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Nichols but claimed the rest of her story was fantasy.
From now on, whenever he was enjoying the
traditional perk of his job in a hotel room, there was
always the fear of another accusation and lengthy
lawsuit.
Although a grand jury declined to indict him a
month later, the accusation would hang over David
for nearly three years before being dismissed. In the
first few weeks that the ramifications of Nichols’
accusations started to unfold, David found a muchneeded
confidante in the form of Sara Terry, press
agent for Glass Spider. A journalist for the Christian
Science Monitor, Terry had joined the tour for a
break soon after finishing a gruelling project on child
prostitutes and soldiers. She was a forthright, valued
adviser, being, in the words of friend Eric
Schermerhorn, ‘cool, aggressive, subtle and
intelligent – an alpha female just like Coco’.
Sara’s husband, Reeves Gabrels, also dropped
in on the tour; not as outgoing as his wife, he was,
says his musician friend Kevin Armstrong, ‘very
quiet, kind, funny, shy, intellectual, one of those
Americans with no mental barriers’. Reeves played
guitar, and had studied at the prestigious Berklee
College of Music, but had previously spent three
years at art school. He’d never talked about his
musical ambitions with David, who assumed he was
a painter, but in the tour’s final days, Sara slipped
David a cassette tape of Gabrels’ band, The Dark.
After the tour, Sara resumed her work with the
Christian Science Monitor and moved with Reeves
to London. In January 1988, David checked out the