IndexMMarquee tools, 58, 213, 247, 248masksclipping mask, 200–201color of, changing, 51defined, 34layer masks, 58–59, 162–163selections using, 50–51Unsharp Mask filter, 134, 136–137Match Color command, 120–121matte, adding to an image, 246, 250–251. See also canvas ofimage, expandingMedian filter, 226, 228, 234, 240memory usage, 9Merge to HDR Pro command, 170–171Mini Bridge, 16–17mirror images, adding, 184–185Mixer Brush Cloning Paint Setup action, 236, 239Mixer Brush toolblending colors with, 222Bristle tip brushes, effect on, 223for oil painting effect, 236, 238, 239for pastel drawing effect, 230for sketched effect, 224–225for watercolor effect, 243monitor, calibrating, 30–31Move tool, 58–59, 164–165, 168, 201, 203, 205Multiply blend mode, 189, 229, 233, 251NNEF files. See RAW filesNew Action dialog box, 20New Adjustment Layer option, Layer menu, 158New option, File menu, 212, 222New Workspace dialog box, 11, 15Nik Viveza plug-in, 264–265noisereducing, 155, 214, 226, 228, 232, 234, 240sharpening’s effect on, 137in third channel, not exaggerating, 135Threshold values affecting, 136Notes tool, 29OOil Paint filter, 214–215, 236oil painted effect, 214–215, 236–239Oil Pastel-Soft Opaque brush, 230On-image adjustment tool, 42–43Open As Smart Object option, File menu, 44Open option, File menu, 12, 153Overlay blend mode, 61, 88–89, 101, 128, 129, 137PPaint Overlay style, 159painting effect, 214–215, 236–239panel groups, 10panorama, assembling, 80–81paragraph styles, creating, 206–207Paste Special option, Edit menu, 58pastel drawing effect, 228–231Path Selection tool, 204–205Pattern Stamp tool, 240–243patternsadding, 25, 229, 240Artist Surfaces patterns, 215, 242–243Canvas fill pattern, 215Colored Paper pattern set, 229Custom Patterns, 229Gold Parchment fill pattern, 229Gold Vellum fill pattern, 229Gouache Light on Watercolor pattern, 241performance affected by, 9for Texture Elements, 205pen and colored wash drawing effect, 232–235pen and ink drawing effect, 226–227. See also sketched effectpen and tablet. See tabletPencil brush preset, 225pencil sketch effect. See sketched effectPencil-Soft Opaque brush, 230people. See portraitsPerformance Preferences, 8–9perspective, 74–75, 172–173, 180–181, 198–199pets, eye color of, 99Photo Filter adjustment, 158photo gallery, web, 260–261photographic designs, 64–65Photomerge command, 80–81Photoshop CS6new features, 2plug-ins for. See plug-inspreferences for, 6–7, 8–9, 28, 142, 145pincushion distortion, correcting, 76–77Place option, File menu, 65, 189, 220plug-ins. See also Camera Raw plug-inAKVIS Artwork plug-in, 269AKVIS Coloriage plug-in, 266–267AKVIS Sketch plug-in, 268–269Alien Skin Eye Candy 6 plug-in, 270–271benefits of using, 262Nik Viveza plug-in, 264–265Point-Round Long Blender brush, 238portraitsadjusting, guidelines for, 84eyeglasses, removing glare from, 96–97eyesbrightening, 102–103catchlights in, adding, 108–109color of, 98–99, 104–105depth of, increasing, 104–107lightening, 100–101sharpening, 110–111group shots, 165, 168–169lips, color of, 104–105skinimperfections in, removing, 86–89skin tones, selecting, 52–55softening, 92–95, 154, 155wrinkles, reducing, 90–91poster effect, 218–221Posterize adjustment, 218–221Preferences, Bridge, 15276
Preferences, PhotoshopCamera Raw, 142, 145General, 8, 28Interface, 6–7Performance, 8–9restoring all preferences, 9presentation formatscontact sheet, 256–257frame, adding to an image, 246, 247gallery print effect, 252–255matte, adding to an image, 246, 250–251slide show, 258–259web photo gallery, 260–261preview modes, cycling through, 57Preview pane, 15printer profiles, 30printingcolor space for, 4colors available for, 220preventing, 259resolution for, 83sharpening for, 134–135ProPhoto RGB color space, 4–5Puppet Warp tool, 172–173Qquadriptych, creating, 72–73Quick Mask mode, 50–51, 54Quick Selection tool, 48–49, 54, 103, 112RRadial gradient, 100RAM available to Photoshop, 9Rasterize option, Layer menu, 199rasterized images, 40, 188, 189, 199rasterized text, 190, 194RAW filesconverting to DNG files, 147defined, 140opening all images as, 142opening as Smart Object, 45, 143recording a series of steps. See actions; History logRectangular Marquee tool, 213, 247Reduce Noise filter, 228, 232, 240Refine Edge tool, 56–57, 113reflections, adding, 184–185resampling methods, 82resolution of image, 83Revert option, File menu, 226RGB settings, 4–5Rough Round Bristle brush, 242Round Fan Stiff Thin Bristles brush, 234SsaturationCamera Raw for, 154–155Desaturate adjustment for, 229Hue/Saturation adjustment for, 42, 102–103, 112–113Vibrance adjustment for, 104–105, 130–131Save As option, File menu, 220Save option, File menu, 220scaling images, 166–167scratch disks, 9screen. See monitor, calibratingScreen blend mode, 247screen mode, 7, 10Scripts option, File menu, 176, 177Select Application dialog box, 32selectionsadjusting, 56–57defined, 34feathering, 51, 55, 103, 112, 202, 203inverting, 51, 55masks for, 50–51Quick Selection tool for, 48–49, 54, 103, 112of skin tones, 52–55Shadows/Highlights adjustment, 117, 132–133. See also dropshadowsshapes. See also Custom Shape toolof brush tip, 22, 23, 105–106, 107, 233converting text to, 198–199, 204–205overlapping, 204–205sharpeningeyes, 110–111images, 134–135, 136–137sidecar XMP files, 140signatures, 212–213Sketch plug-in, 268–269sketched effect, 210–211, 224–225, 268–269skinimperfections in, removing, 86–89skin tones, selecting, 52–55softening, 92–95, 154, 155wrinkles, reducing, 90–91sky images, improving, 150–151slide show, 258–259Smart Blur filter, 226–227, 233Smart Filters, 46–47, 114, 135Smart Object layers, 44–45, 114, 132–133, 143Smart Sharpen filter, 110–111, 134–135Smudge Stick filter, 227Soft Light blend mode, 103, 122, 128softeningto blend areas of image, 97, 174, 175from digital camera, correcting, 134–135edges, 55, 56, 109, 112–113, 137, 233skin, 92–95, 154, 155spectrophotometer, 30specular highlights, adding, 108–109split tone, creating, 152–153Sponge tool, 131Spot Healing brush, 86–89, 90–91, 160–161Spotlight feature, 48, 91Sprayed Strokes option, 249sRGB color space, 4Standard brushes, 23, 211sticky notes. See Notes toolStroke option, Edit menu, 253Stump Blender Auto Clean tool, 225System Preferences, Mac, 5, 32–33277
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TOP100TIPS & TRICKSPhotoshop ®CS6b
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CREDITSSr. Acquisitions EditorSteph
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HOW TO USE THIS BOOKWho This Book I
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3Straighten, Crop, and Resize#30 Cr
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7 Make Magic with Digital Special E
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11 Plug In to Photoshop#114 Enhance
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Select the Color Settings for Your
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A4A The RGB setting changes to Adob
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AAA The tool and panelmenus change
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The dialog box changesto the Perfor
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8 910Note: You can make anychanges
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9101112The images open inseparate w
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89108 Click Window.9 Click Workspac
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8 Ô+click (Ctrl+click)multiple ima
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A The filters are listedalong with
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E The Record button inthe Actions p
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D Your customized brushstroke appea
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6The Brush pickerchanges to show th
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667The Color Picker dialogbox appea
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109 Click the Edit Log Itemsdrop-do
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7 Place the device directlyon the s
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168TIPSA13151014Did You Know?Althou
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Edit an Image with Added Layers and
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865The exposure appearsdarker.5 Cli
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1Color-Code Layers1 Control+click (
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A7A The Layer Filter barchanges.7 C
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The grays in the areaare lightened
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13Open an Image as aSmart Object an
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! Click the Smart Filterlayer mask
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C117 Continue changing thebrush siz
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129 Click the Switch Colors iconto
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8The skin tones appear incolor in t
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The image shows only thelayer mask
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78119107 Click and drag theSmooth s
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1314AAA The first photo appearsin t
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97 Click Reverse ( changesto ).The
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11Photoshop automaticallyaligns the
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11A The two black shapesare combine
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Crop Your Images Using Guides to Im
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Easily level a CROOKED HORIZONKeepi
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7The canvas enlarges asyou drag and
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23241918161720One file with multipl
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787 Click and drag out eachof the c
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26Use the CustomCorrection1 Repeat
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55 Click the Constraint tool.6 Clic
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5A7A The open files are listed inth
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86 Type the width that youwant for
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Improve the Skin with the Spot Heal
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11109129 Click the Brush Presetdrop
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u Click the Switch Colorsicon to re
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! Click and drag directlyon the dee
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9A Gaussian Blur isapplied to theCo
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24 22The two blurred layersare comb
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% PressÔ+Option+spacebar(Ctrl+Alt+
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13The Color Pickerappears.@ Click a
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0 Click the blend modedrop-down men
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B The layer mask turnsblack and hid
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0 Repeat steps 2 to 9, thistime pai
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p Click Layer 1 tohighlight it.#46j
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# Click the Switch Colorsicon to ma
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1816171415The sharpening isapplied
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A1110AA The Properties panelappears
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Improve a Photo with an Auto Settin
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IMPROVE AN OVEREXPOSED PHOTO in thr
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The Properties panelenlarges, showi
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78910The overall colorcast isremove
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131215! Press B to select theBrush
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12Convert with a ChannelMixer Adjus
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9 8108 Click the Airbrushbutton.9 D
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45 63Use a Layer in theOverlay Blen
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5 Click and hold the ViewPrevious S
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8971013The dialog boxexpands.7 Clic
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99108 Click More Accurate( changes
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8988 Click and drag theAmount slide
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910711The blurred area andamount ch
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Set the Preferences to Open Any Ima
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OPEN CAMERA RAW FILES AS SMART OBJE
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The red-coloredhighlights are reduc
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56B7A8A The white balancechanges an
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6The areas arebrightened and theima
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A910677A The Graduated Filteroverla
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7The highlights in theimage appear
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87 Continue adjusting thesliders un
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Apply a Photo Filter for Dynamic Ad
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Add a vignette effect to FOCUS ON T
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14 15A1213A A work path appears int
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A selection marqueeappears around t
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9The items are moved tothe new loca
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12CB A bounding bordersurrounds the
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1213A1110A Photoshop aligns thephot
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7 Click the Curve tab.8 Click and d
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99119 Click on structures orlines t
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9117 Click and drag theVibrance sli
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B The images all open asindividual
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18The Auto-Blend Layersdialog box a
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BB The pasted selectionappears in a
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789The grid expands to fitthe area.
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18171913152014161621The reflection
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10120 Open the originalimage again.
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29The Choose aDisplacement Mapdialo
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Create a Custom Watermark to Protec
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12! Click and hold theRectangle too
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10A bounding boxsurrounds the shape
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The text in the imagechanges to mat
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7A The type layer in theLayers pane
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A The Background copylayer is inden
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The selection marqueemoves down and
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1413The areas of text thatoverlap a
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121113! Click a paragraphalignment
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Make Any Photo Appear Sketched on t
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1112Note: If you selected astandard
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1113! Click the RectangularMarquee
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1213141517! Click the Layer Maskbut
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6978The Gradient Fill dialogbox app
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7The options in theProperties panel
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17^ Click each of the othercolor st
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A1516$ Lift the pen or releasethe m
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