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A MUSICAL VOYAGE - Royal Australian Navy

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- 19 -<br />

RAN BAND BUSINESS PLAN (2003)—CHAPTER 1 ANALYSIS<br />

CUSTOMERS AND MISSION<br />

Customers<br />

The RAN Band employs five detachments of musicians, which are located in each capital<br />

city of Australia excluding Canberra and Darwin. The band is sponsored by the Maritime<br />

Commander—Australia, operates as a sub-business unit, and has billets for 105 professional<br />

musicians and 150 volunteer or part-time musicians. The professional musicians are<br />

recruited from throughout Australia to be stationed in the Melbourne and Sydney<br />

detachments; they are highly skilled and versatile. The volunteer or part-time musicians—<br />

who form the reserve detachments stationed in Sydney, Brisbane, Adelaide, Hobart and<br />

Perth—are, on average, less musically qualified; however, they have a wide range of other<br />

skill specialisations.<br />

The RAN Band maintains a national focus and the level of services it provides is diverse.<br />

Currently, the band views its primary customer as the <strong>Navy</strong>. This customer concept is too<br />

narrow and doesn’t take into account the needs of the musicians and the expectations of<br />

the wider community. Diagram 1 is a conceptual model of a proposed customer<br />

relationship, where mutual obligation exists with all players. The Australia people are the<br />

owners; after all, they have invested significant money in the Defence program. <strong>Navy</strong>—a<br />

key stockholder—has an obligation to ensure that the <strong>Australian</strong> people receive a<br />

satisfactory return on their investment; and <strong>Navy</strong> demonstrates its support for the band by<br />

allocating the necessary financial and human resources for it to contribute towards <strong>Navy</strong>’s<br />

objectives in support of the <strong>Australian</strong> people. In this model the members of the band are<br />

the stakeholders. The band has an obligation to ensure <strong>Navy</strong>’s needs are met and, to do this<br />

effectively, it relies on <strong>Navy</strong>’s support. Importantly though, members of the band should<br />

not disregard their own unique creative capabilities when deciding how best to serve <strong>Navy</strong>’s<br />

needs. 1<br />

Recommendation No 1: Implement a customer model that recognises the needs of<br />

the owners, the stockholders, and the stakeholders.<br />

The<br />

<strong>Royal</strong> <strong>Australian</strong> <strong>Navy</strong><br />

Stockholders<br />

The <strong>Australian</strong> People<br />

Owners<br />

Diagram 1<br />

1<br />

See Houston, F.S. (1986) ‘The Marketing concept: What it is and what it is not’, Journal of Marketing,<br />

Vol. 50, April, p. 86.<br />

<strong>Royal</strong> <strong>Australian</strong> <strong>Navy</strong> Band: A Musical Voyage<br />

Our People<br />

Stakeholders

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