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Bowie PDF Book from JFK247

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Low<br />

Recorded: September – early October 1976;<br />

Château D’Hérouville, Paris. Overdubbed and mixed<br />

Hansa Studio 2, Berlin.<br />

Released: RCA, January 1977.<br />

Chart Peak: 2 (UK); 11 (US).<br />

Key Personnel: Brian Eno (vocals, kbds and<br />

treatments); Carlos Alomar, Ricky Gardiner (gtr);<br />

Dennis Davis (dms); George Murray (bs); Roy Young<br />

(pno, organ).<br />

Producers: David <strong>Bowie</strong> and Tony Visconti.<br />

Its title was a reference both to being low profile, and<br />

to David’s mental state – beset by marital and<br />

management problems. Yet those troubles were<br />

offset by the thrill of a new beginning, and an album<br />

that was dismissed by many on release as inhuman<br />

and inaccessible stands today as joyous, uplifting<br />

and optimistic. The glacial beauty of Brian Eno’s<br />

EMS synthesiser, which dominates side two, is<br />

balanced by the zest and humanity of side one.<br />

<strong>Bowie</strong>’s voice is rendered naked and unaffected,<br />

with many songs enlivened by distinctive soul<br />

references – for instance, the melody <strong>from</strong> ‘Stand By<br />

Me’ that echoes ‘Always Crashing in the Same Car’.<br />

As if to help orientate the listener, the album follows<br />

an impeccable internal logic, with concise, up-tempo<br />

instrumentals bookending side one, which was<br />

chockfull of catchy melodies and rhythms, to contrast<br />

with the icy languor of side two. As <strong>Bowie</strong> intended,<br />

this is great art, but it’s great pop music, too.

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