105, 126of Photoshop, setting, 7Background layerduplicating, 37, 41flattening all layers to, 61, 71, 84visibility of, 49backing up images, 256–257barrel distortion, correcting, 76–77Bevel & Emboss option, 192, 201, 205, 247beveling, 192, 199, 201, 205, 247Black & White adjustment, 42–43, 124–125black-and-white imagesadding color to, 122–123, 126–127, 266–267converting color images to, 42–43, 124–125blend modes, 36–37. See also specific blend modesblown highlights, recovering, 144–145Bokeh, 139border around image. See canvas of image, expandingBridge CS6. See also Mini Bridgecomparing images in Preview pane, 15contact sheet, creating, 257launching from Photoshop, 14preferences for, 15returning to Photoshop from, 17slide show, creating, 258–259syncing color settings with, 5web photo gallery, creating, 260–261workspace for, customizing, 14–15Brightness and Contrast adjustment, 116Bristle tip brushes, 23, 222–223Browse in Bridge option, File menu, 5, 14Browse in Mini Bridge option, File menu, 16Brush Name dialog box, 23Brush picker, 22, 24–25, 211, 212brush sets, 23, 24–25Brush Strokes filters, 248–249Brush tool, 22, 24brushes. See also specific brushesadding to Brush picker, 211for artistic effects, setting up, 222–223changing settings for, 233, 241customizing, 22–23, 91, 105, 106, 212–213loading multiple colors on, 223location of, 25Mixer Brush tool for. See Mixer Brush tooloptions for, with tablet, 59, 87, 122, 127, 212size of, 23, 48–49tip shapes of, 22–23, 105–106, 107, 233tips, number of, affecting performance, 9viewing by name, 211buildings, erasing, 182–183Burn tool, 96–97, 221Ccalibrating monitor, 30–31Camera Raw plug-inartistic adjustments in, 154–155benefits of using, 140clipped or blown highlights, recovering, 144–145opening all images as RAW files, 142opening all RAW files as Smart Objects, 143opening an image in, 153preferences for, 142, 145272
sky images, improving, 150–151split tone, creating, 152–153Tone Curve, adjusting, 148–149vignette styles, 159white balance, synchronizing for multiple images, 146–147canvas color as background, 237Canvas fill pattern, 215canvas of image, expanding, 70–71Canvas Size dialog box, 252–255catchlights, adding, 108–109Channel Mixer adjustment, 124–125Character option, Window menu, 192, 254Character Styles panel, 199, 206–207chromatic aberration, removing, 76–77clarity, 154–155clipped highlights, recovering, 144–145clipping mask, 200–201Clone Source option, Window menu, 184Clone Stamp tool, 96–97, 184–185color balance, 118, 120, 154, 158Color blend mode, 99Color Dodge blend mode, 224Color Picker dialog box, 27, 122–123. See also HUD color pickerColor Priority style, 159Color Range dialog box, 52–53, 55Color Replacement tool, 99color sets, for gradients, 26Color Settings option, Edit menu, 4–5color space, 4–5color stops, in gradients, 27, 217, 219, 220–221Colored Paper pattern set, 229Coloriage plug-in, 266–267colorimeter, 30colors. See also gradientsfor actions, 21black-and-white imagesadding color to, 122–123, 126–127, 266–267converting color images to, 42–43, 124–125blend modes for, 99, 216–217, 224of Bridge background, 15colorcasts, removing, 120–121of desktop background, 5for drop shadows, 202–203of eyes, 98–99, 104–105of image background and foreground, 47, 50–51, 71, 95,105, 126for layers, 39limiting, with poster effect, 218–221of lips, 104–105of masks, 51of Photoshop interface, 6–7of Selection Preview, 53of skin tones, 52–55temperature of, 147, 158of text, 197comments. See Notes toolConner-ziser, Jane (portrait retouching professional)catchlight techniques by, 108–109skin-smoothing techniques by, 88–89Constraint tool, 79contact sheet, 256–257Content-Aware option, 160–161, 162–163, 164–165, 166–167contrast, 116, 118–119, 216–217Control Panel, Windows, 5, 32–33Copy option, Edit menu, 58copyright symbol, in watermark, 193CR2 files. See RAW filesCreate Clipping Mask option, Layer menu, 65creative adjustments to images, 154–155Creative Suite Color Settings option, Edit menu (Bridge), 5Crop tool, 68, 69, 70–71, 72–73, 74–75Curves adjustment, 42, 116, 118–119Custom Shape toolfor custom watermark, 193for gold logo, 270for photographic designs, 64–65for shapes applied to textured surface, 187for text designs, 205for text wrapped around a subject, 194–195DDarken blend mode, 93Darker Color blend mode, 216–217Define Brush Preset option, Edit menu, 213Define Pattern option, Edit menu, 240depth of field, 138–139, 176–179Derry, John (brush set developer), 236Desaturate adjustment, 229diptych, creating, 72–73Displace filter, 188–189displacement map, 186–189Distort filter, 186–189distortion, correcting, 74–75, 76–77, 78–79, 81DNG files, converting RAW files to, 147. See also RAW filesDodge tool, 96–97, 221drawing. See sketched effectdrop shadows, 197, 199, 202–203, 213Dry Brush Tip Light Flow brush, 210–211Dual Brush option, 233dynamic range, 170EedgesFind Edges filter, 226–227, 233Glowing Edges filter, 228, 230irregular, creating, 248–249Refine Edge tool, 56–57, 113softening, 55, 56, 109, 112–113, 137, 233Edit menuAuto-Align Layers option, 62, 168, 177Auto-Blend Layers option, 63, 178Color Settings option, 4–5Content-Aware option, 166Copy option, 58Define Brush Preset option, 213Define Pattern option, 240Fade Filter option, 227Fade Oil Paint option, 215Fill optionwith colors, 73, 102, 210, 237, 246, 251with patterns, 215, 229, 241273
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TOP100TIPS & TRICKSPhotoshop ®CS6b
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CREDITSSr. Acquisitions EditorSteph
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HOW TO USE THIS BOOKWho This Book I
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3Straighten, Crop, and Resize#30 Cr
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7 Make Magic with Digital Special E
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11 Plug In to Photoshop#114 Enhance
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Select the Color Settings for Your
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A4A The RGB setting changes to Adob
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AAA The tool and panelmenus change
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The dialog box changesto the Perfor
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8 910Note: You can make anychanges
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9101112The images open inseparate w
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89108 Click Window.9 Click Workspac
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8 Ô+click (Ctrl+click)multiple ima
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A The filters are listedalong with
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E The Record button inthe Actions p
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D Your customized brushstroke appea
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6The Brush pickerchanges to show th
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667The Color Picker dialogbox appea
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109 Click the Edit Log Itemsdrop-do
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7 Place the device directlyon the s
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168TIPSA13151014Did You Know?Althou
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Edit an Image with Added Layers and
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865The exposure appearsdarker.5 Cli
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1Color-Code Layers1 Control+click (
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A7A The Layer Filter barchanges.7 C
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The grays in the areaare lightened
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13Open an Image as aSmart Object an
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! Click the Smart Filterlayer mask
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C117 Continue changing thebrush siz
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129 Click the Switch Colors iconto
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8The skin tones appear incolor in t
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The image shows only thelayer mask
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78119107 Click and drag theSmooth s
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1314AAA The first photo appearsin t
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97 Click Reverse ( changesto ).The
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11Photoshop automaticallyaligns the
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11A The two black shapesare combine
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Crop Your Images Using Guides to Im
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Easily level a CROOKED HORIZONKeepi
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7The canvas enlarges asyou drag and
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23241918161720One file with multipl
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787 Click and drag out eachof the c
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26Use the CustomCorrection1 Repeat
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55 Click the Constraint tool.6 Clic
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5A7A The open files are listed inth
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86 Type the width that youwant for
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Improve the Skin with the Spot Heal
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11109129 Click the Brush Presetdrop
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u Click the Switch Colorsicon to re
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! Click and drag directlyon the dee
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9A Gaussian Blur isapplied to theCo
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24 22The two blurred layersare comb
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% PressÔ+Option+spacebar(Ctrl+Alt+
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13The Color Pickerappears.@ Click a
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0 Click the blend modedrop-down men
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B The layer mask turnsblack and hid
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0 Repeat steps 2 to 9, thistime pai
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p Click Layer 1 tohighlight it.#46j
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# Click the Switch Colorsicon to ma
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1816171415The sharpening isapplied
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A1110AA The Properties panelappears
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Improve a Photo with an Auto Settin
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IMPROVE AN OVEREXPOSED PHOTO in thr
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The Properties panelenlarges, showi
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78910The overall colorcast isremove
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131215! Press B to select theBrush
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12Convert with a ChannelMixer Adjus
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9 8108 Click the Airbrushbutton.9 D
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45 63Use a Layer in theOverlay Blen
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5 Click and hold the ViewPrevious S
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8971013The dialog boxexpands.7 Clic
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99108 Click More Accurate( changes
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8988 Click and drag theAmount slide
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910711The blurred area andamount ch
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Set the Preferences to Open Any Ima
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OPEN CAMERA RAW FILES AS SMART OBJE
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The red-coloredhighlights are reduc
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56B7A8A The white balancechanges an
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6The areas arebrightened and theima
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A910677A The Graduated Filteroverla
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7The highlights in theimage appear
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87 Continue adjusting thesliders un
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Apply a Photo Filter for Dynamic Ad
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Add a vignette effect to FOCUS ON T
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14 15A1213A A work path appears int
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A selection marqueeappears around t
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9The items are moved tothe new loca
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12CB A bounding bordersurrounds the
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1213A1110A Photoshop aligns thephot
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7 Click the Curve tab.8 Click and d
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99119 Click on structures orlines t
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9117 Click and drag theVibrance sli
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B The images all open asindividual
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18The Auto-Blend Layersdialog box a
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BB The pasted selectionappears in a
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789The grid expands to fitthe area.
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18171913152014161621The reflection
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10120 Open the originalimage again.
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29The Choose aDisplacement Mapdialo
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Create a Custom Watermark to Protec
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12! Click and hold theRectangle too
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10A bounding boxsurrounds the shape
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The text in the imagechanges to mat
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7A The type layer in theLayers pane
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A The Background copylayer is inden
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The selection marqueemoves down and
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1413The areas of text thatoverlap a
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121113! Click a paragraphalignment
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Make Any Photo Appear Sketched on t
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1112Note: If you selected astandard
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1113! Click the RectangularMarquee
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1213141517! Click the Layer Maskbut
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6978The Gradient Fill dialogbox app
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7The options in theProperties panel
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