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Also by Paul Trynka Copyright CONTE
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Genius Steals Thursday evening, sev
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oogie rhythm. For a generation of t
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contradictions became more obvious
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When I’m Five Everything seemed g
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Born in Doncaster on 21 November, 1
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were still needed to buy linen, fue
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the Burns’ ‘family affliction
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Arden, a failed nightclub singer an
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the saying went. Most of the famili
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family’s modestly respectable sta
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tensions between Peggy and David we
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charm ‘as a weapon’, says a lat
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Berry and Frankie Lymon and The Tee
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Lonnie’s brand of skiffle after a
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1944. The art college system provid
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‘a pleasant idler’. At fourteen
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people noticed his clothes, his hai
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Powling: ‘He was nice, charming -
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‘When I’m driving for instance,
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to be big.’
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indulgent with the younger students
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ecome his main friend but the sax p
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sung by Roger Ferris, was later con
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soon the Kon-Rads were hanging out
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David was lucky to have a hip boss,
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came from another blues classic, Sl
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estranged from his parents. Peggy c
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for the vital document or press cut
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seemed almost ruthless in his self-
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The recording was brisk, the standa
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celebrate the sweet victory of his
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Thinking About Me There’d be six
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good.’ The band’s leaders, Soll
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more powerful - occasionally he was
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the road, Woolf, who was at the whe
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was a favourite musicians’ hangou
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‘Pity the Fool’ was perfect for
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under the same banner. Solly mainta
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David had brought along moral suppo
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Whereas George Underwood would get
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pastiche, ‘Baby Loves That Way’
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call him. He also took Pitt’s res
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of the womb like Marc - I was stumb
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was absolutely one of us. A wonderf
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with the boy, in more ways than one
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and in turn fired him. Rather than
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Raymond Cook, the cash flow enabled
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had borrowed more money from Raymon
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never mention a word of any family
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informed the manager, ‘You can ha
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Guitarist John Hutchinson went thro
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Lower Third might have suited Ralph
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Belsen, and served briefly in Pales
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There is an intriguing footnote to
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‘He knew those songs weren’t th
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towards some people,’ says Mair.
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then chairman of Decca, he worked h
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task. ‘It was bloody hard work,
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who really is an individual talent
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characteristic fashion - preparing
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European musician to appreciate the
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I Wish Something Would Happen It wa
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through he started feeling very, ve
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opportunities. Deram had gone quiet
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going to write some Top 10 rubbish,
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around with no recordings in prospe
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with me as Pierrot. And we met afte
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soul. And he had all this inside hi
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Kemp sat on the edge of the stage,
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the most beautiful melodies of his
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Bolan, who had finally lodged himse
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For Bowie and Visconti, the still-b
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The new trio played their first ‘
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harmony vocal, two points struck hi
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after he had asked David to write a
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Check Ignition David was adored on
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friend Ray Stevenson, ‘he never h
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wasn’t slow to have a go.’ For
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therefore the next best thing to ha
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Roger Bolden Stansfield Road, David
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Max Batten Burnt Ash Juniors footba
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Pictorial Press The Kon-Rads - init
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Bob Solly The Manish Boys: tough, h
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Denis Taylor The newly christened D
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A rare photo of David’s second ma
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Dezo Hoffmann/ Rex Features ‘The
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Jeff Dexter Singer and songwriter L
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David Bebbington David Bowie, showb
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Reizner’s dislike of Bowie would
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deal. With Hayes largely absent in
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exactly what we wanted - no other s
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drummer for the next nine months; c
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we were told that we were all answe
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an attempt in June to negotiate an
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some assignment at the Beckenham Re
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more people from whom David moved o
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album shuffled out in a rather half
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All the Madmen It was all a bit of
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shops on Old Kent and Tower Bridge
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common with Bowie. When Pitt left t
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moved into Haddon Hall, and came to
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was nonetheless often overshadowed
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troubles with Ken, and the traumas
- Page 218 and 219:
Gripplestone’, was Who-influenced
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elentlessly fluid and inventive. Th
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a cowboy outfit for John Cambridge;
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influence was irretrievably slippin
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The unique nature of the Bowies’
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known around the London music indus
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you can do it, come on,’ Ronson k
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this album, he could ride on the wa
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a straightforward knock-off of Hend
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included a trip to New York on a Cu
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Kooks It will either be a disaster,
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would have twenty per cent of Myers
- Page 244 and 245:
ut as Flowers concedes, ‘Some rec
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Ronson, would finally cohere in the
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originality of his Deram days. But
- Page 250 and 251:
which on inspection was often sligh
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Mercury’s Robin McBride flew over
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now his hair cascaded in waves over
- Page 256 and 257:
wave of energy, of excitement at th
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when the trio recorded it at Luxemb
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een even more nervous had he known
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all, sitting around in a pub or clu
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factory-reject china and other oddm
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June, when Mercury could exercise t
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single on Vertigo had sunk without
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loop; Defries had the means to do t
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songwriters like Harold Arlen. Davi
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esult was a dazzling collection of
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Grossman. ‘They have both helped
- Page 278 and 279:
with stories of his Lindsay Kemp da
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Over the Rainbow It was, I’ll do
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History rarely records Laurence Mye
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meet over dinner at the Ginger Man,
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dancing’ into the meeting, Zanett
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says Kris Needs, a Bowie fan who’
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Iggy, too, was a mere creation. Dur
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could stage an emotional onslaught
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ecording were shorn. Thus, the fina
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who’d written about David already
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een anticipated by Marc Bolan - who
- Page 302 and 303:
- ready for the debut of their new
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song.’ ‘It was at that point th
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words ‘Spiders’ and they were a
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performance, where Mick Rock - the
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that the music was in any case simp
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said, “I want some,” and Reg ha
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packed house. By now, Ziggy Stardus
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he’d seen employed in Cabaret and
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own iconism - it made it difficult
- Page 322 and 323:
Battle Cries and Champagne David wa
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theatre background meant he was con
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For David, being on the road was th
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label in the world,’ says Dai Dav
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Birgit. At about 10 at night we’d
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Roadie Robin Mayhew, like McCrado,
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was gonna be wonderful and he could
- Page 336 and 337:
effect here and there. The results
- Page 338 and 339:
Angie and David had exchanged weddi
- Page 340 and 341:
When he met Ian Hunter a few days l
- Page 342 and 343:
was one shot, one take - boom, that
- Page 344 and 345:
Soon after their arrival in New Yor
- Page 346 and 347:
‘and all of a sudden the door kno
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Pictorial Press ‘They tried to ha
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Oh! You Pretty Things: David, Angie
- Page 352 and 353:
Ray Stevenson
- Page 354 and 355:
generation of teenagers. © Mick Ro
- Page 356 and 357:
Harry Myers/Rex Features ‘Once th
- Page 358 and 359:
Bob Gruen David with his new ‘off
- Page 360:
going to record a session’. Makin
- Page 363:
Where Things Are Hollow
- Page 367 and 368:
David’s friends from 1971 and 197
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into the American dates he called D
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luxury of international cruising. H
- Page 373 and 374:
As ever, Woody came straight to the
- Page 375 and 376:
iche hotel in Sheffield. Rival sing
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nice the day was, you wouldn’t se
- Page 379 and 380:
confidant of both Bowie and Ronson
- Page 381 and 382:
collection of covers, and started p
- Page 383 and 384:
it.’ Mick was both a friend who D
- Page 385 and 386:
working briefly on a script with Po
- Page 387 and 388:
UK’s Creation and Mute labels - w
- Page 389 and 390:
Those Trident sessions marked the e
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cutting it up into four- or five-wo
- Page 393:
treating guests to an impeccably tu
- Page 397 and 398:
Those cracks would fail to damage D
- Page 399 and 400:
an altogether more challenging frie
- Page 401 and 402:
chatted with both Ronson and Bowie
- Page 403 and 404:
people would be having a good time,
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silhouetted against the control-roo
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ackground; born, she told her frien
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outfit had changed line-up in 1972,
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in Queens for a decent meal and was
- Page 413 and 414:
MacCormack attended the New York pr
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Yet the first run of shows, the pro
- Page 417:
flung spots like Hull. In America,
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fourteen. Being fined by James Brow
- Page 423 and 424:
pulled in just behind the bridge. H
- Page 425 and 426:
a kind of lucky charm, and were fin
- Page 427 and 428:
The ramifications of David’s deal
- Page 429 and 430:
David did not gloat at all, he was
- Page 431 and 432:
leaving, but we managed to persuade
- Page 433 and 434:
Writer Mick Farren had been sent to
- Page 435 and 436:
the devotional, gospelly ‘It’s
- Page 437 and 438:
and ‘Win’, Tony Visconti flew o
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David had misheard ‘shame’ as
- Page 441 and 442:
David’s conversations with John L
- Page 443:
ight to reject any album should Def
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conversations with John Lennon - wh
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Actor, especially the sequence with
- Page 451 and 452:
for sex sessions, away from the wat
- Page 453 and 454:
went into it more deeply and was a
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LA around 16 March, 1975. He wanted
- Page 457 and 458:
ecent move from Stoke-on-Trent, the
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acquaintance with Charlie Manson, t
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tower guiding in a novice pilot. Av
- Page 463 and 464: May, and was the closest witness to
- Page 465 and 466: year there’s a whole format that
- Page 467 and 468: large fee but was negotiated down.
- Page 469 and 470: Earth would be mostly eulogised by
- Page 471 and 472: says Slick, ‘and I was in a state
- Page 473 and 474: the kabbalistic tree of life: Kethe
- Page 475 and 476: work, the perfect gateway between A
- Page 477 and 478: and pharmaceutical peculiarities, D
- Page 481 and 482: Ghosts in the Echo Chambers The guy
- Page 483 and 484: he told Iggy, was a sign that the w
- Page 485 and 486: Station tour concluded with a maste
- Page 487 and 488: that was the main attraction. His a
- Page 489 and 490: emoval did not cause any specific c
- Page 491 and 492: says Andrew Kent. Movie footage of
- Page 493 and 494: ounced. In Switzerland, Angie had t
- Page 495 and 496: peak. Most songs were sketched out
- Page 497 and 498: seemed to savour the energy and vit
- Page 499 and 500: crafting long tape loops into elect
- Page 501 and 502: who were commemorated by a plaque o
- Page 503 and 504: how his piano would fit in to Bowie
- Page 505 and 506: As David made his way down the stee
- Page 507 and 508: session, Eno effected a quiet revol
- Page 509 and 510: Soon a decade’s worth of imitator
- Page 511 and 512: spooky place - I did refuse one bed
- Page 516 and 517: Visconti steps out of the Mercedes,
- Page 518 and 519: naturally polite, they’d pretend
- Page 520 and 521: The Idiot, which came out on 21 Mar
- Page 522 and 523: Bowie’s career that by the time t
- Page 524 and 525: telepathic musical bond which meant
- Page 526 and 527: its way; Iggy’s stream-of-conscio
- Page 528 and 529: Krautrock bands like Neu!. The soun
- Page 530 and 531: was no fun to do backing vocals wit
- Page 532 and 533: line that emphasised the purity of
- Page 534 and 535: options,’ says Visconti. ‘If yo
- Page 536 and 537: own with the latest line-up of T. R
- Page 538 and 539: the music, hadn’t noticed what wa
- Page 540 and 541: might find they’d been edited or
- Page 543 and 544: Les Lambert/Rex Features The Thin W
- Page 545 and 546: encouraged by David’s cocaine sup
- Page 547 and 548: Andrew Kent David celebrates his th
- Page 549: David Bowie, Tony Visconti and Ton-
- Page 552 and 553: Mirrorpix David Bowie finally prove
- Page 554 and 555: News Ltd Newspix/Rex Features Hobo
- Page 556 and 557: 27 January, 1983, in a $17m deal th
- Page 560 and 561: I Am Not a Freak He just had a tack
- Page 562 and 563: interviewer John Tobler, in January
- Page 564 and 565:
Hinterhof, like Iggy. In Berlin, bo
- Page 566 and 567:
owners who’d known the reclusive
- Page 568 and 569:
holiday in Kenya and suggested they
- Page 570 and 571:
wouldn’t acknowledge the problem
- Page 572 and 573:
‘It sounded terrible,’ says Hou
- Page 574 and 575:
first. ‘I walked in, and David, B
- Page 576 and 577:
Lodger enjoyed a decent chart run,
- Page 578 and 579:
was in his room (no one found out),
- Page 580 and 581:
Popular folklore has it that Bowie
- Page 582 and 583:
Lindsay Kemp, again with a costume
- Page 584 and 585:
Elephant Man cast, echoes abound of
- Page 586 and 587:
Anglim, the upstart replacement lif
- Page 588 and 589:
for the Saturday matinee, and again
- Page 590:
years later. ‘A whole piece of my
- Page 594 and 595:
of Marion Skene, the nanny who’d
- Page 596 and 597:
out danger signs in letters or othe
- Page 598 and 599:
usually been directed at his music
- Page 600 and 601:
ecause you had four very precocious
- Page 602 and 603:
we had our Baal,’ says Willett. T
- Page 604 and 605:
a set of completely separate, diffe
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With the backing tracks complete th
- Page 608 and 609:
John Mortimer’s poignant, funny m
- Page 610 and 611:
influenced visuals, bombastic sound
- Page 612 and 613:
friends without qualm. There were i
- Page 614 and 615:
arrived at the table. Throughout th
- Page 616 and 617:
The film was intriguing, the antith
- Page 618 and 619:
ut by the summer he felt comfortabl
- Page 620 and 621:
through David’s collection of vin
- Page 622 and 623:
the studio was booked for twenty-on
- Page 626 and 627:
On the Other Side I got the spider
- Page 628 and 629:
was highlighted by a sensational ap
- Page 630 and 631:
‘Don’t you ever break up my reh
- Page 632 and 633:
playing rhythm, and he’d been in
- Page 634 and 635:
a ‘good boy’ throughout; occasi
- Page 636 and 637:
Canadian singer Lisa Dalbello, whos
- Page 638 and 639:
few months later, in May, 1984. By
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have survived from the old days was
- Page 642 and 643:
As far as Tonight was concerned, Bo
- Page 644 and 645:
honed knives of critics once the mu
- Page 646 and 647:
had a big effect on the whole famil
- Page 648 and 649:
an hour later to say he’d managed
- Page 650 and 651:
who sounds like a shop girl.’ Arm
- Page 652 and 653:
couple of them had lived in a squat
- Page 654 and 655:
Mustique, where David had bought a
- Page 656 and 657:
The plan of building up a productio
- Page 658 and 659:
show: ‘A big event for the whole
- Page 660 and 661:
camping around by a vending machine
- Page 664 and 665:
It’s My Life - So Fuck Off David
- Page 666 and 667:
tape and soon started recommending
- Page 668 and 669:
Iggy’s ex-bassist Tony Sales saw
- Page 670 and 671:
contrast, was now a born-again evan
- Page 672 and 673:
was a genuinely kind, sweet person.
- Page 674 and 675:
however cloth-eared, that the David
- Page 676 and 677:
dull, dogmatic element to Tin Machi
- Page 678 and 679:
outtakes or alternate versions. If
- Page 680 and 681:
visuals, it turned out Belew would
- Page 682 and 683:
each other on the dancefloor, in th
- Page 684 and 685:
and became a muse for Yves Saint-La
- Page 686 and 687:
Gabrels, meanwhile, had the thankle
- Page 688 and 689:
Medhurst’s or Dobell’s. He didn
- Page 690 and 691:
and then … it got sidetracked.’
- Page 692 and 693:
Thierry Mugler had done ‘a deligh
- Page 694 and 695:
his guitar work when Nile was filmi
- Page 696 and 697:
Trevor Bolder, Bowie’s Spiders ba
- Page 698 and 699:
The genesis of the project that wou
- Page 700 and 701:
They’d discuss an idea or chord s
- Page 704 and 705:
The Heart’s Filthy Lesson I’ve
- Page 706 and 707:
Berlin. Once they’d decided to wo
- Page 708 and 709:
great music. There were times when
- Page 710 and 711:
label ‘with no name on it’, say
- Page 712 and 713:
The pair never discussed the subjec
- Page 714 and 715:
Even as Bowie’s music started to
- Page 716 and 717:
We were standing on the side of the
- Page 718 and 719:
‘That summer was the end of Outsi
- Page 720 and 721:
the spring. Yet despite the air of
- Page 722 and 723:
departure of his iconic English gna
- Page 724 and 725:
as one of Time magazine’s 100 Inn
- Page 726 and 727:
Kevin Armstrong ‘Absolute Beginne
- Page 728 and 729:
Kevin Armstrong A quick cigarette w
- Page 730 and 731:
Eduard Meyer Famously ludicrous, th
- Page 732 and 733:
Ebet Roberts/ Getty Images ‘It ne
- Page 734 and 735:
Abdul Majid on 14 October, 1990. He
- Page 736 and 737:
Brian Rasic/Rex Features David, in
- Page 738:
attack, 8 September, 2005. The band
- Page 741 and 742:
Bowie banked $55 million from the d
- Page 743 and 744:
- who also worked for the Stones -
- Page 745 and 746:
London to join him and Iman at a me
- Page 747 and 748:
it wasn’t his biography, it was s
- Page 749 and 750:
But as the century ebbed to its clo
- Page 751 and 752:
place by storm. He came back dresse
- Page 753 and 754:
describing his main job as ‘daddy
- Page 755 and 756:
Toy deepened during the summer; the
- Page 757 and 758:
out in the Catskills on 9/11; David
- Page 759 and 760:
career, was still producing work th
- Page 761 and 762:
used more than once to describe how
- Page 763:
ypass surgery, which happened to be
- Page 767 and 768:
victims, was nerve-racking. Bowie h
- Page 769 and 770:
those first songs that electrified
- Page 771 and 772:
the crowd, it was an ‘extraordina
- Page 773 and 774:
Temple, who points out: ‘He does
- Page 775 and 776:
months younger than David, Iggy con
- Page 777 and 778:
the Daily Mail for the ‘lesbian k
- Page 779 and 780:
carpets solo, until David turned up
- Page 781 and 782:
‘Wasn’t he brave? To do what he
- Page 783 and 784:
him where he said he thought he mig
- Page 786 and 787:
DISCOGRAPHY
- Page 788 and 789:
which would become fundamental to h
- Page 790:
The Man Who Sold the World Recorded
- Page 793 and 794:
arranged and recorded within days o
- Page 795 and 796:
emotional rollercoaster in between.
- Page 798 and 799:
Pin Ups Recorded: July - August 197
- Page 800 and 801:
Diamond Dogs Recorded: December 197
- Page 802:
David Live Recorded: 8-12 July 1974
- Page 805 and 806:
assemblage that, with its unvarying
- Page 807 and 808:
deranged ‘TVC 15’ - its vocal i
- Page 810 and 811:
“Heroes” Recorded: May 1977; Ha
- Page 812 and 813:
Stage Recorded: April - May 1978; T
- Page 814 and 815:
Low or “Heroes”, it nonetheless
- Page 816 and 817:
sophisticated assemblage adorned by
- Page 818 and 819:
Let’s Dance Recorded: December 19
- Page 820 and 821:
Tonight Recorded: May - June 1984;
- Page 822 and 823:
Never Let Me Down Recorded: Circa D
- Page 824 and 825:
Tin Machine Recorded: August 1988 -
- Page 826 and 827:
Tin Machine II Recorded: October 19
- Page 829 and 830:
The Buddha of Suburbia Recorded: ci
- Page 831:
1. Outside Recorded: March - Novemb
- Page 834 and 835:
was subsiding suggested Bowie was c
- Page 837 and 838:
Heathen Recorded: Mostly August - S
- Page 840 and 841:
NOTES AND SOURCES Unless specifical
- Page 842 and 843:
Gill Hymas, Jan Powling, Peter Pric
- Page 844 and 845:
3 Thinking About Me The Manish Boys
- Page 846 and 847:
5 I Wish Something Would Happen Pri
- Page 848 and 849:
7 All The Madmen Opening descriptio
- Page 850 and 851:
eplaced by the future Spiders at th
- Page 852 and 853:
courtesy of Will Palin. Ian Hunter
- Page 854 and 855:
11 Star Descriptions of the US rout
- Page 856 and 857:
Ossie Clark Diaries (Bloomsbury, 19
- Page 858 and 859:
uncovered by the Gillmans, who had
- Page 860 and 861:
Disappointingly, such conspiracy th
- Page 862 and 863:
15 Ghosts in the Echo Chambers Main
- Page 864 and 865:
17 I Am Not a Freak Main sources fo
- Page 866 and 867:
19 On the Other Side Principal inte
- Page 868 and 869:
21 The Heart’s Filthy Lesson This
- Page 870 and 871:
General Sources UK chart positions
- Page 872 and 873:
Low, Hugo Wilcken (Continuum, 2005)
- Page 875 and 876:
ACKNOWLEDGEMENTS As ever, my deepes
- Page 877 and 878:
think of you. Thanks to all my inte
- Page 879:
Underwood, Mike Vernon, Tony Viscon
- Page 882 and 883:
Bad Company, 204, 256, 257 Bangs, L
- Page 884 and 885:
160, 178, 302; relationship with DB
- Page 886 and 887:
173, 190, 217, 231, 232, 256, 284-2
- Page 888 and 889:
and, 222, 234, 236-239; deteriorati
- Page 890 and 891:
Bees, 32-33, 34, 35, 36-39, 41; joi
- Page 892 and 893:
January, 1947), 9; childhood, 11-17
- Page 894 and 895:
‘Thin White Duke’ persona, 250,
- Page 896 and 897:
Stardust and the Spiders from Mars
- Page 898 and 899:
120-121, 360; ‘Holy Holy’, 125,
- Page 900 and 901:
‘The Mysteries’, 360; ‘The He
- Page 902 and 903:
181-182, 185, 186; on DB’s cocain
- Page 904 and 905:
musicians, 145, 209, 210; RCA and,
- Page 906 and 907:
Emerson, Keith, 154 EMI, 51, 79, 30
- Page 908 and 909:
(2005), 386-388 Gem (management com
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Hitler, Adolf, 229, 231, 246, 258-2
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380, 382, 383, 395, 396 Jones, Anto
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‘League for the Protection of Ani
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Marshall, Benny, 125, 139 Martin, G
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Nevin D. Hirst (ad agency), 31, 42
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115; as ‘too gentlemanly’, 99,
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Pullman, David, 372, 373 punk movem
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influence on DB’s music, 113, 114
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Sigma Sound studio (Philadelphia),
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Taylor, Elizabeth, 220, 354 Taylor,
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119-120; Ken Pitt and, 86, 107, 319
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drugs, 205, 209 Zoolander (Ben Stil