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This experiment of Jackendoff’s and Mora’s previous explanation shows the universality of<br />

which Holdaway speaks when students’ memories are stimulated by music. They end up<br />

being more creative than what was first expected. Everything that the learner was hearing and<br />

mentally forming came out linguistically, as in Jackendoff’s experiment with the use of both<br />

English and Spanish. The music helps encode the language in the learners’ minds by allowing<br />

them to take their imagination farther and make them realize they have so much more stored in<br />

their brain then they realize.<br />

Music is indeed very much linked to the way a student learns language. In order for<br />

the students to learn something correctly, the instructor must take an active interest in how<br />

the students are learning and what approaches are really working. “While many lay people<br />

might think that the most important aspect of music is to play the notes correctly, the best<br />

music teachers take a strong interest in laying in their students’ minds a solid foundation of<br />

the concept of rhythm” (Giauque 5). To learn a foreign language, the students need to have<br />

a strong pattern to follow, and they need to learn the “rhythm” of speech, sentence structure,<br />

and vocabulary. The best way for the student to learn is if all the components are broken<br />

down for them in a simple style (Giauque 4). By creating comfortable learning environments<br />

that allow creativity to flow and interconnect with language, instructors offer a safe haven<br />

for students to develop new language skills. If we expect students to learn, we the educators<br />

need to introduce activities and exercises that will allow for the information to be burned into<br />

their memory. Understanding how music and language work in tandem is one key used to<br />

unlock this door to learning.<br />

BIBLIOGRAPHY<br />

Giauque, Gerald S. “Foreign Language Acquisition and the Study of Music.” U.S.<br />

Arizona (October 1985) 9.<br />

Holdaway, D. The Foundations of Literacy. Sydney, NSW: Ashton Scholastic (1979).<br />

Huffine, Karen, and DiAnn Ellis. “Stories That Sing: Stimulating Oral Language in<br />

Young Children.” U.S. California (February 1979) 18.<br />

Jackendoff, Ray Languages of the Mind: Essays on Mental Representations. Cambridge,<br />

Mass: MIT Press. 1992.<br />

James, Alan Russell. “When I Listen to Music.” Young Children 55.3 (May 2000) 36-7.<br />

Mora, Carmen Fonseca. “Foreign Language Acquisition and Melody Singing.” ELT<br />

Journal 54.2 (April 2000) 147-60.<br />

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