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Bowie PDF Book from JFK247

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friend Ray Stevenson, ‘he never had to pay any rent.’<br />

Mary Finnigan had an impeccably middle-class<br />

background, but after a brush with the law and<br />

conviction for drugs possession – ultimately overtuned<br />

– with a consequent brief stretch in Holloway<br />

Prison in 1967, she had taken up the hippie cause<br />

as a writer for International Times. She and David<br />

soon became lovers, and the singer became her<br />

new cause; within three weeks she had helped<br />

organise a regular Folk Club at the Three Tuns on<br />

Beckenham High Street; by its fourth week, on<br />

Sunday 25 May, the venture was titled the<br />

Beckenham Arts Lab, and eventually started drawing<br />

in street musicians, puppeteers, poets and other<br />

artists. Working with the eclectic group of volunteers,<br />

David immersed himself in mime and the visual arts,<br />

as well as music. The group became his main focus<br />

of activity, soon after his partnership with Hutch<br />

came to an end. The Yorkshireman had spent many<br />

intense evenings throughout the spring working on<br />

material with David after a long day in the office. In<br />

April, when a hoped-for deal with Atlantic for the duo<br />

failed to materialise, Hutch returned up north, in<br />

search of a decent salary to support his wife and<br />

young son. David seemed unconcerned, but later<br />

Hutch heard he’d been telling his friends, ‘Hutch<br />

thought we were never going to make it.’ It seemed,<br />

Hutch thought, that ‘David simply had no grasp of the<br />

concept of having a family to feed.’<br />

With Hutch’s departure, David immersed himself<br />

in Arts Lab meetings. The group boasted two<br />

formidable administrators in the form of Finnigan

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