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courtesy of Will Palin. Ian Hunter interview is courtesy of Kris Needs. David Bowie wrote about The Legendary Stardust Cowboy and Vince Taylor, one inspiration for Ziggy, in the edition of MOJO which he guest-edited in July 2002; David’s account of the creation of the Ziggy jumpsuits comes from Moonage Daydream: The Life and Times of Ziggy Stardust by Bowie and Mick Rock (Palazzo, 2005).
10 Battle Cries and Champagne The account of the Cleveland aftershow, the writing of ‘The Jean Genie’ and the problems recording ‘Panic in Detroit’ come from Trevor Bolder. Main sources are as for the previous chapter, with the addition of Scott Richardson, James Williamson, John ‘Hutch’ Hutchinson and Ava Cherry. Descriptions of David’s boat trip, and attendance at the Bruce Springsteen show, are described by Geoff MacCormack in his book From Station to Station (Genesis, 2007). Special thanks to Rodney Bingenheimer for putting me in touch with six of the Rodney’s English Disco regulars, including Kathy Heller, Nancy McCrado and Lori Madox. The effects of Scientology on the MainMan organisation were described primarily by Trevor Bolder and Robin Mayhew. The Iggy quote about ‘rolling my eyes’ comes from Cliff Jones’ interview with Iggy in 1996. (Iggy was always much more polite about his exbuddy during my interviews with him.) David’s ‘highly symbolic’ quote, illustrating just how early his marriage seemed doomed, comes from Mick Rock’s Moonage Daydream. Ian Hunter’s ‘holding up well’ observations about Bowie, and some other dates, come from his excellent Diary of a Rock ‘n’ Roll Star. Additional research on this chapter, specifically the Mike Garson interview, is by onetime Mott The Hoople fanclub organiser, Kris Needs.
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Also by Paul Trynka Copyright CONTE
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Genius Steals Thursday evening, sev
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oogie rhythm. For a generation of t
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contradictions became more obvious
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When I’m Five Everything seemed g
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Born in Doncaster on 21 November, 1
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were still needed to buy linen, fue
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the Burns’ ‘family affliction
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Arden, a failed nightclub singer an
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the saying went. Most of the famili
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family’s modestly respectable sta
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tensions between Peggy and David we
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charm ‘as a weapon’, says a lat
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Berry and Frankie Lymon and The Tee
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Lonnie’s brand of skiffle after a
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1944. The art college system provid
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‘a pleasant idler’. At fourteen
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people noticed his clothes, his hai
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Powling: ‘He was nice, charming -
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‘When I’m driving for instance,
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to be big.’
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indulgent with the younger students
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ecome his main friend but the sax p
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sung by Roger Ferris, was later con
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soon the Kon-Rads were hanging out
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David was lucky to have a hip boss,
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came from another blues classic, Sl
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estranged from his parents. Peggy c
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for the vital document or press cut
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seemed almost ruthless in his self-
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The recording was brisk, the standa
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celebrate the sweet victory of his
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Thinking About Me There’d be six
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good.’ The band’s leaders, Soll
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more powerful - occasionally he was
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the road, Woolf, who was at the whe
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was a favourite musicians’ hangou
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‘Pity the Fool’ was perfect for
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under the same banner. Solly mainta
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David had brought along moral suppo
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Whereas George Underwood would get
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pastiche, ‘Baby Loves That Way’
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call him. He also took Pitt’s res
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of the womb like Marc - I was stumb
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was absolutely one of us. A wonderf
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with the boy, in more ways than one
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and in turn fired him. Rather than
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Raymond Cook, the cash flow enabled
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had borrowed more money from Raymon
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never mention a word of any family
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informed the manager, ‘You can ha
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Guitarist John Hutchinson went thro
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Lower Third might have suited Ralph
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Belsen, and served briefly in Pales
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There is an intriguing footnote to
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‘He knew those songs weren’t th
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towards some people,’ says Mair.
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then chairman of Decca, he worked h
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task. ‘It was bloody hard work,
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who really is an individual talent
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characteristic fashion - preparing
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European musician to appreciate the
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I Wish Something Would Happen It wa
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through he started feeling very, ve
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opportunities. Deram had gone quiet
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going to write some Top 10 rubbish,
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around with no recordings in prospe
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with me as Pierrot. And we met afte
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soul. And he had all this inside hi
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Kemp sat on the edge of the stage,
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the most beautiful melodies of his
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Bolan, who had finally lodged himse
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For Bowie and Visconti, the still-b
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The new trio played their first ‘
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harmony vocal, two points struck hi
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after he had asked David to write a
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Check Ignition David was adored on
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friend Ray Stevenson, ‘he never h
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wasn’t slow to have a go.’ For
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therefore the next best thing to ha
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Roger Bolden Stansfield Road, David
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Max Batten Burnt Ash Juniors footba
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Pictorial Press The Kon-Rads - init
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Bob Solly The Manish Boys: tough, h
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Denis Taylor The newly christened D
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A rare photo of David’s second ma
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Dezo Hoffmann/ Rex Features ‘The
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Jeff Dexter Singer and songwriter L
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David Bebbington David Bowie, showb
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Reizner’s dislike of Bowie would
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deal. With Hayes largely absent in
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exactly what we wanted - no other s
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drummer for the next nine months; c
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we were told that we were all answe
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an attempt in June to negotiate an
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some assignment at the Beckenham Re
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more people from whom David moved o
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album shuffled out in a rather half
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All the Madmen It was all a bit of
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shops on Old Kent and Tower Bridge
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common with Bowie. When Pitt left t
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moved into Haddon Hall, and came to
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was nonetheless often overshadowed
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troubles with Ken, and the traumas
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Gripplestone’, was Who-influenced
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elentlessly fluid and inventive. Th
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a cowboy outfit for John Cambridge;
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influence was irretrievably slippin
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The unique nature of the Bowies’
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known around the London music indus
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you can do it, come on,’ Ronson k
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this album, he could ride on the wa
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a straightforward knock-off of Hend
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included a trip to New York on a Cu
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Kooks It will either be a disaster,
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would have twenty per cent of Myers
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ut as Flowers concedes, ‘Some rec
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Ronson, would finally cohere in the
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originality of his Deram days. But
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which on inspection was often sligh
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Mercury’s Robin McBride flew over
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now his hair cascaded in waves over
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wave of energy, of excitement at th
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when the trio recorded it at Luxemb
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een even more nervous had he known
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all, sitting around in a pub or clu
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factory-reject china and other oddm
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June, when Mercury could exercise t
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single on Vertigo had sunk without
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loop; Defries had the means to do t
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songwriters like Harold Arlen. Davi
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esult was a dazzling collection of
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Grossman. ‘They have both helped
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with stories of his Lindsay Kemp da
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Over the Rainbow It was, I’ll do
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History rarely records Laurence Mye
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meet over dinner at the Ginger Man,
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dancing’ into the meeting, Zanett
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says Kris Needs, a Bowie fan who’
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Iggy, too, was a mere creation. Dur
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could stage an emotional onslaught
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ecording were shorn. Thus, the fina
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who’d written about David already
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een anticipated by Marc Bolan - who
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- ready for the debut of their new
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song.’ ‘It was at that point th
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words ‘Spiders’ and they were a
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performance, where Mick Rock - the
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that the music was in any case simp
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said, “I want some,” and Reg ha
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packed house. By now, Ziggy Stardus
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he’d seen employed in Cabaret and
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own iconism - it made it difficult
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Battle Cries and Champagne David wa
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theatre background meant he was con
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For David, being on the road was th
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label in the world,’ says Dai Dav
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Birgit. At about 10 at night we’d
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Roadie Robin Mayhew, like McCrado,
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was gonna be wonderful and he could
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effect here and there. The results
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Angie and David had exchanged weddi
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When he met Ian Hunter a few days l
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was one shot, one take - boom, that
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Soon after their arrival in New Yor
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‘and all of a sudden the door kno
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Pictorial Press ‘They tried to ha
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Oh! You Pretty Things: David, Angie
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Ray Stevenson
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generation of teenagers. © Mick Ro
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Harry Myers/Rex Features ‘Once th
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Bob Gruen David with his new ‘off
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going to record a session’. Makin
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Where Things Are Hollow
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David’s friends from 1971 and 197
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into the American dates he called D
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luxury of international cruising. H
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As ever, Woody came straight to the
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iche hotel in Sheffield. Rival sing
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nice the day was, you wouldn’t se
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confidant of both Bowie and Ronson
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collection of covers, and started p
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it.’ Mick was both a friend who D
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working briefly on a script with Po
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UK’s Creation and Mute labels - w
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Those Trident sessions marked the e
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cutting it up into four- or five-wo
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treating guests to an impeccably tu
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Those cracks would fail to damage D
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an altogether more challenging frie
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chatted with both Ronson and Bowie
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people would be having a good time,
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silhouetted against the control-roo
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ackground; born, she told her frien
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outfit had changed line-up in 1972,
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in Queens for a decent meal and was
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MacCormack attended the New York pr
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Yet the first run of shows, the pro
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flung spots like Hull. In America,
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fourteen. Being fined by James Brow
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pulled in just behind the bridge. H
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a kind of lucky charm, and were fin
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The ramifications of David’s deal
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David did not gloat at all, he was
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leaving, but we managed to persuade
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Writer Mick Farren had been sent to
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the devotional, gospelly ‘It’s
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and ‘Win’, Tony Visconti flew o
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David had misheard ‘shame’ as
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David’s conversations with John L
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ight to reject any album should Def
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conversations with John Lennon - wh
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Actor, especially the sequence with
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for sex sessions, away from the wat
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went into it more deeply and was a
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LA around 16 March, 1975. He wanted
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ecent move from Stoke-on-Trent, the
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acquaintance with Charlie Manson, t
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tower guiding in a novice pilot. Av
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May, and was the closest witness to
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year there’s a whole format that
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large fee but was negotiated down.
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Earth would be mostly eulogised by
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says Slick, ‘and I was in a state
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the kabbalistic tree of life: Kethe
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work, the perfect gateway between A
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and pharmaceutical peculiarities, D
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Ghosts in the Echo Chambers The guy
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he told Iggy, was a sign that the w
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Station tour concluded with a maste
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that was the main attraction. His a
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emoval did not cause any specific c
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says Andrew Kent. Movie footage of
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ounced. In Switzerland, Angie had t
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peak. Most songs were sketched out
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seemed to savour the energy and vit
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crafting long tape loops into elect
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who were commemorated by a plaque o
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how his piano would fit in to Bowie
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As David made his way down the stee
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session, Eno effected a quiet revol
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Soon a decade’s worth of imitator
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spooky place - I did refuse one bed
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Helden This was clearly an ex-war z
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the glass roof, not far from the vi
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profile, made up a visual pun: Low
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ifled, the brothers watched the two
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whined. The punk movement had final
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the time the recording started, say
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where you could see gun turrets, wi
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Yet buried within the abstract shar
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thought ‘way too much’. His enj
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to ‘Heroes’, Visconti placed on
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Television’s children’s slot, d
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‘Herbie and Tony were the kind of
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On the train back to London, Bowie
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Mary Hopkin, Rod Stewart and The Da
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The beautiful but ‘heavy’ alien
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Andrew Kent The Thin White Duke on
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Eduard Meyer ‘Everything said,
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Barry Plummer Moving on: relaxing a
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on-stage, inhabiting the role of Jo
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Barry Schultz/Sunshine/Retna David
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© Denis O’Regan/CORBIS ‘You ha
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Visconti and others recall, in word
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Robinson, Angie apparently created
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Shortly afterwards David would date
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Picking out a decent script was a c
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hour and a half of bliss, punctuate
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obligation. The album’s financial
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keep things moving, impatiently ove
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came about, bar ‘Boys Keep Swingi
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estaurant. The dishes were on the t
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jealousy and a tendency for a kind
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Bowie drew out an inspiring perform
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admired the unique lifestyle he’d
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there’d be a modest present, a to
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was out of control.’ Within days,
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for their allotted fifteen minutes,
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Snapshot of a Brain I’ve never wo
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on when he was in the same position
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finalised in February 1980: a deris
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friend, ex-Beatstalker Alan Mair, F
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to take a back seat was the fact th
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discussed the Brecht recitatif sing
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Brecht’s music. Towards the end,
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told him, ‘it was made for Herman
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living.’ Friedmann followed his a
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him, would you?”’ Pitt’s infl
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exacerbated by the flunkies and yes
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nice-looking, and handled himself w
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calibre would ultimately dry up. Bu
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that would become Let’s Dance, hi
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was Henry Mancini’s Peter Gunn ho
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first glance the record company exe
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Islanders Dance Theatre acting out
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Bowie at his peak. Guitarist Stevie
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So we went out and had lunch and cl
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overwhelmed by the experience and r
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14 August. It was a poignant exampl
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numbing. ‘Night after night, you
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most successful home-grown funk ban
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part of.’ There is something sad,
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Byron at the end of the evening, Vi
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the newspaper. ‘David turned his
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main scene, which involved him frol
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arrangement, then they explained th
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his fourteen-year-old daughter Jade
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pushing the cause, not himself, cut
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sunglasses: ‘He saw that situatio
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the same breathy counter-tenor deli
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press reports, the most successful
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claw.
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Nichols but claimed the rest of her
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eminder of David’s talent for sna
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late eighties hubris. Yet according
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also loved his virtuosity, encourag
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the guitarist, the news was ‘tota
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Ballroom. David was buoyed up, reve
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and inventions would be credited to
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would interact. Marketed as the fir
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had just come from a club tour wher
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describing her as ‘such a wonderf
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Tin Machine hit the road for anothe
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dates, it didn’t quite gel. For G
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emember once in the back of the bus
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crucial an influence on the sound o
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David, in turn, had an entirely dif
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Interviewed with Anderson for the N
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instrumental passages - ‘“Moona
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udget, but David just said, “Let
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on success, seemed not only unconce
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Bowie sense of humour, but there wa
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sculpting comes from a different pl
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In this new atmosphere, Kizilcay, w
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Armstrong got a call to turn up at
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‘bold and fascinating’ said Tom
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decades later, when albums are inde
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effective method of dispersing them
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Junior Vasquez. Plati had helped Ga
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drawings and writing, was supremely
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elationship as any of those between
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Yaël Brandeis Perry With producer
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Kevin Armstrong Recording ‘Dancin
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Bellia/Dalle/Retna
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Kevin Armstrong Among friends: with
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Ron Galella/ WireImage ‘I have ne
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Toby Melville/PA ‘He came back dr
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Startraks Photo/Rex Features ‘A m
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L. Cohen/ WireImage ‘We’ll see
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Bonds would be raised again and aga
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perceptive observations anyone’s
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originally intended two of the song
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was having a child with David’s w
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the fact that his son had had such
Page 752 and 753:
With Mark Plati overseeing, they cu
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New York was the perfect place to w
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him and tears ran down his face. Th
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prepared by listening through the o
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elationship was: ‘I worked with p
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again, but tragedy struck on 6 May,
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The Houdini Mechanism The thing I r
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their rendition was on the edge and
Page 770 and 771:
encouraged some observers to liken
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occasional sighting at fashion-rela
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would you be wishing you could spen
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etween Bowie and MainMan rumbled on
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politely dismissed suggestions that
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of the hamper’s goodies, as Georg
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epiphanies. Bowie has been derided
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hearing the next thing. Still, ther
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David Bowie Recorded: November 1966
Page 789 and 790:
David Bowie aka Space Oddity (UK 19
Page 792 and 793:
Hunky Dory Recorded: July 1971; Tri
Page 794 and 795:
The Rise and Fall of Ziggy Stardust
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Aladdin Sane Recorded: October 1972
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eworked into turgid, platform-boote
Page 801 and 802: alongside the resonant ‘Sweet Thi
Page 804 and 805: Young Americans Recorded: August 19
Page 806 and 807: Station to Station Recorded: Novemb
Page 808: Low Recorded: September - early Oct
Page 811 and 812: number twenty-four in the UK single
Page 813 and 814: Lodger Recorded: September 1978 and
Page 815 and 816: Scary Monsters … and Super Creeps
Page 817 and 818: Baal Recorded: September 1981; Hans
Page 819 and 820: - ‘Without You’, ‘Ricochet’
Page 821 and 822: wedding and bar mitzvah jobs - two
Page 823 and 824: the same period, he’d bashed out
Page 825 and 826: primarily as a scorched-earth polic
Page 827: Black Tie White Noise Recorded: 199
Page 830 and 831: a low-key, belated release by Unive
Page 833 and 834: Earthling Recorded: 1996; Looking G
Page 835: Hours Recorded: April 1999; Seaview
Page 838: Reality Recorded: January 2003, Loo
Page 841 and 842: 1 When I’m Five Opening paragraph
Page 843 and 844: 2 ‘Numero Uno, Mate!’ Main sour
Page 845 and 846: 4 Laughing Gnome Principal sources,
Page 847 and 848: 6 Check Ignition Main sources: Ray
Page 849 and 850: 8 Kooks Main interviews for this ch
Page 851: 9 Over the Rainbow Main sources for
Page 855 and 856: 12 The Changing isn’t Free David
Page 857 and 858: 13 Make Me Break Down and Cry Key s
Page 859 and 860: 14 White Stains Main sources: Ava C
Page 861 and 862: to me in German, turned away and I
Page 863 and 864: 16 Helden Opening section is based
Page 865 and 866: 18 Snapshot of a Brain Duncan Jones
Page 867 and 868: 20 It’s My Life - So Fuck Off Pri
Page 869 and 870: 22 The Houdini Principle The title
Page 871 and 872: Background Reading All written sour
Page 873: Zag. Copies of The Times, The Sunda
Page 876 and 877: Marsh, Martin Hopewell, Laurie Horn
Page 878 and 879: Keith Herd, Susan Hill, Clare Hirst
Page 881 and 882: INDEX Abbott, Maggie, 202, 229-230,
Page 883 and 884: Blair, Tony, 92, 368 Bloom, John, 3
Page 885 and 886: ambition, 3, 4, 27, 38-39, 49, 74,
Page 887 and 888: Dinah Shore Show, 271; Marc (Granad
Page 889 and 890: (1973), 178, 187-189; 1973 period,
Page 891 and 892: 175, 176, 253, 254-258, 261, 271-27
Page 893 and 894: with Lou Reed (April 1979), 292, 29
Page 895 and 896: cut-up technique, 199, 200, 202, 20
Page 897 and 898: Boys’, 52-53, 57, 68, 69; ‘All
Page 899 and 900: ‘China Girl’ (with Iggy Pop), 2
Page 901 and 902: Browne, Jackson, 312, 317 Buckmaste
Page 903 and 904:
51-52, 79, 107, 335 Cook, Raymond,
Page 905 and 906:
Donegan, Lonnie, 18, 68, 77 Donovan
Page 907 and 908:
212, 278 Flux, Johnny, 41, 44, 45,
Page 909 and 910:
Haag, Romy, 250, 253, 258, 268, 269
Page 911 and 912:
Iman Abdul Majid, 301, 350-351, 352
Page 913 and 914:
Kabuki, 81, 188, 395 Kael, Pauline,
Page 915 and 916:
Lynn, Vera, 2, 35 Lynott, Phil, 215
Page 917 and 918:
MOJO magazine, 311 Momus, 395-396 M
Page 919 and 920:
Outsider (Colin Wilson book), 232 P
Page 921 and 922:
and, 258; sings on Low, 263; Stooge
Page 923 and 924:
Renwick, Tim, 98, 103, 108, 110, 11
Page 925 and 926:
341-342, 343, 345-346, 354 Samye Li
Page 927 and 928:
292 Sounds Incorporated, 41 Spandau
Page 929 and 930:
artist and illustrator, 86, 200, 39
Page 931 and 932:
Welch, Chris, 75, 279, 280 The Who,
Page 933:
* This lovely phrase derives from l
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