Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
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Natalia Kaloh Vid<br />
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very slight squint in one eye, who always decked herself with<br />
mimosa every spring? I don't know. Obviously she was right<br />
when she said she needed him, <strong>the</strong> master, instead of a Gothic<br />
house, instead of a private garden, instead of money. She was<br />
right--she loved him. 1<br />
In <strong>the</strong> novel, Margarita is around thirty years old, good-looking, very well<br />
situated <strong>and</strong> married. However, she is not happy. Not until she meets <strong>the</strong><br />
unanimous Master, a writer, who becomes her lover, her spiritual inspiration <strong>and</strong><br />
<strong>the</strong> sense of her life. Described as an ideal spiritual union, <strong>the</strong>ir love seems<br />
heavenly, bound by eternity. After an unsuccessful attempt to publish his novel on<br />
Pontius Pilate, Master mysteriously disappears. Devastated by grief, Margarita<br />
receives an unusual offer from one of <strong>the</strong> Satan’s servants. If she makes a pact with<br />
<strong>the</strong> Satan <strong>and</strong> becomes <strong>the</strong> host of his famous annual ball, Stan will liberate <strong>the</strong><br />
Master. 2 Margarita accepts.<br />
Margarita’s witchery is both <strong>the</strong>matically <strong>and</strong> compositionally central in <strong>the</strong><br />
second part. Many of <strong>the</strong> details of her transformation are readily recognized as<br />
direct borrowings from witches’ Sabbaths. On <strong>the</strong> o<strong>the</strong>r h<strong>and</strong>, as usually, Bulgakov<br />
calls attention to his varying from <strong>the</strong> st<strong>and</strong>ard ‘protocol’ of witchcraft. What<br />
makes Margarita a witch? The most important characteristic is that Margarita is<br />
invited by <strong>the</strong> Satan himself to be <strong>the</strong> Queen of <strong>the</strong> Sabbath hold on Walpurgis<br />
night, traditionally <strong>the</strong> most important meeting of witches, performed as a ritual<br />
mockery of <strong>the</strong> Holy Mass, which according to various historic <strong>and</strong> folklore<br />
sources included child-eating <strong>and</strong> ritual killing of animals, combined with sexual<br />
abuse <strong>and</strong> satanic influences.<br />
Margarita is transformed into witch with a help of a magical device, a cream<br />
given to her by one of Wol<strong>and</strong>’s servants that she applies on her face <strong>and</strong> body.<br />
This cream is an important item in <strong>the</strong> process of transformation, a flying ointment<br />
prepared from poisonous ingredients. It smells of swamp mud <strong>and</strong> of marsh <strong>and</strong><br />
forest, associating to <strong>the</strong> traditional locales of ga<strong>the</strong>ring of witches. In <strong>the</strong> process<br />
of <strong>the</strong> transformation, Margarita becomes younger <strong>and</strong> even more beautiful,<br />
The ointment rubbed in easily <strong>and</strong> produced an immediate<br />
tingling effect. After several rubs Margarita looked into <strong>the</strong><br />
mirror <strong>and</strong> dropped <strong>the</strong> box right on to <strong>the</strong> watch-glass, which<br />
shivered into a web of fine cracks. Margarita shut her eyes, <strong>the</strong>n<br />
looked again <strong>and</strong> burst into hoots of laughter. Her eyebrows that<br />
she had so carefully plucked into a fine line had thickened into<br />
two regular arcs above her eyes, which had taken on a deeper<br />
green colour. The fine vertical furrow between her eyebrows<br />
which had first appeared in October when <strong>the</strong> master disappeared<br />
had vanished without trace. Gone too were <strong>the</strong> yellowish<br />
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