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The American Nightmare<br />
Allegra Aguirre<br />
Somewhere in America a child’s stomach<br />
growls, slowly digesting itself, as if it will<br />
feed them. At the same time someone is<br />
complaining about their food not being<br />
scalding hot. “I’m so sorry I can’t eat this,<br />
I’m on a keto diet for summer and this won’t<br />
work for me.” There are people scavenging<br />
through garbage, their hands stained with the<br />
remnants of poverty.<br />
Somewhere in America a college graduate<br />
stands on the side of the road, using their<br />
freshly framed diploma as shelter from rain,<br />
and their graduation cap as a cup for spare<br />
change. “You did amazing in your interview,<br />
but we need someone with more work<br />
experience.” The thought of debt waits<br />
patiently in the back of their mind, feeding off<br />
words like ‘overqualified,’ ‘budget cuts,’ and<br />
‘inflation’- to eventually swallow them whole.<br />
freedom to pick and choose which people we<br />
want to protect, freedom to sweep our history<br />
under the rug.<br />
Somewhere in America people scream for<br />
change while plugging their ears.<br />
The battle begins with an unleveled playing<br />
field. Privilege and ignorance propel some<br />
forward, while others scratch and crawl<br />
their way to the end, forgetting what they<br />
were fighting for in the first place.<br />
Somewhere in America a soldier’s chair is left<br />
empty at Thanksgiving, Christmas carols are<br />
a reminder of absence, a baby is born without<br />
their father by their side.<br />
In return- memories sentenced to play on<br />
repeat, “Here, fill out this form to see how<br />
much you qualify for.” Soldiers are dying for<br />
our freedom. Freedom to dictate what people<br />
can and cannot do with their bodies,<br />
Inspired by slam poem “Somewhere in America,”<br />
performed and written by Belissa Escobedo, Rhiannon<br />
McGavin, and Zariya Allen.<br />
Flail<br />
Steel & Wood<br />
William Aaronson-Glaab<br />
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