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Also by Paul Trynka Copyright CONTE
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Genius Steals Thursday evening, sev
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oogie rhythm. For a generation of t
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contradictions became more obvious
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When I’m Five Everything seemed g
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Born in Doncaster on 21 November, 1
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were still needed to buy linen, fue
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the Burns’ ‘family affliction
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Arden, a failed nightclub singer an
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the saying went. Most of the famili
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family’s modestly respectable sta
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tensions between Peggy and David we
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charm ‘as a weapon’, says a lat
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Berry and Frankie Lymon and The Tee
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Lonnie’s brand of skiffle after a
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1944. The art college system provid
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‘a pleasant idler’. At fourteen
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people noticed his clothes, his hai
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Powling: ‘He was nice, charming -
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‘When I’m driving for instance,
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to be big.’
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indulgent with the younger students
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ecome his main friend but the sax p
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sung by Roger Ferris, was later con
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soon the Kon-Rads were hanging out
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David was lucky to have a hip boss,
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came from another blues classic, Sl
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estranged from his parents. Peggy c
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for the vital document or press cut
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seemed almost ruthless in his self-
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The recording was brisk, the standa
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celebrate the sweet victory of his
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Thinking About Me There’d be six
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good.’ The band’s leaders, Soll
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more powerful - occasionally he was
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the road, Woolf, who was at the whe
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was a favourite musicians’ hangou
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‘Pity the Fool’ was perfect for
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under the same banner. Solly mainta
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David had brought along moral suppo
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Whereas George Underwood would get
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pastiche, ‘Baby Loves That Way’
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call him. He also took Pitt’s res
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of the womb like Marc - I was stumb
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was absolutely one of us. A wonderf
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with the boy, in more ways than one
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and in turn fired him. Rather than
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Raymond Cook, the cash flow enabled
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had borrowed more money from Raymon
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never mention a word of any family
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informed the manager, ‘You can ha
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Guitarist John Hutchinson went thro
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Lower Third might have suited Ralph
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Belsen, and served briefly in Pales
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There is an intriguing footnote to
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‘He knew those songs weren’t th
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towards some people,’ says Mair.
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then chairman of Decca, he worked h
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task. ‘It was bloody hard work,
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who really is an individual talent
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characteristic fashion - preparing
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European musician to appreciate the
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I Wish Something Would Happen It wa
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through he started feeling very, ve
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opportunities. Deram had gone quiet
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going to write some Top 10 rubbish,
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around with no recordings in prospe
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with me as Pierrot. And we met afte
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soul. And he had all this inside hi
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Kemp sat on the edge of the stage,
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the most beautiful melodies of his
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Bolan, who had finally lodged himse
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For Bowie and Visconti, the still-b
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The new trio played their first ‘
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harmony vocal, two points struck hi
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after he had asked David to write a
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Check Ignition David was adored on
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friend Ray Stevenson, ‘he never h
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wasn’t slow to have a go.’ For
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therefore the next best thing to ha
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Roger Bolden Stansfield Road, David
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Max Batten Burnt Ash Juniors footba
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Pictorial Press The Kon-Rads - init
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Bob Solly The Manish Boys: tough, h
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Denis Taylor The newly christened D
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A rare photo of David’s second ma
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Dezo Hoffmann/ Rex Features ‘The
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Jeff Dexter Singer and songwriter L
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David Bebbington David Bowie, showb
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Reizner’s dislike of Bowie would
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deal. With Hayes largely absent in
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exactly what we wanted - no other s
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drummer for the next nine months; c
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we were told that we were all answe
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an attempt in June to negotiate an
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some assignment at the Beckenham Re
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more people from whom David moved o
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album shuffled out in a rather half
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All the Madmen It was all a bit of
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shops on Old Kent and Tower Bridge
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common with Bowie. When Pitt left t
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moved into Haddon Hall, and came to
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was nonetheless often overshadowed
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troubles with Ken, and the traumas
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Gripplestone’, was Who-influenced
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elentlessly fluid and inventive. Th
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a cowboy outfit for John Cambridge;
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influence was irretrievably slippin
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The unique nature of the Bowies’
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known around the London music indus
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you can do it, come on,’ Ronson k
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this album, he could ride on the wa
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a straightforward knock-off of Hend
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included a trip to New York on a Cu
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Kooks It will either be a disaster,
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would have twenty per cent of Myers
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ut as Flowers concedes, ‘Some rec
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Ronson, would finally cohere in the
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originality of his Deram days. But
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which on inspection was often sligh
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Mercury’s Robin McBride flew over
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now his hair cascaded in waves over
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wave of energy, of excitement at th
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when the trio recorded it at Luxemb
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een even more nervous had he known
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all, sitting around in a pub or clu
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factory-reject china and other oddm
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June, when Mercury could exercise t
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single on Vertigo had sunk without
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loop; Defries had the means to do t
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songwriters like Harold Arlen. Davi
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esult was a dazzling collection of
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Grossman. ‘They have both helped
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with stories of his Lindsay Kemp da
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Over the Rainbow It was, I’ll do
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History rarely records Laurence Mye
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meet over dinner at the Ginger Man,
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dancing’ into the meeting, Zanett
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says Kris Needs, a Bowie fan who’
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Iggy, too, was a mere creation. Dur
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could stage an emotional onslaught
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ecording were shorn. Thus, the fina
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who’d written about David already
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een anticipated by Marc Bolan - who
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- ready for the debut of their new
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song.’ ‘It was at that point th
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words ‘Spiders’ and they were a
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performance, where Mick Rock - the
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that the music was in any case simp
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said, “I want some,” and Reg ha
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packed house. By now, Ziggy Stardus
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he’d seen employed in Cabaret and
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own iconism - it made it difficult
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Battle Cries and Champagne David wa
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theatre background meant he was con
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For David, being on the road was th
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label in the world,’ says Dai Dav
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Birgit. At about 10 at night we’d
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Roadie Robin Mayhew, like McCrado,
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was gonna be wonderful and he could
- Page 336 and 337:
effect here and there. The results
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Angie and David had exchanged weddi
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When he met Ian Hunter a few days l
- Page 342 and 343:
was one shot, one take - boom, that
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Soon after their arrival in New Yor
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‘and all of a sudden the door kno
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Pictorial Press ‘They tried to ha
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Oh! You Pretty Things: David, Angie
- Page 352 and 353:
Ray Stevenson
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generation of teenagers. © Mick Ro
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Harry Myers/Rex Features ‘Once th
- Page 358 and 359:
Bob Gruen David with his new ‘off
- Page 360:
going to record a session’. Makin
- Page 363:
Where Things Are Hollow
- Page 367 and 368:
David’s friends from 1971 and 197
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into the American dates he called D
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luxury of international cruising. H
- Page 373 and 374:
As ever, Woody came straight to the
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iche hotel in Sheffield. Rival sing
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nice the day was, you wouldn’t se
- Page 379 and 380:
confidant of both Bowie and Ronson
- Page 381 and 382:
collection of covers, and started p
- Page 383 and 384:
it.’ Mick was both a friend who D
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working briefly on a script with Po
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UK’s Creation and Mute labels - w
- Page 389 and 390:
Those Trident sessions marked the e
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cutting it up into four- or five-wo
- Page 393:
treating guests to an impeccably tu
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Those cracks would fail to damage D
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an altogether more challenging frie
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chatted with both Ronson and Bowie
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people would be having a good time,
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silhouetted against the control-roo
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ackground; born, she told her frien
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outfit had changed line-up in 1972,
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in Queens for a decent meal and was
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MacCormack attended the New York pr
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Yet the first run of shows, the pro
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flung spots like Hull. In America,
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fourteen. Being fined by James Brow
- Page 423 and 424:
pulled in just behind the bridge. H
- Page 425 and 426:
a kind of lucky charm, and were fin
- Page 427 and 428:
The ramifications of David’s deal
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David did not gloat at all, he was
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leaving, but we managed to persuade
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Writer Mick Farren had been sent to
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the devotional, gospelly ‘It’s
- Page 437 and 438:
and ‘Win’, Tony Visconti flew o
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David had misheard ‘shame’ as
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David’s conversations with John L
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ight to reject any album should Def
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conversations with John Lennon - wh
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Actor, especially the sequence with
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for sex sessions, away from the wat
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went into it more deeply and was a
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LA around 16 March, 1975. He wanted
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ecent move from Stoke-on-Trent, the
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acquaintance with Charlie Manson, t
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tower guiding in a novice pilot. Av
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May, and was the closest witness to
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year there’s a whole format that
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large fee but was negotiated down.
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Earth would be mostly eulogised by
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says Slick, ‘and I was in a state
- Page 473 and 474:
the kabbalistic tree of life: Kethe
- Page 475 and 476:
work, the perfect gateway between A
- Page 477 and 478:
and pharmaceutical peculiarities, D
- Page 481 and 482:
Ghosts in the Echo Chambers The guy
- Page 483 and 484:
he told Iggy, was a sign that the w
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Station tour concluded with a maste
- Page 487 and 488:
that was the main attraction. His a
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emoval did not cause any specific c
- Page 491 and 492:
says Andrew Kent. Movie footage of
- Page 493 and 494:
ounced. In Switzerland, Angie had t
- Page 495 and 496:
peak. Most songs were sketched out
- Page 497 and 498:
seemed to savour the energy and vit
- Page 499 and 500:
crafting long tape loops into elect
- Page 501 and 502:
who were commemorated by a plaque o
- Page 503 and 504:
how his piano would fit in to Bowie
- Page 505 and 506:
As David made his way down the stee
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session, Eno effected a quiet revol
- Page 509 and 510:
Soon a decade’s worth of imitator
- Page 511 and 512:
spooky place - I did refuse one bed
- Page 515 and 516:
Helden This was clearly an ex-war z
- Page 517 and 518:
the glass roof, not far from the vi
- Page 519 and 520:
profile, made up a visual pun: Low
- Page 521 and 522:
ifled, the brothers watched the two
- Page 523 and 524:
whined. The punk movement had final
- Page 525 and 526:
the time the recording started, say
- Page 527 and 528:
where you could see gun turrets, wi
- Page 529 and 530:
Yet buried within the abstract shar
- Page 531 and 532:
thought ‘way too much’. His enj
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to ‘Heroes’, Visconti placed on
- Page 535 and 536:
Television’s children’s slot, d
- Page 537 and 538:
‘Herbie and Tony were the kind of
- Page 539 and 540:
On the train back to London, Bowie
- Page 541:
Mary Hopkin, Rod Stewart and The Da
- Page 544 and 545:
The beautiful but ‘heavy’ alien
- Page 546 and 547:
Andrew Kent The Thin White Duke on
- Page 548 and 549:
Eduard Meyer ‘Everything said,
- Page 551 and 552:
Barry Plummer Moving on: relaxing a
- Page 553 and 554:
on-stage, inhabiting the role of Jo
- Page 555 and 556:
Barry Schultz/Sunshine/Retna David
- Page 557:
© Denis O’Regan/CORBIS ‘You ha
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Visconti and others recall, in word
- Page 563 and 564:
Robinson, Angie apparently created
- Page 565 and 566:
Shortly afterwards David would date
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Picking out a decent script was a c
- Page 569 and 570:
hour and a half of bliss, punctuate
- Page 571 and 572:
obligation. The album’s financial
- Page 573 and 574:
keep things moving, impatiently ove
- Page 575 and 576:
came about, bar ‘Boys Keep Swingi
- Page 577 and 578:
estaurant. The dishes were on the t
- Page 579 and 580:
jealousy and a tendency for a kind
- Page 581 and 582:
Bowie drew out an inspiring perform
- Page 583 and 584:
admired the unique lifestyle he’d
- Page 585 and 586:
there’d be a modest present, a to
- Page 587 and 588:
was out of control.’ Within days,
- Page 589 and 590:
for their allotted fifteen minutes,
- Page 593 and 594:
Snapshot of a Brain I’ve never wo
- Page 595 and 596:
on when he was in the same position
- Page 597 and 598:
finalised in February 1980: a deris
- Page 599 and 600:
friend, ex-Beatstalker Alan Mair, F
- Page 601 and 602:
to take a back seat was the fact th
- Page 603 and 604:
discussed the Brecht recitatif sing
- Page 605 and 606:
Brecht’s music. Towards the end,
- Page 607 and 608:
told him, ‘it was made for Herman
- Page 609 and 610:
living.’ Friedmann followed his a
- Page 611 and 612:
him, would you?”’ Pitt’s infl
- Page 613 and 614:
exacerbated by the flunkies and yes
- Page 615 and 616:
nice-looking, and handled himself w
- Page 617 and 618:
calibre would ultimately dry up. Bu
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that would become Let’s Dance, hi
- Page 621 and 622:
was Henry Mancini’s Peter Gunn ho
- Page 623:
first glance the record company exe
- Page 627 and 628:
Islanders Dance Theatre acting out
- Page 629 and 630:
Bowie at his peak. Guitarist Stevie
- Page 631 and 632:
So we went out and had lunch and cl
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overwhelmed by the experience and r
- Page 635 and 636:
14 August. It was a poignant exampl
- Page 637 and 638:
numbing. ‘Night after night, you
- Page 639 and 640:
most successful home-grown funk ban
- Page 641 and 642:
part of.’ There is something sad,
- Page 643 and 644:
Byron at the end of the evening, Vi
- Page 645 and 646:
the newspaper. ‘David turned his
- Page 647 and 648:
main scene, which involved him frol
- Page 649 and 650:
arrangement, then they explained th
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his fourteen-year-old daughter Jade
- Page 653 and 654:
pushing the cause, not himself, cut
- Page 655 and 656:
sunglasses: ‘He saw that situatio
- Page 657 and 658:
the same breathy counter-tenor deli
- Page 659 and 660:
press reports, the most successful
- Page 661:
claw.
- Page 665 and 666:
Nichols but claimed the rest of her
- Page 667 and 668:
eminder of David’s talent for sna
- Page 669 and 670:
late eighties hubris. Yet according
- Page 671 and 672:
also loved his virtuosity, encourag
- Page 673 and 674:
the guitarist, the news was ‘tota
- Page 675 and 676:
Ballroom. David was buoyed up, reve
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and inventions would be credited to
- Page 679 and 680:
would interact. Marketed as the fir
- Page 681 and 682:
had just come from a club tour wher
- Page 683 and 684:
describing her as ‘such a wonderf
- Page 685 and 686:
Tin Machine hit the road for anothe
- Page 687 and 688:
dates, it didn’t quite gel. For G
- Page 689 and 690:
emember once in the back of the bus
- Page 691 and 692:
crucial an influence on the sound o
- Page 693 and 694:
David, in turn, had an entirely dif
- Page 695 and 696:
Interviewed with Anderson for the N
- Page 697 and 698:
instrumental passages - ‘“Moona
- Page 699 and 700:
udget, but David just said, “Let
- Page 701:
on success, seemed not only unconce
- Page 705 and 706:
Bowie sense of humour, but there wa
- Page 707 and 708:
sculpting comes from a different pl
- Page 709 and 710:
In this new atmosphere, Kizilcay, w
- Page 711 and 712:
Armstrong got a call to turn up at
- Page 713 and 714:
‘bold and fascinating’ said Tom
- Page 715 and 716:
decades later, when albums are inde
- Page 717 and 718:
effective method of dispersing them
- Page 719 and 720:
Junior Vasquez. Plati had helped Ga
- Page 721 and 722:
drawings and writing, was supremely
- Page 723 and 724:
elationship as any of those between
- Page 725 and 726:
Yaël Brandeis Perry With producer
- Page 727 and 728:
Kevin Armstrong Recording ‘Dancin
- Page 729 and 730:
Bellia/Dalle/Retna
- Page 731 and 732:
Kevin Armstrong Among friends: with
- Page 733 and 734:
Ron Galella/ WireImage ‘I have ne
- Page 735 and 736:
Toby Melville/PA ‘He came back dr
- Page 737 and 738:
Startraks Photo/Rex Features ‘A m
- Page 740 and 741: L. Cohen/ WireImage ‘We’ll see
- Page 742 and 743: Bonds would be raised again and aga
- Page 744 and 745: perceptive observations anyone’s
- Page 746 and 747: originally intended two of the song
- Page 748 and 749: was having a child with David’s w
- Page 750 and 751: the fact that his son had had such
- Page 752 and 753: With Mark Plati overseeing, they cu
- Page 754 and 755: New York was the perfect place to w
- Page 756 and 757: him and tears ran down his face. Th
- Page 758 and 759: prepared by listening through the o
- Page 760 and 761: elationship was: ‘I worked with p
- Page 762 and 763: again, but tragedy struck on 6 May,
- Page 766 and 767: The Houdini Mechanism The thing I r
- Page 768 and 769: their rendition was on the edge and
- Page 770 and 771: encouraged some observers to liken
- Page 772 and 773: occasional sighting at fashion-rela
- Page 774 and 775: would you be wishing you could spen
- Page 776 and 777: etween Bowie and MainMan rumbled on
- Page 778 and 779: politely dismissed suggestions that
- Page 780 and 781: of the hamper’s goodies, as Georg
- Page 782 and 783: epiphanies. Bowie has been derided
- Page 784: hearing the next thing. Still, ther
- Page 787 and 788: David Bowie Recorded: November 1966
- Page 789: David Bowie aka Space Oddity (UK 19
- Page 793 and 794: arranged and recorded within days o
- Page 795 and 796: emotional rollercoaster in between.
- Page 798 and 799: Pin Ups Recorded: July - August 197
- Page 800 and 801: Diamond Dogs Recorded: December 197
- Page 802: David Live Recorded: 8-12 July 1974
- Page 805 and 806: assemblage that, with its unvarying
- Page 807 and 808: deranged ‘TVC 15’ - its vocal i
- Page 810 and 811: “Heroes” Recorded: May 1977; Ha
- Page 812 and 813: Stage Recorded: April - May 1978; T
- Page 814 and 815: Low or “Heroes”, it nonetheless
- Page 816 and 817: sophisticated assemblage adorned by
- Page 818 and 819: Let’s Dance Recorded: December 19
- Page 820 and 821: Tonight Recorded: May - June 1984;
- Page 822 and 823: Never Let Me Down Recorded: Circa D
- Page 824 and 825: Tin Machine Recorded: August 1988 -
- Page 826 and 827: Tin Machine II Recorded: October 19
- Page 829 and 830: The Buddha of Suburbia Recorded: ci
- Page 831: 1. Outside Recorded: March - Novemb
- Page 834 and 835: was subsiding suggested Bowie was c
- Page 837 and 838: Heathen Recorded: Mostly August - S
- Page 840 and 841:
NOTES AND SOURCES Unless specifical
- Page 842 and 843:
Gill Hymas, Jan Powling, Peter Pric
- Page 844 and 845:
3 Thinking About Me The Manish Boys
- Page 846 and 847:
5 I Wish Something Would Happen Pri
- Page 848 and 849:
7 All The Madmen Opening descriptio
- Page 850 and 851:
eplaced by the future Spiders at th
- Page 852 and 853:
courtesy of Will Palin. Ian Hunter
- Page 854 and 855:
11 Star Descriptions of the US rout
- Page 856 and 857:
Ossie Clark Diaries (Bloomsbury, 19
- Page 858 and 859:
uncovered by the Gillmans, who had
- Page 860 and 861:
Disappointingly, such conspiracy th
- Page 862 and 863:
15 Ghosts in the Echo Chambers Main
- Page 864 and 865:
17 I Am Not a Freak Main sources fo
- Page 866 and 867:
19 On the Other Side Principal inte
- Page 868 and 869:
21 The Heart’s Filthy Lesson This
- Page 870 and 871:
General Sources UK chart positions
- Page 872 and 873:
Low, Hugo Wilcken (Continuum, 2005)
- Page 875 and 876:
ACKNOWLEDGEMENTS As ever, my deepes
- Page 877 and 878:
think of you. Thanks to all my inte
- Page 879:
Underwood, Mike Vernon, Tony Viscon
- Page 882 and 883:
Bad Company, 204, 256, 257 Bangs, L
- Page 884 and 885:
160, 178, 302; relationship with DB
- Page 886 and 887:
173, 190, 217, 231, 232, 256, 284-2
- Page 888 and 889:
and, 222, 234, 236-239; deteriorati
- Page 890 and 891:
Bees, 32-33, 34, 35, 36-39, 41; joi
- Page 892 and 893:
January, 1947), 9; childhood, 11-17
- Page 894 and 895:
‘Thin White Duke’ persona, 250,
- Page 896 and 897:
Stardust and the Spiders from Mars
- Page 898 and 899:
120-121, 360; ‘Holy Holy’, 125,
- Page 900 and 901:
‘The Mysteries’, 360; ‘The He
- Page 902 and 903:
181-182, 185, 186; on DB’s cocain
- Page 904 and 905:
musicians, 145, 209, 210; RCA and,
- Page 906 and 907:
Emerson, Keith, 154 EMI, 51, 79, 30
- Page 908 and 909:
(2005), 386-388 Gem (management com
- Page 910 and 911:
Hitler, Adolf, 229, 231, 246, 258-2
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380, 382, 383, 395, 396 Jones, Anto
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‘League for the Protection of Ani
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Marshall, Benny, 125, 139 Martin, G
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Nevin D. Hirst (ad agency), 31, 42
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115; as ‘too gentlemanly’, 99,
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Pullman, David, 372, 373 punk movem
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influence on DB’s music, 113, 114
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Sigma Sound studio (Philadelphia),
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Taylor, Elizabeth, 220, 354 Taylor,
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119-120; Ken Pitt and, 86, 107, 319
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drugs, 205, 209 Zoolander (Ben Stil