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Magic and the Supernatural - Lancaster University

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Coming-of-Age among Sasquatches <strong>and</strong> Tree Spirits:<br />

<strong>Supernatural</strong> Guides in Eden Robinson’s Monkey Beach<br />

Martina Rössler<br />

Abstract<br />

Eden Robinson, Canadian writer of indigenous descent, explores <strong>the</strong> formative<br />

years of Lisamarie Hill in her debut novel Monkey Beach (2000). The protagonist<br />

is a resident of a Haisla community on <strong>the</strong> British Columbian coast <strong>and</strong> faces<br />

numerous challenges as she attempts to discover herself while acting as a border<br />

crosser between European-Canadian <strong>and</strong> indigenous cultures. Aspects of <strong>the</strong><br />

supernatural manifest <strong>the</strong>mselves early in <strong>the</strong> novel, <strong>and</strong> as <strong>the</strong> narrative progresses<br />

it becomes clear that <strong>the</strong> protagonist has been endowed with <strong>the</strong> gift (or curse?) of<br />

being able to contact <strong>the</strong> spirit world. Encounters with figures mainly from Haisla<br />

lore – ghosts, <strong>the</strong> ‘little man’ who acts as <strong>the</strong> harbinger of death, <strong>and</strong> <strong>the</strong> mythical<br />

figure of <strong>the</strong> sasquatch, among o<strong>the</strong>rs – pose <strong>the</strong> question whe<strong>the</strong>r Lisamarie can<br />

accept <strong>the</strong> supernatural as an integral part of her life in a twentieth-century<br />

Canadian community. A deep analysis of <strong>the</strong>se issues reveals <strong>the</strong> pivotal<br />

importance of <strong>the</strong> supernatural in <strong>the</strong> process of coming-of-age, as Lisamarie –<br />

initially unwillingly – receives support from spirits when having to cope with<br />

certain situations. However, Lisamarie’s belief in <strong>the</strong> spirit world <strong>and</strong> o<strong>the</strong>r<br />

people’s ignorance <strong>the</strong>reof constitute additional bones of contention in <strong>the</strong> already<br />

strained relationship between Haisla tradition <strong>and</strong> European-Canadian modernity.<br />

The reconciliation of <strong>the</strong>se aspects poses one of <strong>the</strong> greatest challenges during <strong>the</strong><br />

protagonist’s adolescent years. Robinson’s novel investigates <strong>the</strong> possibility of<br />

interweaving supernatural elements into a narrative without <strong>the</strong> use of a traditional<br />

trickster figure. Ra<strong>the</strong>r, <strong>the</strong> supernatural is a fundamental element of everyday life<br />

which <strong>the</strong> protagonist is encouraged to explore. When she acknowledges <strong>the</strong> Haisla<br />

part of her identity she simultaneously accepts <strong>the</strong> spirits’ guidance. Numerous<br />

incidents throughout <strong>the</strong> story confirm <strong>the</strong> vital importance of Lisamarie’s contact<br />

with <strong>the</strong> spirit world with regards to <strong>the</strong> construction of her identity during her<br />

maturation process from a young girl to a responsible adult.<br />

Key Words: Monkey Beach, coming-of-age, tree spirits, Sasquatch, ghosts, Haisla.<br />

*****<br />

1. Introduction<br />

In her coming-of-age narrative Monkey Beach Haisla writer Eden Robinson<br />

provides a colourful illustration of life in <strong>the</strong> Native community of Kitamaat which<br />

is situated on <strong>the</strong> British Columbian coast. The protagonist, nineteen-year old<br />

Lisamarie Michelle Hill, is of Haisla ancestry <strong>and</strong> revives <strong>the</strong> memories of her<br />

childhood <strong>and</strong> adolescence as she <strong>and</strong> her parents find <strong>the</strong>mselves in a state of

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