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The Houdini Mechanism The thing I remember was a sense of wanting to escape: to parachute out, to find a strategy that would give a glorious exit. That was what he was looking for. A stunning escape mechanism – a Houdini escape from pop stardom. Julien Temple Wasn’t he brave? To do what he did? George Underwood Aliens are immortal; that was what fans continued to believe in the months that followed David’s heart attack, punctuated by tantalising glimpses of the man in the audience for shows by Gail Ann Dorsey, Arcade Fire and the occasional red-carpet event. It was over a year later – 8 September, 2005 – before David stepped once more into the limelight, an event fraught with nerves, emotion and warmth. The rehearsal for the Condé Nast Fashion Rocks show, organised in aid of the Hurricane Katrina
victims, was nerve-racking. Bowie had not met up with Mike Garson, his sole accompanist, until their rehearsal the afternoon of the performance. When they ran through the song, various performers and crew were busy around Radio City Music Hall. Then, as Garson rippled into the opening chords at the rehearsal, he realised, ‘Everybody who was performing that night was listening – you could hear a pin drop’. ‘Life on Mars?’, the song that had been gifted to the twenty-three-year-old Bowie on the bus to Lewisham, sounded radically different from any previous version. Garson had first played the song with David on his New York debut thirty-two years before, but at the Fashion Rocks performance that evening he was more nervous than he could ever remember, his feet and knees shaking as he sat down at the grand piano and Alicia Keys announced, ‘My good friend, David Bowie.’ The pitch of the song had been shifted down all the way from F to B; the new key was tricky, unfamiliar, ‘and if I screwed up, it would almost inevitably make him screw up. There was no one else to cover up. No safety net.’ David was even more tentative; he was out of practice, almost a little scared: ‘You have a heart problem, you’ve got to be wondering to yourself, “Am I gonna drop dead on-stage?”’ says Garson. ‘Anything could go through the mind – you’ve had a rough period, you don’t know if that’s gonna happen again.’ Yet for Garson, as Bowie settled slowly into the song in front of an enthralled audience, there was something magical about the moment: the fact that
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Also by Paul Trynka Copyright CONTE
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Genius Steals Thursday evening, sev
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oogie rhythm. For a generation of t
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contradictions became more obvious
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When I’m Five Everything seemed g
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Born in Doncaster on 21 November, 1
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were still needed to buy linen, fue
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the Burns’ ‘family affliction
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Arden, a failed nightclub singer an
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the saying went. Most of the famili
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family’s modestly respectable sta
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tensions between Peggy and David we
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charm ‘as a weapon’, says a lat
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Berry and Frankie Lymon and The Tee
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Lonnie’s brand of skiffle after a
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1944. The art college system provid
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‘a pleasant idler’. At fourteen
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people noticed his clothes, his hai
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Powling: ‘He was nice, charming -
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‘When I’m driving for instance,
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to be big.’
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indulgent with the younger students
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ecome his main friend but the sax p
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sung by Roger Ferris, was later con
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soon the Kon-Rads were hanging out
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David was lucky to have a hip boss,
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came from another blues classic, Sl
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estranged from his parents. Peggy c
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for the vital document or press cut
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seemed almost ruthless in his self-
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The recording was brisk, the standa
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celebrate the sweet victory of his
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Thinking About Me There’d be six
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good.’ The band’s leaders, Soll
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more powerful - occasionally he was
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the road, Woolf, who was at the whe
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was a favourite musicians’ hangou
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‘Pity the Fool’ was perfect for
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under the same banner. Solly mainta
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David had brought along moral suppo
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Whereas George Underwood would get
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pastiche, ‘Baby Loves That Way’
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call him. He also took Pitt’s res
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of the womb like Marc - I was stumb
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was absolutely one of us. A wonderf
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with the boy, in more ways than one
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and in turn fired him. Rather than
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Raymond Cook, the cash flow enabled
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had borrowed more money from Raymon
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never mention a word of any family
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informed the manager, ‘You can ha
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Guitarist John Hutchinson went thro
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Lower Third might have suited Ralph
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Belsen, and served briefly in Pales
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There is an intriguing footnote to
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‘He knew those songs weren’t th
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towards some people,’ says Mair.
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then chairman of Decca, he worked h
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task. ‘It was bloody hard work,
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who really is an individual talent
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characteristic fashion - preparing
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European musician to appreciate the
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I Wish Something Would Happen It wa
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through he started feeling very, ve
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opportunities. Deram had gone quiet
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going to write some Top 10 rubbish,
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around with no recordings in prospe
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with me as Pierrot. And we met afte
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soul. And he had all this inside hi
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Kemp sat on the edge of the stage,
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the most beautiful melodies of his
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Bolan, who had finally lodged himse
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For Bowie and Visconti, the still-b
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The new trio played their first ‘
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harmony vocal, two points struck hi
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after he had asked David to write a
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Check Ignition David was adored on
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friend Ray Stevenson, ‘he never h
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wasn’t slow to have a go.’ For
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therefore the next best thing to ha
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Roger Bolden Stansfield Road, David
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Max Batten Burnt Ash Juniors footba
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Pictorial Press The Kon-Rads - init
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Bob Solly The Manish Boys: tough, h
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Denis Taylor The newly christened D
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A rare photo of David’s second ma
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Dezo Hoffmann/ Rex Features ‘The
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Jeff Dexter Singer and songwriter L
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David Bebbington David Bowie, showb
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Reizner’s dislike of Bowie would
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deal. With Hayes largely absent in
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exactly what we wanted - no other s
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drummer for the next nine months; c
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we were told that we were all answe
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an attempt in June to negotiate an
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some assignment at the Beckenham Re
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more people from whom David moved o
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album shuffled out in a rather half
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All the Madmen It was all a bit of
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shops on Old Kent and Tower Bridge
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common with Bowie. When Pitt left t
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moved into Haddon Hall, and came to
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was nonetheless often overshadowed
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troubles with Ken, and the traumas
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Gripplestone’, was Who-influenced
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elentlessly fluid and inventive. Th
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a cowboy outfit for John Cambridge;
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influence was irretrievably slippin
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The unique nature of the Bowies’
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known around the London music indus
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you can do it, come on,’ Ronson k
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this album, he could ride on the wa
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a straightforward knock-off of Hend
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included a trip to New York on a Cu
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Kooks It will either be a disaster,
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would have twenty per cent of Myers
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ut as Flowers concedes, ‘Some rec
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Ronson, would finally cohere in the
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originality of his Deram days. But
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which on inspection was often sligh
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Mercury’s Robin McBride flew over
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now his hair cascaded in waves over
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wave of energy, of excitement at th
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when the trio recorded it at Luxemb
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een even more nervous had he known
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all, sitting around in a pub or clu
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factory-reject china and other oddm
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June, when Mercury could exercise t
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single on Vertigo had sunk without
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loop; Defries had the means to do t
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songwriters like Harold Arlen. Davi
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esult was a dazzling collection of
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Grossman. ‘They have both helped
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with stories of his Lindsay Kemp da
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Over the Rainbow It was, I’ll do
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History rarely records Laurence Mye
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meet over dinner at the Ginger Man,
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dancing’ into the meeting, Zanett
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says Kris Needs, a Bowie fan who’
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Iggy, too, was a mere creation. Dur
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could stage an emotional onslaught
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ecording were shorn. Thus, the fina
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who’d written about David already
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een anticipated by Marc Bolan - who
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- ready for the debut of their new
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song.’ ‘It was at that point th
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words ‘Spiders’ and they were a
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performance, where Mick Rock - the
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that the music was in any case simp
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said, “I want some,” and Reg ha
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packed house. By now, Ziggy Stardus
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he’d seen employed in Cabaret and
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own iconism - it made it difficult
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Battle Cries and Champagne David wa
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theatre background meant he was con
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For David, being on the road was th
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label in the world,’ says Dai Dav
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Birgit. At about 10 at night we’d
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Roadie Robin Mayhew, like McCrado,
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was gonna be wonderful and he could
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effect here and there. The results
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Angie and David had exchanged weddi
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When he met Ian Hunter a few days l
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was one shot, one take - boom, that
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Soon after their arrival in New Yor
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‘and all of a sudden the door kno
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Pictorial Press ‘They tried to ha
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Oh! You Pretty Things: David, Angie
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Ray Stevenson
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generation of teenagers. © Mick Ro
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Harry Myers/Rex Features ‘Once th
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Bob Gruen David with his new ‘off
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going to record a session’. Makin
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Where Things Are Hollow
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David’s friends from 1971 and 197
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into the American dates he called D
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luxury of international cruising. H
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As ever, Woody came straight to the
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iche hotel in Sheffield. Rival sing
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nice the day was, you wouldn’t se
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confidant of both Bowie and Ronson
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collection of covers, and started p
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it.’ Mick was both a friend who D
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working briefly on a script with Po
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UK’s Creation and Mute labels - w
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Those Trident sessions marked the e
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cutting it up into four- or five-wo
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treating guests to an impeccably tu
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Those cracks would fail to damage D
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an altogether more challenging frie
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chatted with both Ronson and Bowie
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people would be having a good time,
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silhouetted against the control-roo
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ackground; born, she told her frien
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outfit had changed line-up in 1972,
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in Queens for a decent meal and was
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MacCormack attended the New York pr
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Yet the first run of shows, the pro
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flung spots like Hull. In America,
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fourteen. Being fined by James Brow
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pulled in just behind the bridge. H
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a kind of lucky charm, and were fin
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The ramifications of David’s deal
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David did not gloat at all, he was
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leaving, but we managed to persuade
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Writer Mick Farren had been sent to
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the devotional, gospelly ‘It’s
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and ‘Win’, Tony Visconti flew o
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David had misheard ‘shame’ as
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David’s conversations with John L
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ight to reject any album should Def
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conversations with John Lennon - wh
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Actor, especially the sequence with
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for sex sessions, away from the wat
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went into it more deeply and was a
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LA around 16 March, 1975. He wanted
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ecent move from Stoke-on-Trent, the
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acquaintance with Charlie Manson, t
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tower guiding in a novice pilot. Av
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May, and was the closest witness to
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year there’s a whole format that
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large fee but was negotiated down.
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Earth would be mostly eulogised by
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says Slick, ‘and I was in a state
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the kabbalistic tree of life: Kethe
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work, the perfect gateway between A
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and pharmaceutical peculiarities, D
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Ghosts in the Echo Chambers The guy
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he told Iggy, was a sign that the w
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Station tour concluded with a maste
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that was the main attraction. His a
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emoval did not cause any specific c
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says Andrew Kent. Movie footage of
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ounced. In Switzerland, Angie had t
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peak. Most songs were sketched out
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seemed to savour the energy and vit
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crafting long tape loops into elect
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who were commemorated by a plaque o
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how his piano would fit in to Bowie
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As David made his way down the stee
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session, Eno effected a quiet revol
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Soon a decade’s worth of imitator
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spooky place - I did refuse one bed
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Helden This was clearly an ex-war z
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the glass roof, not far from the vi
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profile, made up a visual pun: Low
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ifled, the brothers watched the two
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whined. The punk movement had final
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the time the recording started, say
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where you could see gun turrets, wi
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Yet buried within the abstract shar
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thought ‘way too much’. His enj
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to ‘Heroes’, Visconti placed on
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Television’s children’s slot, d
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‘Herbie and Tony were the kind of
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On the train back to London, Bowie
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Mary Hopkin, Rod Stewart and The Da
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The beautiful but ‘heavy’ alien
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Andrew Kent The Thin White Duke on
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Eduard Meyer ‘Everything said,
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Barry Plummer Moving on: relaxing a
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on-stage, inhabiting the role of Jo
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Barry Schultz/Sunshine/Retna David
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© Denis O’Regan/CORBIS ‘You ha
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Visconti and others recall, in word
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Robinson, Angie apparently created
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Shortly afterwards David would date
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Picking out a decent script was a c
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hour and a half of bliss, punctuate
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obligation. The album’s financial
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keep things moving, impatiently ove
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came about, bar ‘Boys Keep Swingi
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estaurant. The dishes were on the t
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jealousy and a tendency for a kind
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Bowie drew out an inspiring perform
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admired the unique lifestyle he’d
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there’d be a modest present, a to
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was out of control.’ Within days,
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for their allotted fifteen minutes,
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Snapshot of a Brain I’ve never wo
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on when he was in the same position
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finalised in February 1980: a deris
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friend, ex-Beatstalker Alan Mair, F
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to take a back seat was the fact th
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discussed the Brecht recitatif sing
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Brecht’s music. Towards the end,
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told him, ‘it was made for Herman
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living.’ Friedmann followed his a
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him, would you?”’ Pitt’s infl
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exacerbated by the flunkies and yes
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nice-looking, and handled himself w
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calibre would ultimately dry up. Bu
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that would become Let’s Dance, hi
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was Henry Mancini’s Peter Gunn ho
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first glance the record company exe
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Islanders Dance Theatre acting out
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Bowie at his peak. Guitarist Stevie
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So we went out and had lunch and cl
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overwhelmed by the experience and r
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14 August. It was a poignant exampl
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numbing. ‘Night after night, you
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most successful home-grown funk ban
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part of.’ There is something sad,
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Byron at the end of the evening, Vi
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the newspaper. ‘David turned his
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main scene, which involved him frol
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arrangement, then they explained th
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his fourteen-year-old daughter Jade
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pushing the cause, not himself, cut
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sunglasses: ‘He saw that situatio
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the same breathy counter-tenor deli
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press reports, the most successful
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claw.
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Nichols but claimed the rest of her
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eminder of David’s talent for sna
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late eighties hubris. Yet according
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also loved his virtuosity, encourag
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the guitarist, the news was ‘tota
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Ballroom. David was buoyed up, reve
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and inventions would be credited to
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would interact. Marketed as the fir
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had just come from a club tour wher
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describing her as ‘such a wonderf
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Tin Machine hit the road for anothe
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dates, it didn’t quite gel. For G
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emember once in the back of the bus
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crucial an influence on the sound o
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David, in turn, had an entirely dif
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Interviewed with Anderson for the N
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instrumental passages - ‘“Moona
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udget, but David just said, “Let
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on success, seemed not only unconce
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Bowie sense of humour, but there wa
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sculpting comes from a different pl
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In this new atmosphere, Kizilcay, w
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Armstrong got a call to turn up at
Page 713 and 714: ‘bold and fascinating’ said Tom
Page 715 and 716: decades later, when albums are inde
Page 717 and 718: effective method of dispersing them
Page 719 and 720: Junior Vasquez. Plati had helped Ga
Page 721 and 722: drawings and writing, was supremely
Page 723 and 724: elationship as any of those between
Page 725 and 726: Yaël Brandeis Perry With producer
Page 727 and 728: Kevin Armstrong Recording ‘Dancin
Page 729 and 730: Bellia/Dalle/Retna
Page 731 and 732: Kevin Armstrong Among friends: with
Page 733 and 734: Ron Galella/ WireImage ‘I have ne
Page 735 and 736: Toby Melville/PA ‘He came back dr
Page 737 and 738: Startraks Photo/Rex Features ‘A m
Page 740 and 741: L. Cohen/ WireImage ‘We’ll see
Page 742 and 743: Bonds would be raised again and aga
Page 744 and 745: perceptive observations anyone’s
Page 746 and 747: originally intended two of the song
Page 748 and 749: was having a child with David’s w
Page 750 and 751: the fact that his son had had such
Page 752 and 753: With Mark Plati overseeing, they cu
Page 754 and 755: New York was the perfect place to w
Page 756 and 757: him and tears ran down his face. Th
Page 758 and 759: prepared by listening through the o
Page 760 and 761: elationship was: ‘I worked with p
Page 762 and 763: again, but tragedy struck on 6 May,
Page 768 and 769: their rendition was on the edge and
Page 770 and 771: encouraged some observers to liken
Page 772 and 773: occasional sighting at fashion-rela
Page 774 and 775: would you be wishing you could spen
Page 776 and 777: etween Bowie and MainMan rumbled on
Page 778 and 779: politely dismissed suggestions that
Page 780 and 781: of the hamper’s goodies, as Georg
Page 782 and 783: epiphanies. Bowie has been derided
Page 784: hearing the next thing. Still, ther
Page 787 and 788: David Bowie Recorded: November 1966
Page 789 and 790: David Bowie aka Space Oddity (UK 19
Page 792 and 793: Hunky Dory Recorded: July 1971; Tri
Page 794 and 795: The Rise and Fall of Ziggy Stardust
Page 796: Aladdin Sane Recorded: October 1972
Page 799 and 800: eworked into turgid, platform-boote
Page 801 and 802: alongside the resonant ‘Sweet Thi
Page 804 and 805: Young Americans Recorded: August 19
Page 806 and 807: Station to Station Recorded: Novemb
Page 808: Low Recorded: September - early Oct
Page 811 and 812: number twenty-four in the UK single
Page 813 and 814: Lodger Recorded: September 1978 and
Page 815 and 816:
Scary Monsters … and Super Creeps
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Baal Recorded: September 1981; Hans
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- ‘Without You’, ‘Ricochet’
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wedding and bar mitzvah jobs - two
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the same period, he’d bashed out
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primarily as a scorched-earth polic
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Black Tie White Noise Recorded: 199
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a low-key, belated release by Unive
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Earthling Recorded: 1996; Looking G
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Hours Recorded: April 1999; Seaview
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Reality Recorded: January 2003, Loo
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1 When I’m Five Opening paragraph
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2 ‘Numero Uno, Mate!’ Main sour
Page 845 and 846:
4 Laughing Gnome Principal sources,
Page 847 and 848:
6 Check Ignition Main sources: Ray
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8 Kooks Main interviews for this ch
Page 851 and 852:
9 Over the Rainbow Main sources for
Page 853 and 854:
10 Battle Cries and Champagne The a
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12 The Changing isn’t Free David
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13 Make Me Break Down and Cry Key s
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14 White Stains Main sources: Ava C
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to me in German, turned away and I
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16 Helden Opening section is based
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18 Snapshot of a Brain Duncan Jones
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20 It’s My Life - So Fuck Off Pri
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22 The Houdini Principle The title
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Background Reading All written sour
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Zag. Copies of The Times, The Sunda
Page 876 and 877:
Marsh, Martin Hopewell, Laurie Horn
Page 878 and 879:
Keith Herd, Susan Hill, Clare Hirst
Page 881 and 882:
INDEX Abbott, Maggie, 202, 229-230,
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Blair, Tony, 92, 368 Bloom, John, 3
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ambition, 3, 4, 27, 38-39, 49, 74,
Page 887 and 888:
Dinah Shore Show, 271; Marc (Granad
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(1973), 178, 187-189; 1973 period,
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175, 176, 253, 254-258, 261, 271-27
Page 893 and 894:
with Lou Reed (April 1979), 292, 29
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cut-up technique, 199, 200, 202, 20
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Boys’, 52-53, 57, 68, 69; ‘All
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‘China Girl’ (with Iggy Pop), 2
Page 901 and 902:
Browne, Jackson, 312, 317 Buckmaste
Page 903 and 904:
51-52, 79, 107, 335 Cook, Raymond,
Page 905 and 906:
Donegan, Lonnie, 18, 68, 77 Donovan
Page 907 and 908:
212, 278 Flux, Johnny, 41, 44, 45,
Page 909 and 910:
Haag, Romy, 250, 253, 258, 268, 269
Page 911 and 912:
Iman Abdul Majid, 301, 350-351, 352
Page 913 and 914:
Kabuki, 81, 188, 395 Kael, Pauline,
Page 915 and 916:
Lynn, Vera, 2, 35 Lynott, Phil, 215
Page 917 and 918:
MOJO magazine, 311 Momus, 395-396 M
Page 919 and 920:
Outsider (Colin Wilson book), 232 P
Page 921 and 922:
and, 258; sings on Low, 263; Stooge
Page 923 and 924:
Renwick, Tim, 98, 103, 108, 110, 11
Page 925 and 926:
341-342, 343, 345-346, 354 Samye Li
Page 927 and 928:
292 Sounds Incorporated, 41 Spandau
Page 929 and 930:
artist and illustrator, 86, 200, 39
Page 931 and 932:
Welch, Chris, 75, 279, 280 The Who,
Page 933:
* This lovely phrase derives from l
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