Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
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Brian Feltham<br />
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have a reason to research it. 2 My goal has altered <strong>the</strong> value to my viewing (<strong>and</strong><br />
reading about) art; it is now part of <strong>the</strong> pursuit <strong>and</strong> achievement of my goal that I<br />
observe a wide range of paintings. The reason is derivative – on <strong>the</strong> value of art<br />
<strong>and</strong> its study <strong>and</strong> on <strong>the</strong> value of achieving our goals – but it is dependent on what<br />
my goals are, which is in my control.<br />
The second way of altering what is good for us has a clearer place for explicitly<br />
magical practices. Imagine that you have arranged to visit an art gallery this<br />
afternoon. If you arrive out of sorts after a troubled morning, you may not be in <strong>the</strong><br />
mood. But by taking <strong>the</strong> time to put your troubles aside <strong>and</strong> open yourself up to <strong>the</strong><br />
possibilities that <strong>the</strong> gallery has to offer, you can increase your chances of a<br />
rewarding experience.<br />
This is an example of a central principle of chaos magic. You open yourself to<br />
patterns <strong>and</strong> probabilities, looking for ways to nudge <strong>the</strong>m in a particular<br />
direction. 3 The method of getting <strong>the</strong> most out of this experience is to open<br />
yourself up to world. This purposeful opening up, a willed alteration of<br />
consciousness, is perhaps <strong>the</strong> essence of <strong>the</strong> method of ritual magic. While it might<br />
be achieved by o<strong>the</strong>r means, it can also be encouraged through a magical ritual. On<br />
<strong>the</strong> assumption that magicians underst<strong>and</strong> what <strong>the</strong>y are doing - <strong>the</strong> psychological,<br />
spiritual <strong>and</strong> magical character of <strong>the</strong>ir rituals - we might reasonably expect such<br />
rituals to be especially effective.<br />
4. The Teleological Suspension of <strong>the</strong> Ethical<br />
The title of this subsection is taken from an idea of Kierkegaard’s. He recounts<br />
<strong>the</strong> Biblical story of Abraham <strong>and</strong> Isaac, when God tells Abraham to sacrifice his<br />
son, <strong>and</strong> Abraham obeys - only being stopped by God at <strong>the</strong> last minute. 4 The story<br />
of Abraham is not one of blind obedience, of a man who was ‘only following<br />
orders’, but instead of faith. Faith that while everything will be given up - his son,<br />
his conscience, his hopes for <strong>the</strong> future - never<strong>the</strong>less everything will be restored.<br />
His son will be killed <strong>and</strong> yet live; <strong>the</strong> future of a chosen people will be stifled at<br />
birth, <strong>and</strong> yet flourish. At any rate, that is how Kierkegaard tells it. For our<br />
purposes, what is important is that Abraham’s faith has made intelligible a<br />
suspension of <strong>the</strong> ethical. Morality can only condemn Abraham <strong>and</strong> yet we can<br />
recognise that what he did was not simply immoral. It had o<strong>the</strong>r meaning as well.<br />
A meaning <strong>and</strong> a value that is not underst<strong>and</strong>able on <strong>the</strong> ordinary scale of human<br />
aims <strong>and</strong> achievements. The ethical here is suspended for a reason, a purpose or<br />
telos (hence, a teleological suspension), that is not ethical in kind. Nor is it simply<br />
a matter of not being moral in a narrow sense, since many ordinary practical<br />
decisions are not obviously moral. Instead, Kierkegaard describes <strong>the</strong> possibility of<br />
a kind of meaning that we can’t relate to worldly concerns at all.<br />
This meaningfulness is transcendent, <strong>and</strong> perhaps it need not be good. At <strong>the</strong><br />
beginning of Arthur Machen’s story ‘The White People’ two men are discussing<br />
evil. Ordinary evil is said to be mundane, even uninteresting. A person committing<br />
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