WIA_ISSUE2_2023
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DESIGN<br />
From our brand philosophy, your home<br />
does not need to have any fancy furniture.<br />
Instead, it should have something or<br />
someone you are familiar with. Growing<br />
up, I have met different people and there<br />
are different challenges at work and in my<br />
life. Life becomes much more complicated<br />
and dynamic. You can choose to be super<br />
ambitious, or you can be a workaholic and<br />
work non-stop 18 hours a day to achieve<br />
your dream. Or your work might need you<br />
to keep travelling to different countries. No<br />
matter which five-star hotel or high-class<br />
service apartment you stay in, there might<br />
be a small corner in your mind that gives you<br />
a sense of safety, that belongs to you only.<br />
That corner can be the small bedroom you<br />
grew up in, or it can be where your loved<br />
ones wait for you. This place we call home<br />
will become your source of energy, and it will<br />
give you courage and power to be strong and<br />
ambitious.<br />
2<br />
And this is what HOW Furniture wants to do<br />
for our customers: We want to help them<br />
choose the furniture they like, that they will<br />
build their memories and life journey with.<br />
It is not only about how the furniture can<br />
help to live a better life; it is about how to<br />
appreciate the simple happiness in a life.<br />
In your opinion, what defines Japanese<br />
craftsmanship?<br />
Lin: Japanese craftsmanship is like an<br />
‘attitude’ of living. It is very different from<br />
the western furniture market, where famous<br />
furniture brands usually partner with<br />
different designers and come up with designs<br />
that integrate the designers’ language and<br />
thought. This is very different from Japanese<br />
furniture craftsmanship. In some of the<br />
Japanese furniture brands, the designer<br />
might not be well-known by the public even<br />
if they are a very famous designer within<br />
the industry. Japanese craftsmen prefer to<br />
craft some basic source materials into good<br />
quality products, and this is the value of<br />
Japanese furniture.<br />
The craftsmanship of Japanese wooden<br />
furniture is primarily focused on precision.<br />
This precision begins right from the design<br />
3<br />
concept stage. For instance, furniture makers<br />
consider how to achieve the desired furniture<br />
design during the production process and<br />
how customers will use the furniture from<br />
their perspective. Our hero brand, Hirashima,<br />
is a good example, taking two years to<br />
be launched from the design concept to<br />
the production of a prototype. As a result,<br />
Japanese furniture designs are relatively<br />
durable, and their design concepts and styles<br />
do not get outdated with time.<br />
Another indicator of high-quality is the<br />
F4 stars specification, which refers to the<br />
coating and glue used during production. The<br />
formaldehyde content in F4 star materials is<br />
even stricter than EU standards.<br />
1 The storefront of<br />
HOW Furniture’s<br />
showroom<br />
2 Japanese furniture<br />
makers typically<br />
consider how<br />
customers will use<br />
the furniture from<br />
their perspective<br />
3 Camphor wood is<br />
used for this drawer<br />
What is the culture of using wood like in<br />
Japan?<br />
Lin: The culture of using wood in Japan<br />
dates back to ancient times and is rooted in<br />
Japanese people’s reverence for nature and<br />
their culture of co-existing with it. In general,<br />
Japanese people have a philosophy of using<br />
all natural resources carefully and respectfully<br />
as a way of expressing gratitude towards<br />
nature, similar to how when they sit down for a<br />
meal, they express gratitude and appreciation<br />
for the food they are about to receive by<br />
saying “itadakimasu”.<br />
Japan has abundant wood resources<br />
compared to other countries, thanks to its<br />
vast forests and mountainous areas. Houses,<br />
WOOD IN ARCHITECTURE • ISSUE 2 – <strong>2023</strong> 51