Adobe Photoshop CS6 Top 100 Simplified Tips and Tricks by Lynette Kent

Recommendations

Info

Photoshop ® CS6: Top 100 Simplified ®Tips & TricksPublished byJohn Wiley & Sons, Inc.10475 Crosspoint BoulevardIndianapolis, IN 46256www.wiley.comPublished simultaneously in CanadaCopyright © 2012 by John Wiley & Sons, Inc., Indianapolis,IndianaLibrary of Congress Control Number: 2012936421ISBN: 978-1-118-20498-6Manufactured in the United States of America10 9 8 7 6 5 4 3 2 1No part of this publication may be reproduced, stored in aretrieval system or transmitted in any form or by any means,electronic, mechanical, photocopying, recording, scanning orotherwise, except as permitted under Sections 107 or 108 of the1976 United States Copyright Act, without either the priorwritten permission of the Publisher, or authorization throughpayment of the appropriate per-copy fee to the CopyrightClearance Center, 222 Rosewood Drive, Danvers, MA 01923,978-750-8400, fax 978-646-8600. Requests to the Publisher forpermission should be addressed to the Permissions Department,John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030,201-748-6011, fax 201-748-6008, or online at www.wiley.com/go/permissions.Wiley publishes in a variety of print and electronic formats andby print-on-demand. Some material included with standardprint versions of this book may not be included in e-books or inprint-on-demand. If this book refers to media such as a CD orDVD that is not included in the version you purchased, you maydownload this material at http://booksupport.wiley.com. Formore information about Wiley products, visit www.wiley.com.LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THEPUBLISHER AND THE AUTHOR MAKE NO REPRESENTATIONSOR WARRANTIES WITH RESPECT TO THE ACCURACY ORCOMPLETENESS OF THE CONTENTS OF THIS WORK ANDSPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDINGWITHOUT LIMITATION WARRANTIES OF FITNESS FOR APARTICULAR PURPOSE. NO WARRANTY MAY BE CREATED OREXTENDED BY SALES OR PROMOTIONAL MATERIALS. THEADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BESUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITHTHE UNDERSTANDING THAT THE PUBLISHER IS NOTENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHERPROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE ISREQUIRED, THE SERVICES OF A COMPETENT PROFESSIONALPERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NORTHE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISINGHEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITEIS REFERRED TO IN THIS WORK AS A CITATION AND/OR APOTENTIAL SOURCE OF FURTHER INFORMATION DOES NOTMEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THEINFORMATION THE ORGANIZATION OR WEBSITE MAYPROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER,READERS SHOULD BE AWARE THAT INTERNET WEBSITESLISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEAREDBETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT ISREAD.FOR PURPOSES OF ILLUSTRATING THE CONCEPTS ANDTECHNIQUES DESCRIBED IN THIS BOOK, THE AUTHOR HASCREATED VARIOUS NAMES, COMPANY NAMES, MAILING,E-MAIL AND INTERNET ADDRESSES, PHONE AND FAXNUMBERS AND SIMILAR INFORMATION, ALL OF WHICH AREFICTITIOUS. ANY RESEMBLANCE OF THESE FICTITIOUSNAMES, ADDRESSES, PHONE AND FAX NUMBERS ANDSIMILAR INFORMATION TO ANY ACTUAL PERSON, COMPANYAND/OR ORGANIZATION IS UNINTENTIONAL AND PURELYCOINCIDENTAL.Trademark AcknowledgmentsWiley, the Wiley logo, Visual, the Visual logo, Simplified, ReadLess - Learn More and related trade dress are trademarks orregistered trademarks of John Wiley & Sons, Inc. and/or itsaffiliates. Adobe and Photoshop are registered trademarks ofAdobe Systems, Inc. All other trademarks are the property oftheir respective owners. John Wiley & Sons, Inc. is not associatedwith any product or vendor mentioned in this book.Contact UsFor general information on our other products and servicescontact our Customer Care Department within the U.S. at877-762-2974, outside the U.S. at 317-572-3993 or fax317-572-4002.For technical support please visit www.wiley.com/techsupport.U.S. SalesContact Wiley at(877) 762-2974 orfax (317) 572-4002.
CREDITSSr. Acquisitions EditorStephanie McCombSr. Project EditorSarah HellertTechnical EditorDennis R. CohenCopy EditorScott TullisEditorial DirectorRobyn SieskyBusiness ManagerAmy KniesSr. Marketing ManagerSandy SmithVice President and Executive GroupPublisherRichard SwadleyVice President and ExecutivePublisherBarry PruettProject CoordinatorSheree MontgomeryGraphics and Production SpecialistsJennifer HenryAndrea HornbergerJennifer MayberryQuality Control TechnicianJohn GreenoughProofreaderMildred RosenzweigIndexerPotomac Indexing, LLCVertical Websites Project ManagerLaura MossVertical Websites Assistant ProjectManagerJenny SwisherVertical Websites AssociateProducerRich GravesScreen ArtistsRonda David-BurroughsSennett Vaughan JohnsonJill A. ProllSarah Wright
Page 3: TOP100TIPS & TRICKSPhotoshop ®CS6b
Page 7 and 8: HOW TO USE THIS BOOKWho This Book I
Page 9 and 10: 3Straighten, Crop, and Resize#30 Cr
Page 11 and 12: 7 Make Magic with Digital Special E
Page 13 and 14: 11 Plug In to Photoshop#114 Enhance
Page 15 and 16: Select the Color Settings for Your
Page 17 and 18: A4A The RGB setting changes to Adob
Page 19 and 20: AAA The tool and panelmenus change
Page 21 and 22: The dialog box changesto the Perfor
Page 23 and 24: 8 910Note: You can make anychanges
Page 25 and 26: 9101112The images open inseparate w
Page 27 and 28: 89108 Click Window.9 Click Workspac
Page 29 and 30: 8 Ô+click (Ctrl+click)multiple ima
Page 31 and 32: A The filters are listedalong with
Page 33 and 34: E The Record button inthe Actions p
Page 35 and 36: D Your customized brushstroke appea
Page 37 and 38: 6The Brush pickerchanges to show th
Page 39 and 40: 667The Color Picker dialogbox appea
Page 41 and 42: 109 Click the Edit Log Itemsdrop-do
Page 43 and 44: 7 Place the device directlyon the s
Page 45 and 46: 168TIPSA13151014Did You Know?Althou
Page 47 and 48: Edit an Image with Added Layers and
Page 49 and 50: 865The exposure appearsdarker.5 Cli
Page 51 and 52: 1Color-Code Layers1 Control+click (
Page 53 and 54: A7A The Layer Filter barchanges.7 C
Page 55 and 56:
The grays in the areaare lightened
Page 57 and 58:
13Open an Image as aSmart Object an
Page 59 and 60:
! Click the Smart Filterlayer mask
Page 61 and 62:
C117 Continue changing thebrush siz
Page 63 and 64:
129 Click the Switch Colors iconto
Page 65 and 66:
8The skin tones appear incolor in t
Page 67 and 68:
The image shows only thelayer mask
Page 69 and 70:
78119107 Click and drag theSmooth s
Page 71 and 72:
1314AAA The first photo appearsin t
Page 73 and 74:
97 Click Reverse ( changesto ).The
Page 75 and 76:
11Photoshop automaticallyaligns the
Page 77 and 78:
11A The two black shapesare combine
Page 79 and 80:
Crop Your Images Using Guides to Im
Page 81 and 82:
Easily level a CROOKED HORIZONKeepi
Page 83 and 84:
7The canvas enlarges asyou drag and
Page 85 and 86:
23241918161720One file with multipl
Page 87 and 88:
787 Click and drag out eachof the c
Page 89 and 90:
26Use the CustomCorrection1 Repeat
Page 91 and 92:
55 Click the Constraint tool.6 Clic
Page 93 and 94:
5A7A The open files are listed inth
Page 95 and 96:
86 Type the width that youwant for
Page 97 and 98:
Improve the Skin with the Spot Heal
Page 99 and 100:
11109129 Click the Brush Presetdrop
Page 101 and 102:
u Click the Switch Colorsicon to re
Page 103 and 104:
! Click and drag directlyon the dee
Page 105 and 106:
9A Gaussian Blur isapplied to theCo
Page 107 and 108:
24 22The two blurred layersare comb
Page 109 and 110:
% PressÔ+Option+spacebar(Ctrl+Alt+
Page 111 and 112:
13The Color Pickerappears.@ Click a
Page 113 and 114:
0 Click the blend modedrop-down men
Page 115 and 116:
B The layer mask turnsblack and hid
Page 117 and 118:
0 Repeat steps 2 to 9, thistime pai
Page 119 and 120:
p Click Layer 1 tohighlight it.#46j
Page 121 and 122:
# Click the Switch Colorsicon to ma
Page 123 and 124:
1816171415The sharpening isapplied
Page 125 and 126:
A1110AA The Properties panelappears
Page 127 and 128:
Improve a Photo with an Auto Settin
Page 129 and 130:
IMPROVE AN OVEREXPOSED PHOTO in thr
Page 131 and 132:
The Properties panelenlarges, showi
Page 133 and 134:
78910The overall colorcast isremove
Page 135 and 136:
131215! Press B to select theBrush
Page 137 and 138:
12Convert with a ChannelMixer Adjus
Page 139 and 140:
9 8108 Click the Airbrushbutton.9 D
Page 141 and 142:
45 63Use a Layer in theOverlay Blen
Page 143 and 144:
5 Click and hold the ViewPrevious S
Page 145 and 146:
8971013The dialog boxexpands.7 Clic
Page 147 and 148:
99108 Click More Accurate( changes
Page 149 and 150:
8988 Click and drag theAmount slide
Page 151 and 152:
910711The blurred area andamount ch
Page 153 and 154:
Set the Preferences to Open Any Ima
Page 155 and 156:
OPEN CAMERA RAW FILES AS SMART OBJE
Page 157 and 158:
The red-coloredhighlights are reduc
Page 159 and 160:
56B7A8A The white balancechanges an
Page 161 and 162:
6The areas arebrightened and theima
Page 163 and 164:
A910677A The Graduated Filteroverla
Page 165 and 166:
7The highlights in theimage appear
Page 167 and 168:
87 Continue adjusting thesliders un
Page 169 and 170:
Apply a Photo Filter for Dynamic Ad
Page 171 and 172:
Add a vignette effect to FOCUS ON T
Page 173 and 174:
14 15A1213A A work path appears int
Page 175 and 176:
A selection marqueeappears around t
Page 177 and 178:
9The items are moved tothe new loca
Page 179 and 180:
12CB A bounding bordersurrounds the
Page 181 and 182:
1213A1110A Photoshop aligns thephot
Page 183 and 184:
7 Click the Curve tab.8 Click and d
Page 185 and 186:
99119 Click on structures orlines t
Page 187 and 188:
9117 Click and drag theVibrance sli
Page 189 and 190:
B The images all open asindividual
Page 191 and 192:
18The Auto-Blend Layersdialog box a
Page 193 and 194:
BB The pasted selectionappears in a
Page 195 and 196:
789The grid expands to fitthe area.
Page 197 and 198:
18171913152014161621The reflection
Page 199 and 200:
10120 Open the originalimage again.
Page 201 and 202:
29The Choose aDisplacement Mapdialo
Page 203 and 204:
Create a Custom Watermark to Protec
Page 205 and 206:
12! Click and hold theRectangle too
Page 207 and 208:
10A bounding boxsurrounds the shape
Page 209 and 210:
The text in the imagechanges to mat
Page 211 and 212:
7A The type layer in theLayers pane
Page 213 and 214:
A The Background copylayer is inden
Page 215 and 216:
The selection marqueemoves down and
Page 217 and 218:
1413The areas of text thatoverlap a
Page 219 and 220:
121113! Click a paragraphalignment
Page 221 and 222:
Make Any Photo Appear Sketched on t
Page 223 and 224:
1112Note: If you selected astandard
Page 225 and 226:
1113! Click the RectangularMarquee
Page 227 and 228:
1213141517! Click the Layer Maskbut
Page 229 and 230:
6978The Gradient Fill dialogbox app
Page 231 and 232:
7The options in theProperties panel
Page 233 and 234:
17^ Click each of the othercolor st
Page 235 and 236:
A1516$ Lift the pen or releasethe m
Page 237 and 238:
1517161211Sketch with a Hand-Drawn
Page 239 and 240:
131415The Smart Blur filter isappli
Page 241 and 242:
1213The Filter Gallery closeswith t
Page 243 and 244:
3333The drawing appears on thecolor
Page 245 and 246:
141516The top layer changes to agra
Page 247 and 248:
34m Click Flow and drag tothe left
Page 249 and 250:
The Tool picker menu nowlists only
Page 251 and 252:
3430 323331The Filter Gallery dialo
Page 253 and 254:
151619182012! Click the New Layerbu
Page 255 and 256:
37A Click Layer 2 copy 2, thenext l
Page 257 and 258:
Add a Quick Matte to a Photo with a
Page 259 and 260:
MAKE A SIMPLE LINE FRAME from withi
Page 261 and 262:
11101512The Filter Gallery opens.0
Page 263 and 264:
12161415131811! Double-click the mi
Page 265 and 266:
0 Double-click the Handtool to fit
Page 267 and 268:
p Click the Type tool.#11031j Click
Page 269 and 270:
13The selected files orfolders appe
Page 271 and 272:
16B17# Click the first two checkbox
Page 273 and 274:
1210140 In the Color Palettepane, c
Page 275 and 276:
Enhance Colors and Light Selectivel
Page 277 and 278:
77 Click and drag theBrightness, Co
Page 279 and 280:
11131012140 Repeat steps 5 to 9 tos
Page 281 and 282:
1199 Click the Edges tab.0 Click an
Page 283 and 284:
1115The Alien Skin dialogbox appear
Page 285 and 286:
sky images, improving, 150-151split
Page 287 and 288:
History log, 9, 28, 29Horizontal Ty
Page 289 and 290:
Preferences, PhotoshopCamera Raw, 1
show all

Adobe Photoshop CS6 Top 100 Simplified Tips and Tricks by Lynette Kent

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?