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Bowie PDF Book from JFK247

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effective method of dispersing them. Morrissey left<br />

the UK tour after the first ten dates, taking offence at<br />

<strong>Bowie</strong>’s suggestion their sets should overlap, like<br />

they had done on his American tour. Morrissey was<br />

not as accommodating as Trent Reznor of a move<br />

‘which deprives people of saying goodbye to me’, he<br />

asserted later, adding for good measure, ‘He’s a<br />

business, you know. He’s not really a person.’<br />

On 19 February, 1996, as the European leg of the<br />

tour came to a close, there was a rather more<br />

fulsome tribute <strong>from</strong> Tony Blair, Labour Party leader,<br />

who hailed David as ‘an innovator’ as he presented<br />

him with a Brit award for Lifetime Achievement. The<br />

future world statesman was six years younger than<br />

David, who later commented he’d only turned up at<br />

the awards ceremony to perform his current single,<br />

‘Hallo Spaceboy’ – if so, the tactic worked, for the<br />

Pet Shop Boys’ remix of the song entered the UK<br />

charts a fortnight later at number twelve.<br />

The success of ‘Hallo Spaceboy’ was a welcome<br />

vindication in a year in which David’s public, and the<br />

critics, gave his new material a generally grudging<br />

reception. His own enthusiasm, though, was fired up<br />

to a new peak, for after a short break in the spring<br />

the band – stripped down to Gabrels, Garson, Alford<br />

and Gail Ann Dorsey, whose vocals on a superb<br />

version of ‘Under Pressure’ were now a staple of the<br />

set – returned to Europe for festival dates in June<br />

and July. It was just a couple of days after the band<br />

had returned home that David called Gabrels to tell<br />

him he’d booked Philip Glass’s studio in New York,<br />

for a fortnight later.

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