Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
Magic and the Supernatural - Lancaster University
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Coming-of-Age among Sasquatches <strong>and</strong> Tree Spirits:<br />
<strong>Supernatural</strong> Guides in Eden Robinson’s Monkey Beach<br />
Martina Rössler<br />
Abstract<br />
Eden Robinson, Canadian writer of indigenous descent, explores <strong>the</strong> formative<br />
years of Lisamarie Hill in her debut novel Monkey Beach (2000). The protagonist<br />
is a resident of a Haisla community on <strong>the</strong> British Columbian coast <strong>and</strong> faces<br />
numerous challenges as she attempts to discover herself while acting as a border<br />
crosser between European-Canadian <strong>and</strong> indigenous cultures. Aspects of <strong>the</strong><br />
supernatural manifest <strong>the</strong>mselves early in <strong>the</strong> novel, <strong>and</strong> as <strong>the</strong> narrative progresses<br />
it becomes clear that <strong>the</strong> protagonist has been endowed with <strong>the</strong> gift (or curse?) of<br />
being able to contact <strong>the</strong> spirit world. Encounters with figures mainly from Haisla<br />
lore – ghosts, <strong>the</strong> ‘little man’ who acts as <strong>the</strong> harbinger of death, <strong>and</strong> <strong>the</strong> mythical<br />
figure of <strong>the</strong> sasquatch, among o<strong>the</strong>rs – pose <strong>the</strong> question whe<strong>the</strong>r Lisamarie can<br />
accept <strong>the</strong> supernatural as an integral part of her life in a twentieth-century<br />
Canadian community. A deep analysis of <strong>the</strong>se issues reveals <strong>the</strong> pivotal<br />
importance of <strong>the</strong> supernatural in <strong>the</strong> process of coming-of-age, as Lisamarie –<br />
initially unwillingly – receives support from spirits when having to cope with<br />
certain situations. However, Lisamarie’s belief in <strong>the</strong> spirit world <strong>and</strong> o<strong>the</strong>r<br />
people’s ignorance <strong>the</strong>reof constitute additional bones of contention in <strong>the</strong> already<br />
strained relationship between Haisla tradition <strong>and</strong> European-Canadian modernity.<br />
The reconciliation of <strong>the</strong>se aspects poses one of <strong>the</strong> greatest challenges during <strong>the</strong><br />
protagonist’s adolescent years. Robinson’s novel investigates <strong>the</strong> possibility of<br />
interweaving supernatural elements into a narrative without <strong>the</strong> use of a traditional<br />
trickster figure. Ra<strong>the</strong>r, <strong>the</strong> supernatural is a fundamental element of everyday life<br />
which <strong>the</strong> protagonist is encouraged to explore. When she acknowledges <strong>the</strong> Haisla<br />
part of her identity she simultaneously accepts <strong>the</strong> spirits’ guidance. Numerous<br />
incidents throughout <strong>the</strong> story confirm <strong>the</strong> vital importance of Lisamarie’s contact<br />
with <strong>the</strong> spirit world with regards to <strong>the</strong> construction of her identity during her<br />
maturation process from a young girl to a responsible adult.<br />
Key Words: Monkey Beach, coming-of-age, tree spirits, Sasquatch, ghosts, Haisla.<br />
*****<br />
1. Introduction<br />
In her coming-of-age narrative Monkey Beach Haisla writer Eden Robinson<br />
provides a colourful illustration of life in <strong>the</strong> Native community of Kitamaat which<br />
is situated on <strong>the</strong> British Columbian coast. The protagonist, nineteen-year old<br />
Lisamarie Michelle Hill, is of Haisla ancestry <strong>and</strong> revives <strong>the</strong> memories of her<br />
childhood <strong>and</strong> adolescence as she <strong>and</strong> her parents find <strong>the</strong>mselves in a state of