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Bowie PDF Book from JFK247

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couple of them had lived in a squat there – and<br />

noticed the streets of Brixton were quiet, all the<br />

residents glued to their TVs. As he squeezed into<br />

Noel Edmonds’ helicopter, David’s hands were<br />

shaking, cigarettes constantly on the go – the pilots<br />

complained the smoke was obscuring the instrument<br />

panel. Otherwise, there was no sign of nerves.<br />

Queen, according to posterity, stole the show, but<br />

on the day no one knew or cared. David had chosen<br />

one of the youngest, most under-rehearsed bands of<br />

his entire career and treated them as if they were<br />

doing him a favour, joshing them along, especially<br />

Seligman, whom David had nicknamed ‘Brenda’ in<br />

revenge for the bassist mentioning that ‘Blue Jean’<br />

was boring. Before they hit the stage, the band<br />

heard him shout, ‘Remember, no monitors for<br />

Brenda!’<br />

There were flurries of nerves: David fluffed a line,<br />

introducing singer Tessa Niles as ‘Theresa’; sax<br />

player Clare Hirst stood holding her hand out at the<br />

scheduled moment, like a lemon, as David danced<br />

around on the other end of the stage; Kevin<br />

Armstrong started ‘Rebel Rebel’ way too fast. Yet<br />

throughout, David’s joy was infectious, pushing<br />

forward the band who were totally focused on<br />

remembering the songs they’d rehearsed exactly<br />

three times. Somehow, it was perfect, says Thomas<br />

Dolby. ‘To my astonishment, I felt like I was on a<br />

magic carpet ride. These songs were like our<br />

teenage anthems – my fingers were just wafted<br />

along.’<br />

Of every artist, <strong>Bowie</strong> was the most focused on

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