SandScript 2023 [Digital Exclusive]

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E D I T O R I A L B O A R D Editor-In-Chief Raiden Lopez Assistant Editor Mackenzie Dougherty Managing Editor Katie Murray Visual Arts Editor Damian Cecala Editorial & Graphic Designer Brandon Robles Photographer & Visual Arts Expert Isaac Zierenberg Co-Industry Outreach Coordinator & Social Media Manager Co-Industry Outreach Coordinator & Social Media Manager David Mutschler Alycia Ruffin Poetry Editor Kristin LeBlanc Prose Editor Eric S Cerda Faculty Advisor Mariah Young 3
Letter from the Editor 2023 What words describe this year and the experience of overseeing this issue of SandScript? Pima’s Art & Literature magazine has always reflected the dreams and emotions of our campus body, and the pulse of the world around us. As Editor In Chief for the last three years, I’ve seen the effect of loss and pain from the pandemic; grief was our daily companion who became easier to live with day by day. This year, our goal was to get past the trauma of the pandemic to some form of normalcy and help SandScript grow and thrive in the ever-changing world. I practically willed SandScript into surviving the pandemic, and I am proud to say that we have done that with this incredible staff. SandScript 2023 shows that we are no longer just surviving–we are thriving. In reviewing hundreds of submissions for this year’s issue, the staff and I saw struggle, acceptance, and dare I say happiness, as key themes from our contributors. We felt elation when someone accepted who they were despite intolerance. We felt the terror of entrapment and fear that toxic relationships bring. We felt hope in seeing art reflecting the determination to endure and escape to be safe. We felt proud seeing artwork showcasing the desire to follow one’s dreams. We celebrated with those who shared their love for history, culture, and their identity. As editors we felt the intense passion, fear, love, insecurity and confidence that shined through each individual piece. Acceptance was a major theme we saw in this year’s submissions: acceptance of difficult situations, but also acceptance of who we are, personally and fundamentally. This year’s edition reflects how life puts us in untenable positions, but we are resilient, stubborn creatures and we find a way. Every year presents its challenges and changes, and this year was no exception. Our previous advisor and my mentor, Frankie Rollins, left Pima to follow her dreams, but she handed SandScript to another creative & passionate soul, Mariah Young. Our staff’s love for SandScript and our shared goal to make Pima’s talented creators more known has made SandScript what it is today. As Editor in Chief I’ve had the chance to meet artists from around the world, work with writers whose work has made me feel a myriad of emotions, and it’s been a privilege to hear the experiences that inspired those stories. I step down as Editor In Chief after three years, but I take so much experience and love with me. I think of SandScript as a parent would see their child: a lot of me has gone into raising it but I am only meant to be a part of its life for a while. Now I get to step back and enjoy watching it grow. Thank you for the privilege of being SandScript’s Editor In Chief. SandScript is a wonderful platform for all Pima students to share their creativity and art. It is a very brave thing to share that part of you with the world, but taking a creative risk is worth it. The world needs to see it. So I encourage you all to continue to make art, to live your life passionately and to remember that life isn’t easy but it can be beautiful if you let it. 4 Raiden Lopez |Editor-in-Chief
Page 3 and 4: -XXXI- EDITION
Page 5: About S andScript is the visual art
Page 9 and 10: Table of Contents § § § § §
Page 11 and 12: From the Ashes of Glory - Elizabeth
Page 13 and 14: Award Winners R O S 1st Bird Whistl
Page 15 and 16: O P E A W A T R D R Y El Sazón De
Page 17 and 18: The Middle Ground Photography Emily
Page 19 and 20: Entropy Brett Wynn Lack of order or
Page 21 and 22: Falling in Reverse Paper & Pencil D
Page 23 and 24: A AWARDED R T V P I I S U A E L E C
Page 25 and 26: caused me to scream once I first sa
Page 27 and 28: Death is Still with Hands Behind yo
Page 29 and 30: Thoughts Inside a Gelatin Silver Pr
Page 31 and 32: Don’t Ignore the Apostrophes Tayl
Page 33 and 34: Cold Outside Charcoal Zayk Cronyn H
Page 35 and 36: one will believe you, and there’s
Page 37 and 38: your friends have thinned out, and
Page 39 and 40: you are. Standing here: the image o
Page 41 and 42: Inhale, Exhale Maya Schenne Smoke c
Page 43 and 44: Tierra Para El Indio Suriano Gabrie
Page 45 and 46: Inching the walker along in small j
Page 47 and 48: went clear again. “But she was al
Page 49 and 50: ack and stared over the old man for
Page 51 and 52: Redefinition Collin Chadwick Wisps
Page 53 and 54: Weeds choked the light posts around
Page 55 and 56: the booth in the first auditorium a
Page 57 and 58:
Comfort & Joy Ride Travis Cooper I
Page 59 and 60:
A Crescent Moon Conner Brooke Lechn
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quickly and deadly. Its arms were l
Page 63 and 64:
Auberich exhaled slowly as he limpe
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Desert Abbie Golden All my life I
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Matryoshki Photography Abby Maki 64
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Is This Faith? Raiden Lopez “IT
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We Were Quiet After That Abbie Gold
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End of Hibernation Watercolor & Ink
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Truth Through the Ages Mackenzie Do
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Sibling Bonding by the River Photog
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Video Call Oil on Canvas Vannia Ayo
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write a few numbers on a small note
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Christmas Light Joy Photography Ian
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The Tide in Your Eyes Damian Cecala
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The Spoken Word India Ink // Digita
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“Remember your manners, and do as
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“So, shall we dine together then?
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Pregnant Anonymous she said she wan
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In The Moment Gouache on Watercolor
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Apollo Sleeps Brett Wynn Apollo sle
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Desert Oracle Ash Hooke How does th
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Walking to the Moon Maya Schenne It
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100 Hello 1989 Me Photography Colla
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DOMESTIC WARS Acacia Chambers Domes
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Uncanny Freedom Ink Marii Ink 104
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Retro Wave Digital Sage Furrer Yep.
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The Closeted Experience Kina Questi
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Them Cyanotype Julia Franco Ramos 1
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Night Time Right Time Photography E
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When We Were Young Photography Leah
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Overjoyed Acrylic Paint and Molding
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Indolence Photography Victoria Rive
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The Last Song Kristin LeBlanc For e
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Mushroom Anagoge Mixed Media / Digi
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FLOWERS IN MY HOUSE Kathleen Willia
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Your Brains on Clothes Cyanotype Ju
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Doldrum Photography Victoria Rivera
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Sending You My Gelatin Silver Print
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Emerald Bay (From my journal) Natal
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Mother and Daughter Gouache Paint o
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Tree of Life Linoleum Print on Pape
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sandcastle culture Ev Essif the lot
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Worship at Dawn Kristin LeBlanc You
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Mon Père Water Color on Water Colo
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Solar Bunker 3D- 2:33 p.m. Old Man
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the first row of doors. A steam eng
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Tread Printmaking Marii Ink 148
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Brunch with the Ex Eric S Cerda “
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“I took three home pregnancy test
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involved do you want me?” “How
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tasty fruit out of Brigid’s yard
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Unless something was out there. “
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Fools Photography Leah Trieu 160
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end, and it had a curved handle on
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Man in Spotlight Photography Damian
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stare; a hidden strength buried bel
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Vince Says River Lethe Some of my l
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translation The Myth of The Cactus
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All Have Fallen Short Ariel Varela
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Vessel Photography Victoria Rivera
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Reconócete Abundante Fer Cueva Rec
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American Alligator, Everglades Nati
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Reflections on Y2K Digital Art Eliz
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The Worse The Bad, The Better The G
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SINTAMOS EN PRESENTE Fer Cueva te i
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Introverted Tree Photography Damian
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Aeromancy Collin Chadwick Every thi
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common his life is but he’s prett
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making things difficult. Jaiden rol
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Leaves Watercolor Adriana Prado 194
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Scattered Thoughts Regarding Me and
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Boundless Natalie Johnson The cold
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Another similarity between music an
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This experiment of Jackendoff’s a
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204
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Peace Rebecca Lowe You’ll see a l
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Found in Death Sedona Blanar Lookin
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I tried to exercise, eat right, and
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I thought I could either let the ti
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214 Barrio Libre Digital Perri Hart
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Birds of Mexico Photography Emily L
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Arthur Lurvey Has enjoyed working w
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Heather Peterson (she/her) is a 23-
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Natalie Johnson Sedona Michele Blan
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Alyssa Quitian Alyssa Quitian is a
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Damian Cecala Is a young artist who
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Julia Faltin Julia Faltin is a PCC
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Marii Ink Is an aspiring artist and
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1st Place Award Winners R P O A W A
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Katie Murray Managing Editor Is a B
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Support Us Visit Our Instagram for
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