Bowie PDF Book from JFK247

More documents

Recommendations

Info

Bob Gruen David with his new ‘official’ mistress, Ava Cherry, soon after his move to New York in April, 1974; wife Angie, who had in turn recruited her own official companion, Scott Richardson, would henceforth be kept at a distance.
Terry O’Neill/Getty Images David dons gouster gear and declares, ‘I’m
Page 2 and 3:
Also by Paul Trynka Copyright CONTE
Page 4 and 5:
Genius Steals Thursday evening, sev
Page 6 and 7:
oogie rhythm. For a generation of t
Page 8 and 9:
contradictions became more obvious
Page 10 and 11:
When I’m Five Everything seemed g
Page 12 and 13:
Born in Doncaster on 21 November, 1
Page 14 and 15:
were still needed to buy linen, fue
Page 16 and 17:
the Burns’ ‘family affliction
Page 18 and 19:
Arden, a failed nightclub singer an
Page 20 and 21:
the saying went. Most of the famili
Page 22 and 23:
family’s modestly respectable sta
Page 24 and 25:
tensions between Peggy and David we
Page 26 and 27:
charm ‘as a weapon’, says a lat
Page 28 and 29:
Berry and Frankie Lymon and The Tee
Page 30 and 31:
Lonnie’s brand of skiffle after a
Page 32 and 33:
1944. The art college system provid
Page 34 and 35:
‘a pleasant idler’. At fourteen
Page 36 and 37:
people noticed his clothes, his hai
Page 38 and 39:
Powling: ‘He was nice, charming -
Page 40 and 41:
‘When I’m driving for instance,
Page 42 and 43:
to be big.’
Page 44 and 45:
indulgent with the younger students
Page 46 and 47:
ecome his main friend but the sax p
Page 48 and 49:
sung by Roger Ferris, was later con
Page 50 and 51:
soon the Kon-Rads were hanging out
Page 52 and 53:
David was lucky to have a hip boss,
Page 54 and 55:
came from another blues classic, Sl
Page 56 and 57:
estranged from his parents. Peggy c
Page 58 and 59:
for the vital document or press cut
Page 60 and 61:
seemed almost ruthless in his self-
Page 62 and 63:
The recording was brisk, the standa
Page 64 and 65:
celebrate the sweet victory of his
Page 67 and 68:
Thinking About Me There’d be six
Page 69 and 70:
good.’ The band’s leaders, Soll
Page 71 and 72:
more powerful - occasionally he was
Page 73 and 74:
the road, Woolf, who was at the whe
Page 75 and 76:
was a favourite musicians’ hangou
Page 77 and 78:
‘Pity the Fool’ was perfect for
Page 79 and 80:
under the same banner. Solly mainta
Page 81 and 82:
David had brought along moral suppo
Page 83 and 84:
Whereas George Underwood would get
Page 85 and 86:
pastiche, ‘Baby Loves That Way’
Page 87 and 88:
call him. He also took Pitt’s res
Page 89 and 90:
of the womb like Marc - I was stumb
Page 91 and 92:
was absolutely one of us. A wonderf
Page 93 and 94:
with the boy, in more ways than one
Page 95 and 96:
and in turn fired him. Rather than
Page 97 and 98:
Raymond Cook, the cash flow enabled
Page 99:
had borrowed more money from Raymon
Page 102 and 103:
never mention a word of any family
Page 104 and 105:
informed the manager, ‘You can ha
Page 106 and 107:
Guitarist John Hutchinson went thro
Page 108 and 109:
Lower Third might have suited Ralph
Page 110 and 111:
Belsen, and served briefly in Pales
Page 112 and 113:
There is an intriguing footnote to
Page 114 and 115:
‘He knew those songs weren’t th
Page 116 and 117:
towards some people,’ says Mair.
Page 118 and 119:
then chairman of Decca, he worked h
Page 120 and 121:
task. ‘It was bloody hard work,
Page 122 and 123:
who really is an individual talent
Page 124 and 125:
characteristic fashion - preparing
Page 126 and 127:
European musician to appreciate the
Page 129 and 130:
I Wish Something Would Happen It wa
Page 131 and 132:
through he started feeling very, ve
Page 133 and 134:
opportunities. Deram had gone quiet
Page 135 and 136:
going to write some Top 10 rubbish,
Page 137 and 138:
around with no recordings in prospe
Page 139 and 140:
with me as Pierrot. And we met afte
Page 141 and 142:
soul. And he had all this inside hi
Page 143 and 144:
Kemp sat on the edge of the stage,
Page 145 and 146:
the most beautiful melodies of his
Page 147 and 148:
Bolan, who had finally lodged himse
Page 149 and 150:
For Bowie and Visconti, the still-b
Page 151 and 152:
The new trio played their first ‘
Page 153 and 154:
harmony vocal, two points struck hi
Page 155 and 156:
after he had asked David to write a
Page 159 and 160:
Check Ignition David was adored on
Page 161 and 162:
friend Ray Stevenson, ‘he never h
Page 163 and 164:
wasn’t slow to have a go.’ For
Page 165 and 166:
therefore the next best thing to ha
Page 167 and 168:
Roger Bolden Stansfield Road, David
Page 169 and 170:
Max Batten Burnt Ash Juniors footba
Page 171 and 172:
Pictorial Press The Kon-Rads - init
Page 173 and 174:
Bob Solly The Manish Boys: tough, h
Page 175 and 176:
Denis Taylor The newly christened D
Page 177 and 178:
A rare photo of David’s second ma
Page 180 and 181:
Dezo Hoffmann/ Rex Features ‘The
Page 182 and 183:
Jeff Dexter Singer and songwriter L
Page 184 and 185:
David Bebbington David Bowie, showb
Page 186 and 187:
Reizner’s dislike of Bowie would
Page 188 and 189:
deal. With Hayes largely absent in
Page 190 and 191:
exactly what we wanted - no other s
Page 192 and 193:
drummer for the next nine months; c
Page 194 and 195:
we were told that we were all answe
Page 196 and 197:
an attempt in June to negotiate an
Page 198 and 199:
some assignment at the Beckenham Re
Page 200 and 201:
more people from whom David moved o
Page 202 and 203:
album shuffled out in a rather half
Page 206 and 207:
All the Madmen It was all a bit of
Page 208 and 209:
shops on Old Kent and Tower Bridge
Page 210 and 211:
common with Bowie. When Pitt left t
Page 212 and 213:
moved into Haddon Hall, and came to
Page 214 and 215:
was nonetheless often overshadowed
Page 216 and 217:
troubles with Ken, and the traumas
Page 218 and 219:
Gripplestone’, was Who-influenced
Page 220 and 221:
elentlessly fluid and inventive. Th
Page 222 and 223:
a cowboy outfit for John Cambridge;
Page 224 and 225:
influence was irretrievably slippin
Page 226 and 227:
The unique nature of the Bowies’
Page 228 and 229:
known around the London music indus
Page 230 and 231:
you can do it, come on,’ Ronson k
Page 232 and 233:
this album, he could ride on the wa
Page 234 and 235:
a straightforward knock-off of Hend
Page 236 and 237:
included a trip to New York on a Cu
Page 240 and 241:
Kooks It will either be a disaster,
Page 242 and 243:
would have twenty per cent of Myers
Page 244 and 245:
ut as Flowers concedes, ‘Some rec
Page 246 and 247:
Ronson, would finally cohere in the
Page 248 and 249:
originality of his Deram days. But
Page 250 and 251:
which on inspection was often sligh
Page 252 and 253:
Mercury’s Robin McBride flew over
Page 254 and 255:
now his hair cascaded in waves over
Page 256 and 257:
wave of energy, of excitement at th
Page 258 and 259:
when the trio recorded it at Luxemb
Page 260 and 261:
een even more nervous had he known
Page 262 and 263:
all, sitting around in a pub or clu
Page 264 and 265:
factory-reject china and other oddm
Page 266 and 267:
June, when Mercury could exercise t
Page 268 and 269:
single on Vertigo had sunk without
Page 270 and 271:
loop; Defries had the means to do t
Page 272 and 273:
songwriters like Harold Arlen. Davi
Page 274 and 275:
esult was a dazzling collection of
Page 276 and 277:
Grossman. ‘They have both helped
Page 278 and 279:
with stories of his Lindsay Kemp da
Page 282 and 283:
Over the Rainbow It was, I’ll do
Page 284 and 285:
History rarely records Laurence Mye
Page 286 and 287:
meet over dinner at the Ginger Man,
Page 288 and 289:
dancing’ into the meeting, Zanett
Page 290 and 291:
says Kris Needs, a Bowie fan who’
Page 292 and 293:
Iggy, too, was a mere creation. Dur
Page 294 and 295:
could stage an emotional onslaught
Page 296 and 297:
ecording were shorn. Thus, the fina
Page 298 and 299:
who’d written about David already
Page 300 and 301:
een anticipated by Marc Bolan - who
Page 302 and 303:
- ready for the debut of their new
Page 304 and 305:
song.’ ‘It was at that point th
Page 306 and 307:
words ‘Spiders’ and they were a
Page 308 and 309: performance, where Mick Rock - the
Page 310 and 311: that the music was in any case simp
Page 312 and 313: said, “I want some,” and Reg ha
Page 314 and 315: packed house. By now, Ziggy Stardus
Page 316 and 317: he’d seen employed in Cabaret and
Page 318 and 319: own iconism - it made it difficult
Page 322 and 323: Battle Cries and Champagne David wa
Page 324 and 325: theatre background meant he was con
Page 326 and 327: For David, being on the road was th
Page 328 and 329: label in the world,’ says Dai Dav
Page 330 and 331: Birgit. At about 10 at night we’d
Page 332 and 333: Roadie Robin Mayhew, like McCrado,
Page 334 and 335: was gonna be wonderful and he could
Page 336 and 337: effect here and there. The results
Page 338 and 339: Angie and David had exchanged weddi
Page 340 and 341: When he met Ian Hunter a few days l
Page 342 and 343: was one shot, one take - boom, that
Page 344 and 345: Soon after their arrival in New Yor
Page 346 and 347: ‘and all of a sudden the door kno
Page 348 and 349: Pictorial Press ‘They tried to ha
Page 350 and 351: Oh! You Pretty Things: David, Angie
Page 352 and 353: Ray Stevenson
Page 354 and 355: generation of teenagers. © Mick Ro
Page 356 and 357: Harry Myers/Rex Features ‘Once th
Page 360: going to record a session’. Makin
Page 363: Where Things Are Hollow
Page 367 and 368: David’s friends from 1971 and 197
Page 369 and 370: into the American dates he called D
Page 371 and 372: luxury of international cruising. H
Page 373 and 374: As ever, Woody came straight to the
Page 375 and 376: iche hotel in Sheffield. Rival sing
Page 377 and 378: nice the day was, you wouldn’t se
Page 379 and 380: confidant of both Bowie and Ronson
Page 381 and 382: collection of covers, and started p
Page 383 and 384: it.’ Mick was both a friend who D
Page 385 and 386: working briefly on a script with Po
Page 387 and 388: UK’s Creation and Mute labels - w
Page 389 and 390: Those Trident sessions marked the e
Page 391 and 392: cutting it up into four- or five-wo
Page 393: treating guests to an impeccably tu
Page 397 and 398: Those cracks would fail to damage D
Page 399 and 400: an altogether more challenging frie
Page 401 and 402: chatted with both Ronson and Bowie
Page 403 and 404: people would be having a good time,
Page 405 and 406: silhouetted against the control-roo
Page 407 and 408: ackground; born, she told her frien
Page 409 and 410:
outfit had changed line-up in 1972,
Page 411 and 412:
in Queens for a decent meal and was
Page 413 and 414:
MacCormack attended the New York pr
Page 415 and 416:
Yet the first run of shows, the pro
Page 417:
flung spots like Hull. In America,
Page 421 and 422:
fourteen. Being fined by James Brow
Page 423 and 424:
pulled in just behind the bridge. H
Page 425 and 426:
a kind of lucky charm, and were fin
Page 427 and 428:
The ramifications of David’s deal
Page 429 and 430:
David did not gloat at all, he was
Page 431 and 432:
leaving, but we managed to persuade
Page 433 and 434:
Writer Mick Farren had been sent to
Page 435 and 436:
the devotional, gospelly ‘It’s
Page 437 and 438:
and ‘Win’, Tony Visconti flew o
Page 439 and 440:
David had misheard ‘shame’ as
Page 441 and 442:
David’s conversations with John L
Page 443:
ight to reject any album should Def
Page 447 and 448:
conversations with John Lennon - wh
Page 449 and 450:
Actor, especially the sequence with
Page 451 and 452:
for sex sessions, away from the wat
Page 453 and 454:
went into it more deeply and was a
Page 455 and 456:
LA around 16 March, 1975. He wanted
Page 457 and 458:
ecent move from Stoke-on-Trent, the
Page 459 and 460:
acquaintance with Charlie Manson, t
Page 461 and 462:
tower guiding in a novice pilot. Av
Page 463 and 464:
May, and was the closest witness to
Page 465 and 466:
year there’s a whole format that
Page 467 and 468:
large fee but was negotiated down.
Page 469 and 470:
Earth would be mostly eulogised by
Page 471 and 472:
says Slick, ‘and I was in a state
Page 473 and 474:
the kabbalistic tree of life: Kethe
Page 475 and 476:
work, the perfect gateway between A
Page 477 and 478:
and pharmaceutical peculiarities, D
Page 481 and 482:
Ghosts in the Echo Chambers The guy
Page 483 and 484:
he told Iggy, was a sign that the w
Page 485 and 486:
Station tour concluded with a maste
Page 487 and 488:
that was the main attraction. His a
Page 489 and 490:
emoval did not cause any specific c
Page 491 and 492:
says Andrew Kent. Movie footage of
Page 493 and 494:
ounced. In Switzerland, Angie had t
Page 495 and 496:
peak. Most songs were sketched out
Page 497 and 498:
seemed to savour the energy and vit
Page 499 and 500:
crafting long tape loops into elect
Page 501 and 502:
who were commemorated by a plaque o
Page 503 and 504:
how his piano would fit in to Bowie
Page 505 and 506:
As David made his way down the stee
Page 507 and 508:
session, Eno effected a quiet revol
Page 509 and 510:
Soon a decade’s worth of imitator
Page 511 and 512:
spooky place - I did refuse one bed
Page 515 and 516:
Helden This was clearly an ex-war z
Page 517 and 518:
the glass roof, not far from the vi
Page 519 and 520:
profile, made up a visual pun: Low
Page 521 and 522:
ifled, the brothers watched the two
Page 523 and 524:
whined. The punk movement had final
Page 525 and 526:
the time the recording started, say
Page 527 and 528:
where you could see gun turrets, wi
Page 529 and 530:
Yet buried within the abstract shar
Page 531 and 532:
thought ‘way too much’. His enj
Page 533 and 534:
to ‘Heroes’, Visconti placed on
Page 535 and 536:
Television’s children’s slot, d
Page 537 and 538:
‘Herbie and Tony were the kind of
Page 539 and 540:
On the train back to London, Bowie
Page 541:
Mary Hopkin, Rod Stewart and The Da
Page 544 and 545:
The beautiful but ‘heavy’ alien
Page 546 and 547:
Andrew Kent The Thin White Duke on
Page 548 and 549:
Eduard Meyer ‘Everything said,
Page 551 and 552:
Barry Plummer Moving on: relaxing a
Page 553 and 554:
on-stage, inhabiting the role of Jo
Page 555 and 556:
Barry Schultz/Sunshine/Retna David
Page 557:
© Denis O’Regan/CORBIS ‘You ha
Page 561 and 562:
Visconti and others recall, in word
Page 563 and 564:
Robinson, Angie apparently created
Page 565 and 566:
Shortly afterwards David would date
Page 567 and 568:
Picking out a decent script was a c
Page 569 and 570:
hour and a half of bliss, punctuate
Page 571 and 572:
obligation. The album’s financial
Page 573 and 574:
keep things moving, impatiently ove
Page 575 and 576:
came about, bar ‘Boys Keep Swingi
Page 577 and 578:
estaurant. The dishes were on the t
Page 579 and 580:
jealousy and a tendency for a kind
Page 581 and 582:
Bowie drew out an inspiring perform
Page 583 and 584:
admired the unique lifestyle he’d
Page 585 and 586:
there’d be a modest present, a to
Page 587 and 588:
was out of control.’ Within days,
Page 589 and 590:
for their allotted fifteen minutes,
Page 593 and 594:
Snapshot of a Brain I’ve never wo
Page 595 and 596:
on when he was in the same position
Page 597 and 598:
finalised in February 1980: a deris
Page 599 and 600:
friend, ex-Beatstalker Alan Mair, F
Page 601 and 602:
to take a back seat was the fact th
Page 603 and 604:
discussed the Brecht recitatif sing
Page 605 and 606:
Brecht’s music. Towards the end,
Page 607 and 608:
told him, ‘it was made for Herman
Page 609 and 610:
living.’ Friedmann followed his a
Page 611 and 612:
him, would you?”’ Pitt’s infl
Page 613 and 614:
exacerbated by the flunkies and yes
Page 615 and 616:
nice-looking, and handled himself w
Page 617 and 618:
calibre would ultimately dry up. Bu
Page 619 and 620:
that would become Let’s Dance, hi
Page 621 and 622:
was Henry Mancini’s Peter Gunn ho
Page 623:
first glance the record company exe
Page 627 and 628:
Islanders Dance Theatre acting out
Page 629 and 630:
Bowie at his peak. Guitarist Stevie
Page 631 and 632:
So we went out and had lunch and cl
Page 633 and 634:
overwhelmed by the experience and r
Page 635 and 636:
14 August. It was a poignant exampl
Page 637 and 638:
numbing. ‘Night after night, you
Page 639 and 640:
most successful home-grown funk ban
Page 641 and 642:
part of.’ There is something sad,
Page 643 and 644:
Byron at the end of the evening, Vi
Page 645 and 646:
the newspaper. ‘David turned his
Page 647 and 648:
main scene, which involved him frol
Page 649 and 650:
arrangement, then they explained th
Page 651 and 652:
his fourteen-year-old daughter Jade
Page 653 and 654:
pushing the cause, not himself, cut
Page 655 and 656:
sunglasses: ‘He saw that situatio
Page 657 and 658:
the same breathy counter-tenor deli
Page 659 and 660:
press reports, the most successful
Page 661:
claw.
Page 665 and 666:
Nichols but claimed the rest of her
Page 667 and 668:
eminder of David’s talent for sna
Page 669 and 670:
late eighties hubris. Yet according
Page 671 and 672:
also loved his virtuosity, encourag
Page 673 and 674:
the guitarist, the news was ‘tota
Page 675 and 676:
Ballroom. David was buoyed up, reve
Page 677 and 678:
and inventions would be credited to
Page 679 and 680:
would interact. Marketed as the fir
Page 681 and 682:
had just come from a club tour wher
Page 683 and 684:
describing her as ‘such a wonderf
Page 685 and 686:
Tin Machine hit the road for anothe
Page 687 and 688:
dates, it didn’t quite gel. For G
Page 689 and 690:
emember once in the back of the bus
Page 691 and 692:
crucial an influence on the sound o
Page 693 and 694:
David, in turn, had an entirely dif
Page 695 and 696:
Interviewed with Anderson for the N
Page 697 and 698:
instrumental passages - ‘“Moona
Page 699 and 700:
udget, but David just said, “Let
Page 701:
on success, seemed not only unconce
Page 705 and 706:
Bowie sense of humour, but there wa
Page 707 and 708:
sculpting comes from a different pl
Page 709 and 710:
In this new atmosphere, Kizilcay, w
Page 711 and 712:
Armstrong got a call to turn up at
Page 713 and 714:
‘bold and fascinating’ said Tom
Page 715 and 716:
decades later, when albums are inde
Page 717 and 718:
effective method of dispersing them
Page 719 and 720:
Junior Vasquez. Plati had helped Ga
Page 721 and 722:
drawings and writing, was supremely
Page 723 and 724:
elationship as any of those between
Page 725 and 726:
Yaël Brandeis Perry With producer
Page 727 and 728:
Kevin Armstrong Recording ‘Dancin
Page 729 and 730:
Bellia/Dalle/Retna
Page 731 and 732:
Kevin Armstrong Among friends: with
Page 733 and 734:
Ron Galella/ WireImage ‘I have ne
Page 735 and 736:
Toby Melville/PA ‘He came back dr
Page 737 and 738:
Startraks Photo/Rex Features ‘A m
Page 740 and 741:
L. Cohen/ WireImage ‘We’ll see
Page 742 and 743:
Bonds would be raised again and aga
Page 744 and 745:
perceptive observations anyone’s
Page 746 and 747:
originally intended two of the song
Page 748 and 749:
was having a child with David’s w
Page 750 and 751:
the fact that his son had had such
Page 752 and 753:
With Mark Plati overseeing, they cu
Page 754 and 755:
New York was the perfect place to w
Page 756 and 757:
him and tears ran down his face. Th
Page 758 and 759:
prepared by listening through the o
Page 760 and 761:
elationship was: ‘I worked with p
Page 762 and 763:
again, but tragedy struck on 6 May,
Page 766 and 767:
The Houdini Mechanism The thing I r
Page 768 and 769:
their rendition was on the edge and
Page 770 and 771:
encouraged some observers to liken
Page 772 and 773:
occasional sighting at fashion-rela
Page 774 and 775:
would you be wishing you could spen
Page 776 and 777:
etween Bowie and MainMan rumbled on
Page 778 and 779:
politely dismissed suggestions that
Page 780 and 781:
of the hamper’s goodies, as Georg
Page 782 and 783:
epiphanies. Bowie has been derided
Page 784:
hearing the next thing. Still, ther
Page 787 and 788:
David Bowie Recorded: November 1966
Page 789 and 790:
David Bowie aka Space Oddity (UK 19
Page 792 and 793:
Hunky Dory Recorded: July 1971; Tri
Page 794 and 795:
The Rise and Fall of Ziggy Stardust
Page 796:
Aladdin Sane Recorded: October 1972
Page 799 and 800:
eworked into turgid, platform-boote
Page 801 and 802:
alongside the resonant ‘Sweet Thi
Page 804 and 805:
Young Americans Recorded: August 19
Page 806 and 807:
Station to Station Recorded: Novemb
Page 808:
Low Recorded: September - early Oct
Page 811 and 812:
number twenty-four in the UK single
Page 813 and 814:
Lodger Recorded: September 1978 and
Page 815 and 816:
Scary Monsters … and Super Creeps
Page 817 and 818:
Baal Recorded: September 1981; Hans
Page 819 and 820:
- ‘Without You’, ‘Ricochet’
Page 821 and 822:
wedding and bar mitzvah jobs - two
Page 823 and 824:
the same period, he’d bashed out
Page 825 and 826:
primarily as a scorched-earth polic
Page 827:
Black Tie White Noise Recorded: 199
Page 830 and 831:
a low-key, belated release by Unive
Page 833 and 834:
Earthling Recorded: 1996; Looking G
Page 835:
Hours Recorded: April 1999; Seaview
Page 838:
Reality Recorded: January 2003, Loo
Page 841 and 842:
1 When I’m Five Opening paragraph
Page 843 and 844:
2 ‘Numero Uno, Mate!’ Main sour
Page 845 and 846:
4 Laughing Gnome Principal sources,
Page 847 and 848:
6 Check Ignition Main sources: Ray
Page 849 and 850:
8 Kooks Main interviews for this ch
Page 851 and 852:
9 Over the Rainbow Main sources for
Page 853 and 854:
10 Battle Cries and Champagne The a
Page 855 and 856:
12 The Changing isn’t Free David
Page 857 and 858:
13 Make Me Break Down and Cry Key s
Page 859 and 860:
14 White Stains Main sources: Ava C
Page 861 and 862:
to me in German, turned away and I
Page 863 and 864:
16 Helden Opening section is based
Page 865 and 866:
18 Snapshot of a Brain Duncan Jones
Page 867 and 868:
20 It’s My Life - So Fuck Off Pri
Page 869 and 870:
22 The Houdini Principle The title
Page 871 and 872:
Background Reading All written sour
Page 873:
Zag. Copies of The Times, The Sunda
Page 876 and 877:
Marsh, Martin Hopewell, Laurie Horn
Page 878 and 879:
Keith Herd, Susan Hill, Clare Hirst
Page 881 and 882:
INDEX Abbott, Maggie, 202, 229-230,
Page 883 and 884:
Blair, Tony, 92, 368 Bloom, John, 3
Page 885 and 886:
ambition, 3, 4, 27, 38-39, 49, 74,
Page 887 and 888:
Dinah Shore Show, 271; Marc (Granad
Page 889 and 890:
(1973), 178, 187-189; 1973 period,
Page 891 and 892:
175, 176, 253, 254-258, 261, 271-27
Page 893 and 894:
with Lou Reed (April 1979), 292, 29
Page 895 and 896:
cut-up technique, 199, 200, 202, 20
Page 897 and 898:
Boys’, 52-53, 57, 68, 69; ‘All
Page 899 and 900:
‘China Girl’ (with Iggy Pop), 2
Page 901 and 902:
Browne, Jackson, 312, 317 Buckmaste
Page 903 and 904:
51-52, 79, 107, 335 Cook, Raymond,
Page 905 and 906:
Donegan, Lonnie, 18, 68, 77 Donovan
Page 907 and 908:
212, 278 Flux, Johnny, 41, 44, 45,
Page 909 and 910:
Haag, Romy, 250, 253, 258, 268, 269
Page 911 and 912:
Iman Abdul Majid, 301, 350-351, 352
Page 913 and 914:
Kabuki, 81, 188, 395 Kael, Pauline,
Page 915 and 916:
Lynn, Vera, 2, 35 Lynott, Phil, 215
Page 917 and 918:
MOJO magazine, 311 Momus, 395-396 M
Page 919 and 920:
Outsider (Colin Wilson book), 232 P
Page 921 and 922:
and, 258; sings on Low, 263; Stooge
Page 923 and 924:
Renwick, Tim, 98, 103, 108, 110, 11
Page 925 and 926:
341-342, 343, 345-346, 354 Samye Li
Page 927 and 928:
292 Sounds Incorporated, 41 Spandau
Page 929 and 930:
artist and illustrator, 86, 200, 39
Page 931 and 932:
Welch, Chris, 75, 279, 280 The Who,
Page 933:
* This lovely phrase derives from l
show all

Bowie PDF Book from JFK247

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?