THE EGYPTIAN FOUNDATIONS OF GNOSTIC THOUGHT
THE EGYPTIAN FOUNDATIONS OF GNOSTIC THOUGHT
THE EGYPTIAN FOUNDATIONS OF GNOSTIC THOUGHT
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descends to earth. Once on earth, Hathor takes the form of a lioness (Sekhmet),<br />
unleashing a terrible slaughter upon humankind:<br />
That is how the Powerful One (Sekhmet) came into being, the Confused One in<br />
the night, to wade in their blood as far as Heracleopolis. 35<br />
The decisive similarity here with the Pistis Sophia, besides the obvious lion-figure, is<br />
the depiction of it operating as an independent force of evil, for Re becomes alarmed<br />
at her excessive will in this regard. Re is forced to send emissaries and devise a ruse<br />
whereby Hathor/Sekhmet would desist in her sanguine activities: the point is that she<br />
was no longer an extension of his will, but was effectively saying “non serviam”. As<br />
with the later Sophia myths, this terrible lower aspect of the goddess Hathor/Sekhmet<br />
is later redeemed by Re as she assumes the higher form of his Eye once again. The<br />
eye of Re in this capacity, is also to be found in the Book of the Dead. This is one of<br />
two critical Egyptian myths that form the main Sophia myth in Valentinian thought,<br />
for example, and the same derivation in the Pistis Sophia is quite apparent.<br />
The calendar used in the Pistis Sophia is based upon the Egyptian civil<br />
calendar in widespread use until 239 B.C.E. Even after the Ptolemaic decree, in which<br />
the 360 day +5 calendar was to be replaced by a 365.25 day calendar, it is argued that<br />
the traditional Egyptian calendar continued to be used in Egypt. Other specific<br />
calendrical references in the Pistis Sophia show that the calendar is indisputably the<br />
Egyptian civil calendar. 36<br />
Apart from these compelling factors, there is the emphasis at various junctures<br />
upon the sacred sound of the name; there are the passwords given the ascending soul,<br />
that it may pass beyond the lower regions into eternal life; there is the ascent of the<br />
master to heaven and his return to teach; finally, the whole collection could easily be<br />
entitled a “Book of the Dead” given the emphasis placed upon the soteriology of the<br />
individual soul – this involves understanding a specific cosmological system, a<br />
scheme of things rather alien to orthodox Christianity. The nine zones of course<br />
suggests the traditional Egyptian emphasis upon the ennead, and the primacy of the<br />
initial three reinforces this.<br />
The syncretism with various Greek mythical figures, as with the connection<br />
made with Bubastis “who is called Aphrodite in the cosmos” (Book IV.140), suggests<br />
an Alexandrian context; as well, the heavy reliance upon the psalms – which for<br />
rhetorical effect are likely to have been presumed as a donné in the reader/listener –<br />
may indicate a strong Jewish influence. 37<br />
Alexandria, again, had its influential Jewish<br />
community, a community that was headed towards complete assimilation and this<br />
Geschichte und Altertumskunde Aegyptens, vol. 5 (reprint; 1912, Hildesheim: Georg Olms<br />
Verlagsbuchhandlung, 1964), 119-56.<br />
35<br />
The Book of the Divine Cow in Alexandre Piankoff, The Shrines of Tut-Ankh-Amon,<br />
Bollingen Series XL.2 (New York: Panthen Books,1955), 28.<br />
36<br />
Przybylski, “The Role of Calendrical Data in Gnostic Literature,”57.<br />
37<br />
However, these attributes are limited to Books IV and II respectively and cannot be<br />
generalised for the entire text.