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was subsiding suggested Bowie was content to surf on someone else’s wave, rather than making his own.
Hours Recorded: April 1999; Seaview Studios, Bermuda, and Looking Glass, NYC. Released: ISO/Virgin International, October 1999. Chart Peak: 5 (UK); 47 (US). Key Personnel: Reeves Gabrels (gtr); Mark Plati (bs); Mike Levesque and Sterling Campbell (dms); Holly Palmer (backing vox, ‘Thursday’s Child’). Producers: David Bowie and Reeves Gabrels. Refreshingly unadorned, sometimes hauntingly intimate, Hours abandoned the high-tech cut and paste of its predecessor for a production that was distinctly downhome – indeed, too much so, for the real David Bowie is surely to be found more in gloss and the artifice, than in dress-down introspection. Although some material was thin – ‘What’s Really Happening?’, for instance, a collaboration with fan Alex Grant, featuring a melody lifted from ‘You Keep Me Hanging On’ – songs like ‘Seven’ and ‘Thursday’s Child’ were finely crafted – beautiful, even – but the distinctive Bowie voice that he’d rediscovered on Earthling was gone, to be replaced mainly with a Nick Cave-ish throaty baritone. The third in a string of stylistic about-turns, the album once again suggested a return to the teenage Bowie struggling to find a unique voice – and rather like Space Oddity, Hours, for all its finely crafted moments, ended up being less than the sum of its parts.
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Also by Paul Trynka Copyright CONTE
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Genius Steals Thursday evening, sev
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oogie rhythm. For a generation of t
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contradictions became more obvious
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When I’m Five Everything seemed g
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Born in Doncaster on 21 November, 1
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were still needed to buy linen, fue
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the Burns’ ‘family affliction
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Arden, a failed nightclub singer an
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the saying went. Most of the famili
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family’s modestly respectable sta
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tensions between Peggy and David we
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charm ‘as a weapon’, says a lat
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Berry and Frankie Lymon and The Tee
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Lonnie’s brand of skiffle after a
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1944. The art college system provid
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‘a pleasant idler’. At fourteen
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people noticed his clothes, his hai
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Powling: ‘He was nice, charming -
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‘When I’m driving for instance,
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to be big.’
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indulgent with the younger students
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ecome his main friend but the sax p
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sung by Roger Ferris, was later con
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soon the Kon-Rads were hanging out
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David was lucky to have a hip boss,
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came from another blues classic, Sl
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estranged from his parents. Peggy c
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for the vital document or press cut
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seemed almost ruthless in his self-
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The recording was brisk, the standa
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celebrate the sweet victory of his
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Thinking About Me There’d be six
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good.’ The band’s leaders, Soll
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more powerful - occasionally he was
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the road, Woolf, who was at the whe
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was a favourite musicians’ hangou
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‘Pity the Fool’ was perfect for
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under the same banner. Solly mainta
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David had brought along moral suppo
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Whereas George Underwood would get
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pastiche, ‘Baby Loves That Way’
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call him. He also took Pitt’s res
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of the womb like Marc - I was stumb
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was absolutely one of us. A wonderf
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with the boy, in more ways than one
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and in turn fired him. Rather than
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Raymond Cook, the cash flow enabled
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had borrowed more money from Raymon
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never mention a word of any family
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informed the manager, ‘You can ha
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Guitarist John Hutchinson went thro
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Lower Third might have suited Ralph
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Belsen, and served briefly in Pales
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There is an intriguing footnote to
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‘He knew those songs weren’t th
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towards some people,’ says Mair.
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then chairman of Decca, he worked h
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task. ‘It was bloody hard work,
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who really is an individual talent
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characteristic fashion - preparing
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European musician to appreciate the
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I Wish Something Would Happen It wa
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through he started feeling very, ve
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opportunities. Deram had gone quiet
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going to write some Top 10 rubbish,
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around with no recordings in prospe
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with me as Pierrot. And we met afte
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soul. And he had all this inside hi
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Kemp sat on the edge of the stage,
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the most beautiful melodies of his
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Bolan, who had finally lodged himse
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For Bowie and Visconti, the still-b
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The new trio played their first ‘
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harmony vocal, two points struck hi
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after he had asked David to write a
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Check Ignition David was adored on
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friend Ray Stevenson, ‘he never h
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wasn’t slow to have a go.’ For
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therefore the next best thing to ha
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Roger Bolden Stansfield Road, David
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Max Batten Burnt Ash Juniors footba
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Pictorial Press The Kon-Rads - init
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Bob Solly The Manish Boys: tough, h
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Denis Taylor The newly christened D
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A rare photo of David’s second ma
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Dezo Hoffmann/ Rex Features ‘The
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Jeff Dexter Singer and songwriter L
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David Bebbington David Bowie, showb
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Reizner’s dislike of Bowie would
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deal. With Hayes largely absent in
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exactly what we wanted - no other s
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drummer for the next nine months; c
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we were told that we were all answe
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an attempt in June to negotiate an
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some assignment at the Beckenham Re
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more people from whom David moved o
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album shuffled out in a rather half
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All the Madmen It was all a bit of
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shops on Old Kent and Tower Bridge
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common with Bowie. When Pitt left t
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moved into Haddon Hall, and came to
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was nonetheless often overshadowed
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troubles with Ken, and the traumas
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Gripplestone’, was Who-influenced
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elentlessly fluid and inventive. Th
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a cowboy outfit for John Cambridge;
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influence was irretrievably slippin
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The unique nature of the Bowies’
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known around the London music indus
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you can do it, come on,’ Ronson k
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this album, he could ride on the wa
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a straightforward knock-off of Hend
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included a trip to New York on a Cu
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Kooks It will either be a disaster,
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would have twenty per cent of Myers
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ut as Flowers concedes, ‘Some rec
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Ronson, would finally cohere in the
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originality of his Deram days. But
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which on inspection was often sligh
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Mercury’s Robin McBride flew over
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now his hair cascaded in waves over
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wave of energy, of excitement at th
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when the trio recorded it at Luxemb
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een even more nervous had he known
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all, sitting around in a pub or clu
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factory-reject china and other oddm
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June, when Mercury could exercise t
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single on Vertigo had sunk without
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loop; Defries had the means to do t
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songwriters like Harold Arlen. Davi
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esult was a dazzling collection of
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Grossman. ‘They have both helped
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with stories of his Lindsay Kemp da
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Over the Rainbow It was, I’ll do
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History rarely records Laurence Mye
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meet over dinner at the Ginger Man,
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dancing’ into the meeting, Zanett
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says Kris Needs, a Bowie fan who’
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Iggy, too, was a mere creation. Dur
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could stage an emotional onslaught
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ecording were shorn. Thus, the fina
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who’d written about David already
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een anticipated by Marc Bolan - who
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- ready for the debut of their new
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song.’ ‘It was at that point th
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words ‘Spiders’ and they were a
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performance, where Mick Rock - the
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that the music was in any case simp
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said, “I want some,” and Reg ha
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packed house. By now, Ziggy Stardus
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he’d seen employed in Cabaret and
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own iconism - it made it difficult
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Battle Cries and Champagne David wa
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theatre background meant he was con
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For David, being on the road was th
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label in the world,’ says Dai Dav
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Birgit. At about 10 at night we’d
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Roadie Robin Mayhew, like McCrado,
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was gonna be wonderful and he could
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effect here and there. The results
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Angie and David had exchanged weddi
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When he met Ian Hunter a few days l
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was one shot, one take - boom, that
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Soon after their arrival in New Yor
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‘and all of a sudden the door kno
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Pictorial Press ‘They tried to ha
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Oh! You Pretty Things: David, Angie
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Ray Stevenson
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generation of teenagers. © Mick Ro
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Harry Myers/Rex Features ‘Once th
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Bob Gruen David with his new ‘off
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going to record a session’. Makin
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Where Things Are Hollow
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David’s friends from 1971 and 197
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into the American dates he called D
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luxury of international cruising. H
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As ever, Woody came straight to the
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iche hotel in Sheffield. Rival sing
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nice the day was, you wouldn’t se
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confidant of both Bowie and Ronson
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collection of covers, and started p
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it.’ Mick was both a friend who D
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working briefly on a script with Po
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UK’s Creation and Mute labels - w
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Those Trident sessions marked the e
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cutting it up into four- or five-wo
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treating guests to an impeccably tu
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Those cracks would fail to damage D
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an altogether more challenging frie
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chatted with both Ronson and Bowie
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people would be having a good time,
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silhouetted against the control-roo
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ackground; born, she told her frien
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outfit had changed line-up in 1972,
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in Queens for a decent meal and was
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MacCormack attended the New York pr
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Yet the first run of shows, the pro
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flung spots like Hull. In America,
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fourteen. Being fined by James Brow
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pulled in just behind the bridge. H
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a kind of lucky charm, and were fin
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The ramifications of David’s deal
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David did not gloat at all, he was
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leaving, but we managed to persuade
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Writer Mick Farren had been sent to
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the devotional, gospelly ‘It’s
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and ‘Win’, Tony Visconti flew o
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David had misheard ‘shame’ as
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David’s conversations with John L
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ight to reject any album should Def
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conversations with John Lennon - wh
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Actor, especially the sequence with
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for sex sessions, away from the wat
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went into it more deeply and was a
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LA around 16 March, 1975. He wanted
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ecent move from Stoke-on-Trent, the
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acquaintance with Charlie Manson, t
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tower guiding in a novice pilot. Av
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May, and was the closest witness to
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year there’s a whole format that
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large fee but was negotiated down.
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Earth would be mostly eulogised by
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says Slick, ‘and I was in a state
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the kabbalistic tree of life: Kethe
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work, the perfect gateway between A
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and pharmaceutical peculiarities, D
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Ghosts in the Echo Chambers The guy
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he told Iggy, was a sign that the w
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Station tour concluded with a maste
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that was the main attraction. His a
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emoval did not cause any specific c
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says Andrew Kent. Movie footage of
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ounced. In Switzerland, Angie had t
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peak. Most songs were sketched out
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seemed to savour the energy and vit
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crafting long tape loops into elect
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who were commemorated by a plaque o
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how his piano would fit in to Bowie
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As David made his way down the stee
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session, Eno effected a quiet revol
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Soon a decade’s worth of imitator
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spooky place - I did refuse one bed
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Helden This was clearly an ex-war z
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the glass roof, not far from the vi
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profile, made up a visual pun: Low
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ifled, the brothers watched the two
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whined. The punk movement had final
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the time the recording started, say
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where you could see gun turrets, wi
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Yet buried within the abstract shar
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thought ‘way too much’. His enj
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to ‘Heroes’, Visconti placed on
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Television’s children’s slot, d
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‘Herbie and Tony were the kind of
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On the train back to London, Bowie
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Mary Hopkin, Rod Stewart and The Da
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The beautiful but ‘heavy’ alien
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Andrew Kent The Thin White Duke on
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Eduard Meyer ‘Everything said,
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Barry Plummer Moving on: relaxing a
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on-stage, inhabiting the role of Jo
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Barry Schultz/Sunshine/Retna David
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© Denis O’Regan/CORBIS ‘You ha
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Visconti and others recall, in word
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Robinson, Angie apparently created
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Shortly afterwards David would date
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Picking out a decent script was a c
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hour and a half of bliss, punctuate
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obligation. The album’s financial
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keep things moving, impatiently ove
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came about, bar ‘Boys Keep Swingi
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estaurant. The dishes were on the t
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jealousy and a tendency for a kind
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Bowie drew out an inspiring perform
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admired the unique lifestyle he’d
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there’d be a modest present, a to
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was out of control.’ Within days,
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for their allotted fifteen minutes,
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Snapshot of a Brain I’ve never wo
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on when he was in the same position
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finalised in February 1980: a deris
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friend, ex-Beatstalker Alan Mair, F
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to take a back seat was the fact th
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discussed the Brecht recitatif sing
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Brecht’s music. Towards the end,
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told him, ‘it was made for Herman
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living.’ Friedmann followed his a
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him, would you?”’ Pitt’s infl
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exacerbated by the flunkies and yes
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nice-looking, and handled himself w
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calibre would ultimately dry up. Bu
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that would become Let’s Dance, hi
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was Henry Mancini’s Peter Gunn ho
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first glance the record company exe
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Islanders Dance Theatre acting out
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Bowie at his peak. Guitarist Stevie
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So we went out and had lunch and cl
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overwhelmed by the experience and r
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14 August. It was a poignant exampl
Page 637 and 638:
numbing. ‘Night after night, you
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most successful home-grown funk ban
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part of.’ There is something sad,
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Byron at the end of the evening, Vi
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the newspaper. ‘David turned his
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main scene, which involved him frol
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arrangement, then they explained th
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his fourteen-year-old daughter Jade
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pushing the cause, not himself, cut
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sunglasses: ‘He saw that situatio
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the same breathy counter-tenor deli
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press reports, the most successful
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claw.
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Nichols but claimed the rest of her
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eminder of David’s talent for sna
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late eighties hubris. Yet according
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also loved his virtuosity, encourag
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the guitarist, the news was ‘tota
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Ballroom. David was buoyed up, reve
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and inventions would be credited to
Page 679 and 680:
would interact. Marketed as the fir
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had just come from a club tour wher
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describing her as ‘such a wonderf
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Tin Machine hit the road for anothe
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dates, it didn’t quite gel. For G
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emember once in the back of the bus
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crucial an influence on the sound o
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David, in turn, had an entirely dif
Page 695 and 696:
Interviewed with Anderson for the N
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instrumental passages - ‘“Moona
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udget, but David just said, “Let
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on success, seemed not only unconce
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Bowie sense of humour, but there wa
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sculpting comes from a different pl
Page 709 and 710:
In this new atmosphere, Kizilcay, w
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Armstrong got a call to turn up at
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‘bold and fascinating’ said Tom
Page 715 and 716:
decades later, when albums are inde
Page 717 and 718:
effective method of dispersing them
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Junior Vasquez. Plati had helped Ga
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drawings and writing, was supremely
Page 723 and 724:
elationship as any of those between
Page 725 and 726:
Yaël Brandeis Perry With producer
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Kevin Armstrong Recording ‘Dancin
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Bellia/Dalle/Retna
Page 731 and 732:
Kevin Armstrong Among friends: with
Page 733 and 734:
Ron Galella/ WireImage ‘I have ne
Page 735 and 736:
Toby Melville/PA ‘He came back dr
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Startraks Photo/Rex Features ‘A m
Page 740 and 741:
L. Cohen/ WireImage ‘We’ll see
Page 742 and 743:
Bonds would be raised again and aga
Page 744 and 745:
perceptive observations anyone’s
Page 746 and 747:
originally intended two of the song
Page 748 and 749:
was having a child with David’s w
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the fact that his son had had such
Page 752 and 753:
With Mark Plati overseeing, they cu
Page 754 and 755:
New York was the perfect place to w
Page 756 and 757:
him and tears ran down his face. Th
Page 758 and 759:
prepared by listening through the o
Page 760 and 761:
elationship was: ‘I worked with p
Page 762 and 763:
again, but tragedy struck on 6 May,
Page 766 and 767:
The Houdini Mechanism The thing I r
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their rendition was on the edge and
Page 770 and 771:
encouraged some observers to liken
Page 772 and 773:
occasional sighting at fashion-rela
Page 774 and 775:
would you be wishing you could spen
Page 776 and 777:
etween Bowie and MainMan rumbled on
Page 778 and 779:
politely dismissed suggestions that
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of the hamper’s goodies, as Georg
Page 782 and 783:
epiphanies. Bowie has been derided
Page 784: hearing the next thing. Still, ther
Page 787 and 788: David Bowie Recorded: November 1966
Page 789 and 790: David Bowie aka Space Oddity (UK 19
Page 792 and 793: Hunky Dory Recorded: July 1971; Tri
Page 794 and 795: The Rise and Fall of Ziggy Stardust
Page 796: Aladdin Sane Recorded: October 1972
Page 799 and 800: eworked into turgid, platform-boote
Page 801 and 802: alongside the resonant ‘Sweet Thi
Page 804 and 805: Young Americans Recorded: August 19
Page 806 and 807: Station to Station Recorded: Novemb
Page 808: Low Recorded: September - early Oct
Page 811 and 812: number twenty-four in the UK single
Page 813 and 814: Lodger Recorded: September 1978 and
Page 815 and 816: Scary Monsters … and Super Creeps
Page 817 and 818: Baal Recorded: September 1981; Hans
Page 819 and 820: - ‘Without You’, ‘Ricochet’
Page 821 and 822: wedding and bar mitzvah jobs - two
Page 823 and 824: the same period, he’d bashed out
Page 825 and 826: primarily as a scorched-earth polic
Page 827: Black Tie White Noise Recorded: 199
Page 830 and 831: a low-key, belated release by Unive
Page 833: Earthling Recorded: 1996; Looking G
Page 838: Reality Recorded: January 2003, Loo
Page 841 and 842: 1 When I’m Five Opening paragraph
Page 843 and 844: 2 ‘Numero Uno, Mate!’ Main sour
Page 845 and 846: 4 Laughing Gnome Principal sources,
Page 847 and 848: 6 Check Ignition Main sources: Ray
Page 849 and 850: 8 Kooks Main interviews for this ch
Page 851 and 852: 9 Over the Rainbow Main sources for
Page 853 and 854: 10 Battle Cries and Champagne The a
Page 855 and 856: 12 The Changing isn’t Free David
Page 857 and 858: 13 Make Me Break Down and Cry Key s
Page 859 and 860: 14 White Stains Main sources: Ava C
Page 861 and 862: to me in German, turned away and I
Page 863 and 864: 16 Helden Opening section is based
Page 865 and 866: 18 Snapshot of a Brain Duncan Jones
Page 867 and 868: 20 It’s My Life - So Fuck Off Pri
Page 869 and 870: 22 The Houdini Principle The title
Page 871 and 872: Background Reading All written sour
Page 873: Zag. Copies of The Times, The Sunda
Page 876 and 877: Marsh, Martin Hopewell, Laurie Horn
Page 878 and 879: Keith Herd, Susan Hill, Clare Hirst
Page 881 and 882: INDEX Abbott, Maggie, 202, 229-230,
Page 883 and 884: Blair, Tony, 92, 368 Bloom, John, 3
Page 885 and 886:
ambition, 3, 4, 27, 38-39, 49, 74,
Page 887 and 888:
Dinah Shore Show, 271; Marc (Granad
Page 889 and 890:
(1973), 178, 187-189; 1973 period,
Page 891 and 892:
175, 176, 253, 254-258, 261, 271-27
Page 893 and 894:
with Lou Reed (April 1979), 292, 29
Page 895 and 896:
cut-up technique, 199, 200, 202, 20
Page 897 and 898:
Boys’, 52-53, 57, 68, 69; ‘All
Page 899 and 900:
‘China Girl’ (with Iggy Pop), 2
Page 901 and 902:
Browne, Jackson, 312, 317 Buckmaste
Page 903 and 904:
51-52, 79, 107, 335 Cook, Raymond,
Page 905 and 906:
Donegan, Lonnie, 18, 68, 77 Donovan
Page 907 and 908:
212, 278 Flux, Johnny, 41, 44, 45,
Page 909 and 910:
Haag, Romy, 250, 253, 258, 268, 269
Page 911 and 912:
Iman Abdul Majid, 301, 350-351, 352
Page 913 and 914:
Kabuki, 81, 188, 395 Kael, Pauline,
Page 915 and 916:
Lynn, Vera, 2, 35 Lynott, Phil, 215
Page 917 and 918:
MOJO magazine, 311 Momus, 395-396 M
Page 919 and 920:
Outsider (Colin Wilson book), 232 P
Page 921 and 922:
and, 258; sings on Low, 263; Stooge
Page 923 and 924:
Renwick, Tim, 98, 103, 108, 110, 11
Page 925 and 926:
341-342, 343, 345-346, 354 Samye Li
Page 927 and 928:
292 Sounds Incorporated, 41 Spandau
Page 929 and 930:
artist and illustrator, 86, 200, 39
Page 931 and 932:
Welch, Chris, 75, 279, 280 The Who,
Page 933:
* This lovely phrase derives from l
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