Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
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Juan Pablo Maggiotti<br />
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that by which <strong>the</strong> body is ruled, <strong>the</strong>re is an innate love of procreation for preserving<br />
life eternally.» 10<br />
It is evident at this point that, for Ficino, love induces to continuous generation,<br />
in a definitive proof of <strong>the</strong> soul’s desire for eternity. But this doesn’t mean just a<br />
proof for <strong>the</strong> immortality of <strong>the</strong> soul, it shows up in addition that <strong>the</strong> lover wants to<br />
give eternity to <strong>the</strong> beloved one.<br />
Therefore, in order to keep our possessions permanently, by<br />
whatever means, we try to reproduce those which pass away.<br />
Reproduction is effected through procreation. Hence <strong>the</strong> instinct<br />
for procreation is innate in all things. But since procreation<br />
renders mortal things like divine things in continuity, it is<br />
certainly a divine gift. Since divine things are beautiful, ugly<br />
things are <strong>the</strong>ir opposite, but beautiful things are like divine<br />
things <strong>and</strong> have an affinity with <strong>the</strong>m. 11<br />
When bringing toge<strong>the</strong>r empathic things, <strong>the</strong> artist restores <strong>and</strong> gives <strong>the</strong>m<br />
eternity. In doing so, he makes <strong>the</strong>m equal to God <strong>and</strong> makes himself equal to God,<br />
as he’s propagating his own perfection to exterior things. It is this divine gift what<br />
Ficino remarks as <strong>the</strong> «true magic» of love, out of which what is multiple becomes<br />
one, <strong>and</strong> what is mortal receives immortality.<br />
Art <strong>and</strong> magic are two ways of divinization through amorous action over <strong>the</strong><br />
world, because both restore <strong>the</strong> harmonies between things, functioning as copula<br />
mundi <strong>and</strong> elevating <strong>the</strong> finite realities to <strong>the</strong> Creator.<br />
Ficino’s magical <strong>the</strong>ory supposes his cosmology, in which everything is<br />
interconnected. And it’s from <strong>the</strong>se correspondences that magical operations are<br />
possible, for <strong>the</strong>y grant that what’s going on in one part of <strong>the</strong> cosmos is passed on<br />
to o<strong>the</strong>r parts. So <strong>the</strong> cosmos surfaces as magical because nothing happening<br />
anywhere stays isolated from <strong>the</strong> whole, as previously bond toge<strong>the</strong>r by a divine<br />
creative love.<br />
But <strong>the</strong> parts of this world, like <strong>the</strong> parts of a single animal, all<br />
deriving from a single author, are joined to each o<strong>the</strong>r by <strong>the</strong><br />
communion of a single nature. (...) From this common<br />
relationship is born a common love; from love, a common<br />
attraction. And this is <strong>the</strong> true magic. 12<br />
1 De amore II, 9, p. 58.<br />
2 De amore VI, 11, p. 130.<br />
3 De amore II, 7, pp. 53-54.<br />
Notes<br />
13